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oil paint (paint)92 × 73 Cm
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About the artwork
Artist supplied description.
Camille Pissarro referred to this painting in a letter of November 1894, when he wrote to his son Lucien that he wanted to send him a picture of “a little peasant girl dipping her feet in the water.” At the time, he considered the work almost finished but still lacking “that little something,” exclaiming optimistically, “I think I will get it, I feel it!” His continued ruminations on the composition may explain its heavily encrusted surface. After finishing it, he painted a variation featuring a nude (a rarity for the artist) in the same pose and setting (1895; Metropolitan Museum of Art, New York).
Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 92 × 73 Cm |
| Tags | batherswomantreesshoesrivergreen (color)foliageclothbushesbathingleisureweather/seasonslandscapeswaterwomen |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Thu
22
Jan
exhibition
Kunstmuseum Basel, Camile Pissarro: The Studio of Modernism, Sep. 4, 2021-Jan. 23, 2022, cat. 130.
Kunstmuseum Basel, Camile Pissarro: The Studio of Modernism, Sep. 4, 2021-Jan. 23, 2022, cat. 130.
Thu
22
Jan
note
Christophe Duvivier and Josef Helfenstein, eds., Camille Pissarro: The Studio of Modernism, exh. cat.
Christophe Duvivier and Josef Helfenstein, eds., Camille Pissarro: The Studio of Modernism, exh. cat. (Munich Prestel Verlag, 2021), 283 cat. 130, 322.
Thu
22
Jan
note
Richard Brettell and Joachim Pissarro. Pissaro à Éragny. La nature retrouvée, exh. cat.
Richard Brettell and Joachim Pissarro. Pissaro à Éragny. La nature retrouvée, exh. cat. (Réunion des musées natiomaux-Grand Palais, 2017), p. 91,94, 202, cat. 32 (ill).
Thu
22
Jan
exhibition
Paris, France, Réunion des musées nationaux-Grand Palais, Pissarro in Eragny. Nature regained (Pissarro à Éragny, l'anarchie et la nature), March 16-July 9, 2017, cat. 32.
Paris, France, Réunion des musées nationaux-Grand Palais, Pissarro in Eragny. Nature regained (Pissarro à Éragny, l'anarchie et la nature), March 16-July 9, 2017, cat. 32.
Thu
22
Jan
note
“Cat. 14: Woman Bathing Her Feet in a Brook, 1894/95,” in Pissarro Paintings and Works on Paper at the Art Institute of Chicago, eds. Gloria Groom and Genevieve Westerby
“Cat. 14: Woman Bathing Her Feet in a Brook, 1894/95,” in Pissarro Paintings and Works on Paper at the Art Institute of Chicago, eds. Gloria Groom and Genevieve Westerby (Art Institute of Chicago, 2015), https://publications.artic.edu/pissarro/reader/paintingsandpaper/section/8.
Thu
22
Jan
note
Atsushi Miura, Sylvain Amic, Emily A Beeny, Hikari no sanka inshōhaten: Pari sēnu norumandi no mizube o tadoru tabi/Impressionists at the Waterside—Depicting Urban Resorts: Paris, the Seine, and Normany, trans. Walter Hamilton, So Ota, Tats...
Atsushi Miura, Sylvain Amic, Emily A Beeny, Hikari no sanka inshōhaten: Pari sēnu norumandi no mizube o tadoru tabi/Impressionists at the Waterside—Depicting Urban Resorts: Paris, the Seine, and Normany, trans. Walter Hamilton, So Ota, Tatsuya Saito, et. al., exh. cat. (Tokyo Fuji Art Museum/Sankei Shimbun, 2014), pp. 84, cat. 39 (ill.); 159.
Thu
22
Jan
exhibition
Tokyo Fuji Art Museum, Impressionists at the Waterside—Depicting Urban Resorts: Paris, the Seine, and Normandy, Oct. 22, 2013–Jan. 5, 2014, cat. 39 (ill.); Fukuoka City Museum, Jan. 15–Mar. 2, 2014; Museum of Kyoto, Mar. 11–May 11, 2014.
Tokyo Fuji Art Museum, Impressionists at the Waterside—Depicting Urban Resorts: Paris, the Seine, and Normandy, Oct. 22, 2013–Jan. 5, 2014, cat. 39 (ill.); Fukuoka City Museum, Jan. 15–Mar. 2, 2014; Museum of Kyoto, Mar. 11–May 11, 2014.
