0 likesNot savedShare from mobile app
panel (wood)27 × 34 Cm
Views
0
Likes
0
Saves
Not saved
Shares
0
About the artwork
Artist supplied description.
Pairing the figures of the Virgin Mary and Saint John the Evangelist, this panel was probably once the right half of a diptych. A representation of Christ after the Crucifixion, a type characterized as the "Man of Sorrows," probably filled the lost left-hand panel and would have been the object of the tearful gazes of Mary and John and also of the meditation of the diptych’s owner. The textured gold background suggests that the figures exist in a visionary space, suited to the meditative function of the ensemble. The painting’s style and its underdrawing suggest that it may be the work of one of Jacob Cornelisz.’s close associates, an artist who has been named for a sketchbook preserved in Berlin.
Artwork metadata
Structured fields synced from connected systems.
| Medium | panel (wood) |
| Dimensions | 27 × 34 Cm |
| Tags | Century of ProgressMourningDevotionChristianityChristian subjectsreligiousreligionbiblicalsaintsVirgin Maryworld's fairsChicago World's Fairs |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Tue
24
Feb
note
Duc de Blacas, Paris
Duc de Blacas, Paris
Tue
24
Feb
note
Martha Wolff in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, Chicago, 2008, pp. 184-88, ill.
Martha Wolff in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, Chicago, 2008, pp. 184-88, ill.
Tue
24
Feb
note
bequeathed to the Art Institute of Chicago, 1937.
bequeathed to the Art Institute of Chicago, 1937.
Tue
24
Feb
note
Max J. Friedländer, Die altniederländische Malerei, vol. 12, Leiden, 1935, p. 196, no. 275; rev. English ed., Early Netherlandish Painting, Brussels and Leiden, 1975, p. 117, no. 275, pl. 148.
Max J. Friedländer, Die altniederländische Malerei, vol. 12, Leiden, 1935, p. 196, no. 275; rev. English ed., Early Netherlandish Painting, Brussels and Leiden, 1975, p. 117, no. 275, pl. 148.
Tue
24
Feb
exhibition
Art Institute of Chicago, A Century of Progress, 1933, no. 39.
Art Institute of Chicago, A Century of Progress, 1933, no. 39.
Tue
24
Feb
note
by descent to his wife Carrie Hutchinson Ryerson (1859–1937), Chicago, 1932 [Last Will and Testament of Martin A....
by descent to his wife Carrie Hutchinson Ryerson (1859–1937), Chicago, 1932 [Last Will and Testament of Martin A. Ryerson, Died August 11, 1932, copy in Institutional Archives, Art Institute of Chicago]
Tue
24
Feb
note
Martin A....
Martin A. Ryerson (d. 1932), Chicago
Tue
24
Feb
exhibition
Renaissance Society, University of Chicago, Loan Exhibition of Religious Art from the Fourth Century to the Present Time, 1930, no. 20.
Renaissance Society, University of Chicago, Loan Exhibition of Religious Art from the Fourth Century to the Present Time, 1930, no. 20.
Tue
24
Feb
note
Kurt Steinbart, “Nachlese im Werke des Jacob Cornelisz,” Marburger Jahrbuch für Kunstwissenschaft 5
Kurt Steinbart, “Nachlese im Werke des Jacob Cornelisz,” Marburger Jahrbuch für Kunstwissenschaft 5 (1929), p. 256.
Tue
24
Feb
note
Max J. Friedländer, review of Kurt Steinbart, Die Tafelgemälde des Jakob Cornelisz von Amsterdam, in Kunstchronik und Kunstmarkt, n.s., 34
Max J. Friedländer, review of Kurt Steinbart, Die Tafelgemälde des Jakob Cornelisz von Amsterdam, in Kunstchronik und Kunstmarkt, n.s., 34 (1923), pp. 605–06.
Tue
24
Feb
note
sold to Ryerson, June 18, 1914
sold to Ryerson, June 18, 1914
Tue
24
Feb
note
sold to Kleinberger, Paris, Feb....
sold to Kleinberger, Paris, Feb. 21, 1914
Tue
24
Feb
note
Jane L. Carroll, “The Paintings of Jacob Cornelisz. van Oostsanen
Jane L. Carroll, “The Paintings of Jacob Cornelisz. van Oostsanen (1472–1533),” Ph.D. diss., University of North Carolina,Chapel Hill, 1987 (Ann Arbor, Mich., University Microfilms, 1988), pp. 307–08, cat. D5, fig. 90.
Fri
24
Feb
note
K. G. Boon, Netherlandish Drawings of the Fifteenth and Sixteenth Centuries, The Hague, 1978, p. 52, under no. 144. Sutton 1986, p. 49.
K. G. Boon, Netherlandish Drawings of the Fifteenth and Sixteenth Centuries, The Hague, 1978, p. 52, under no. 144. Sutton 1986, p. 49.
Fri
24
Feb
note
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, pp. 84–85.
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, pp. 84–85.
© Artist-Unknown. All rights reserved.