Thu
22
Jan
note
Claire Durand-Ruel Snollaerts, Pissarro: Patriarche des impressionnistes
Claire Durand-Ruel Snollaerts, Pissarro: Patriarche des impressionnistes (Découvertes Gallimard/Réunion des Musées Nationaux Arts, 2012), pp. 74–75 (ill.), 123.
Thu
22
Jan
note
Richard Brettell, Pissarro’s People, exh. cat.
Richard Brettell, Pissarro’s People, exh. cat. (Fine Arts Museums of San Francisco/Sterling and Francine Clark Art Institute/Prestel, 2011), pp. 280–81, fig. 237.
Thu
22
Jan
exhibition
Fort Worth, Tex., Kimbell Art Museum, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29–Nov. 2, 2008, cat. 46 (ill.).
Fort Worth, Tex., Kimbell Art Museum, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29–Nov. 2, 2008, cat. 46 (ill.).
Thu
22
Jan
note
Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Impressionists: Master Paintings from the Art Institute of Chicago, exh. cat.
Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Impressionists: Master Paintings from the Art Institute of Chicago, exh. cat. (Art Institute of Chicago/Kimbell Art Museum, 2008), pp. 23; 104–05, cat. 46 (ill.). Simultaneously published as Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Age of Impressionism at the Art Institute of Chicago (Art Institute of Chicago/Yale University Press, 2008), pp. 23; 104-105, cat. 46 (ill.).
Thu
22
Jan
note
Nathalia Brodskaïa, Impressionism, trans. Rebecca Brimacombe and Richard Swanson
Nathalia Brodskaïa, Impressionism, trans. Rebecca Brimacombe and Richard Swanson (Parkstone, 2007), p. 205 (ill.).
Thu
22
Jan
note
Joachim Pissarro and Claire Durand-Ruel Snollaerts, with the collaboration of Alexia de Buffévent and Annie Champié,Pissarro: Catalogue critique des peintures/Critical Catalogue of Paintings, vol. 3, trans. Mark Hutchinson and Michael Taylo...
Joachim Pissarro and Claire Durand-Ruel Snollaerts, with the collaboration of Alexia de Buffévent and Annie Champié,Pissarro: Catalogue critique des peintures/Critical Catalogue of Paintings, vol. 3, trans. Mark Hutchinson and Michael Taylor (Skira/Wildenstein Institute, 2005), p. 678, cat. 1061 (ill.).
Thu
22
Jan
note
Joachim Pissarro and Claire Durand-Ruel Snollaerts, with the collaboration of Alexia de Buffévent and Annie Champié, Pissarro: Critical Catalogue of Paintings, vol. 1, trans. Mark Hutchinson and Michael Taylor
Joachim Pissarro and Claire Durand-Ruel Snollaerts, with the collaboration of Alexia de Buffévent and Annie Champié, Pissarro: Critical Catalogue of Paintings, vol. 1, trans. Mark Hutchinson and Michael Taylor (Skira/Wildenstein Institute, 2005), pp. 364, 366, 389, 390, 393, 394, 395, 396, 398, 400, 414, 417, 420, 421.
Thu
22
Jan
note
Art Institute of Chicago, Impressionism and Post-Impressionism in the Art Institute of Chicago, selected by James N. Wood
Art Institute of Chicago, Impressionism and Post-Impressionism in the Art Institute of Chicago, selected by James N. Wood (Art Institute of Chicago/Hudson Hills, 2000), p. 143 (ill.).
Fri
22
Jan
note
given to the Art Institute of Chicago, 1999.
given to the Art Institute of Chicago, 1999.
Fri
22
Jan
exhibition
Singapore Museum of Art, Monet to Moore: The Millennium Gift of Sara Lee Corporation, Apr. 1–May 30, 1999, cat. 39 (ill.); National Gallery of Australia, Canberra, June 11–Aug. 22, 1999; North Carolina Museum of Art, Raleigh...
Singapore Museum of Art, Monet to Moore: The Millennium Gift of Sara Lee Corporation, Apr. 1–May 30, 1999, cat. 39 (ill.); National Gallery of Australia, Canberra, June 11–Aug. 22, 1999; North Carolina Museum of Art, Raleigh, Sept. 10–Nov. 7, 1999; Portland (Ore.) Art Museum, Nov. 19, 1999–Jan. 23, 2000; Art Institute of Chicago, Mar. 13–May 28, 2000.
Fri
22
Jan
note
Richard Brettell, with Natalie H. Lee, Monet to Moore: The Millennium Gift of Sara Lee Corporation, exh. cat.
Richard Brettell, with Natalie H. Lee, Monet to Moore: The Millennium Gift of Sara Lee Corporation, exh. cat. (Yale University Press, 1999), pp. xi, fig. 7; 152–55, cat. 39 (ill. and detail).
Thu
22
Jan
note
“A Selection of 1998 Museum Acquisitions,” Apollo 148, 442
“A Selection of 1998 Museum Acquisitions,” Apollo 148, 442 (Dec. 1998), p. 46 (ill.).
Thu
22
Jan
note
“Un dessert Sara Lee pour Chicago,” Le journal des arts 63
“Un dessert Sara Lee pour Chicago,” Le journal des arts 63 (June 19, 1998), p. 1.
Wed
22
Jan
note
Jolande Prudon, “Van Pissarro tot Manzú: Een rondleiding lands de Sara Lee Collectie,” in “Collectie Sara Lee Corporation: Meesters van de moderne kunst,” ed. Jolande Prudon, Emke Raassen-Kruimel, and Karin Verboeket, special issue, Singer ...
Jolande Prudon, “Van Pissarro tot Manzú: Een rondleiding lands de Sara Lee Collectie,” in “Collectie Sara Lee Corporation: Meesters van de moderne kunst,” ed. Jolande Prudon, Emke Raassen-Kruimel, and Karin Verboeket, special issue, Singer Bulletin 7 (Oct. 1997), p. 10, fig. 2.
Wed
22
Jan
exhibition
Laren, Netherlands, Singer Laren, An Impressionist Legacy, Meesters van de Moderne Kunst: Collectie Sara Lee Corporation: Meesters van de moderne kunst, Oct. 18, 1997–Feb. 15, 1998, no cat.
Laren, Netherlands, Singer Laren, An Impressionist Legacy, Meesters van de Moderne Kunst: Collectie Sara Lee Corporation: Meesters van de moderne kunst, Oct. 18, 1997–Feb. 15, 1998, no cat.
Wed
22
Jan
note
Jolande Prudon, Emke Raassen-Kruimel, and Karin Verboeket, “Voorwoord,” in “Collectie Sara Lee Corporation: Meesters van de moderne kunst,” special issue, Singer Bulletin 7
Jolande Prudon, Emke Raassen-Kruimel, and Karin Verboeket, “Voorwoord,” in “Collectie Sara Lee Corporation: Meesters van de moderne kunst,” special issue, Singer Bulletin 7 (Oct. 1997), front cover (detail), p. 2.
Sat
22
Jan
note
Joachim Pissarro and Stephanie Rachum, Camille Pissarro: Impressionist Innovator, exh. cat.
Joachim Pissarro and Stephanie Rachum, Camille Pissarro: Impressionist Innovator, exh. cat. (Israel Museum, Jerusalem, 1994), p. 183, cat. 92 (ill.).
Sat
22
Jan
note
Felice Maranz, “The Innovator,” Jerusalem Report, Nov. 3, 1994, p. 40.
Felice Maranz, “The Innovator,” Jerusalem Report, Nov. 3, 1994, p. 40.
Sat
22
Jan
note
Hillel Schenker, “Camille Pissarro: The Jewish Impressionist,” Wizo Review 272
Hillel Schenker, “Camille Pissarro: The Jewish Impressionist,” Wizo Review 272 (Fall–Winter 1994), pp. 2 (detail), 21 (ill.).
Sat
22
Jan
exhibition
Jerusalem, Israel Museum, Weisbord Exhibition Pavilion, Camille Pissarro: Impressionist Innovator, Oct. 11, 1994–Feb. 9, 1995, cat. 92 (ill.); New York, Jewish Museum, Feb. 26–July 16, 1995.
Jerusalem, Israel Museum, Weisbord Exhibition Pavilion, Camille Pissarro: Impressionist Innovator, Oct. 11, 1994–Feb. 9, 1995, cat. 92 (ill.); New York, Jewish Museum, Feb. 26–July 16, 1995.
Sat
22
Jan
note
Meir Ronnen, “Pissarro: Eye, Hand and Mind,” Jerusalem Post Magazine, Oct. 21, 1994, p. 19.
Meir Ronnen, “Pissarro: Eye, Hand and Mind,” Jerusalem Post Magazine, Oct. 21, 1994, p. 19.
Fri
22
Jan
note
Joachim Pissarro, Camille Pissarro
Joachim Pissarro, Camille Pissarro (Abrams, 1993), p. 170, cat. 181 (ill.).
Wed
22
Jan
note
Joachim Pissarro, Camille Pissarro, Rizzoli Art Series, ed. Norma Broude
Joachim Pissarro, Camille Pissarro, Rizzoli Art Series, ed. Norma Broude (Rizzoli, 1992), pl. 13.
Mon
22
Jan
exhibition
Winston-Salem, N.C., Reynolda House Museum of American Art, An Impressionist Legacy: The Collection of Sara Lee Corporation, Sept. 9–Dec. 28, 1990, no cat.; Memphis, Dixon Gallery and Gardens, Jan. 20–Mar. 17, 1991.
Winston-Salem, N.C., Reynolda House Museum of American Art, An Impressionist Legacy: The Collection of Sara Lee Corporation, Sept. 9–Dec. 28, 1990, no cat.; Memphis, Dixon Gallery and Gardens, Jan. 20–Mar. 17, 1991.
Mon
22
Jan
note
Richard Thomson, Camille Pissarro: Impressionism, Landscape, and Rural Labour, exh. cat.
Richard Thomson, Camille Pissarro: Impressionism, Landscape, and Rural Labour, exh. cat. (South Bank Centre/Herbert Press, 1990), p. 89, fig. 108.
Fri
22
Jan
note
Janine Bailly-Herzberg, ed., Correspondance de Camille Pissarro, vol. 3, 1891–1894
Janine Bailly-Herzberg, ed., Correspondance de Camille Pissarro, vol. 3, 1891–1894 (Valhermeil, 1988), pp. 513 (letter 1073), 521 (letter 1080).
Fri
22
Jan
note
Janine Bailly-Herzberg, ed., Correspondance de Camille Pissarro, vol. 4, 1895–1898
Janine Bailly-Herzberg, ed., Correspondance de Camille Pissarro, vol. 4, 1895–1898 (Valhermeil, 1988), p. 33, n. 1.
Wed
22
Jan
note
John House, “Camille Pissarro’s Idea of Unity,” in Christopher Lloyd, ed., Studies on Camille Pissarro
John House, “Camille Pissarro’s Idea of Unity,” in Christopher Lloyd, ed., Studies on Camille Pissarro (Routledge & Kegan Paul, 1986), p. 33, n. 16.
Wed
22
Jan
note
Richard R. Brettell, An Impressionist Legacy: The Collection of Sara Lee Corporation
Richard R. Brettell, An Impressionist Legacy: The Collection of Sara Lee Corporation (Abbeville, 1986), pp. 48–50 (ill. and detail), 123–24.
Sat
22
Jan
note
Consolidated Foods Corporation, Nathan Cummings Collection
Consolidated Foods Corporation, Nathan Cummings Collection (Consolidated Foods Corporation, [1983]), pp. 6; 7, fig. 1.
Thu
22
Jan
note
Christopher Lloyd, Camille Pissarro
Christopher Lloyd, Camille Pissarro (Skira/Rizzoli, 1981), p. 119 (ill.).
Tue
22
Jan
note
Richard Brettell and Christopher Lloyd, A Catalogue of the Drawings by Camille Pissarro in the Ashmolean Museum, Oxford
Richard Brettell and Christopher Lloyd, A Catalogue of the Drawings by Camille Pissarro in the Ashmolean Museum, Oxford (Clarendon/Oxford University Press, 1980), p. 186.
Tue
22
Jan
note
transferred to Consolidated Foods Nathan Cummings Collection (Sara Lee Corporation), 1980
transferred to Consolidated Foods Nathan Cummings Collection (Sara Lee Corporation), 1980
Mon
22
Jan
note
Christopher Lloyd, Pissarro
Christopher Lloyd, Pissarro (Phaidon, 1979), pp. 10; 15; pl. 33.
Wed
22
Jan
note
Christopher Lloyd, “Camille Pissarro and Hans Holbein the Younger,” Burlington Magazine 117, 872
Christopher Lloyd, “Camille Pissarro and Hans Holbein the Younger,” Burlington Magazine 117, 872 (Nov. 1975), p. 725, n. 4.
Tue
22
Jan
note
Raymond Cogniat, Pissarro
Raymond Cogniat, Pissarro (Flammarion, 1974), back cover (ill.).
Fri
22
Jan
exhibition
New York, Metropolitan Museum of Art, Paintings from New York Collections: Nathan Cummings Collection, July 1–Sept. 7, 1971, cat. 55.
New York, Metropolitan Museum of Art, Paintings from New York Collections: Nathan Cummings Collection, July 1–Sept. 7, 1971, cat. 55.
Fri
22
Jan
note
Metropolitan Museum of Art, Paintings from New York Collections: Nathan Cummings Collection, exh. cat.
Metropolitan Museum of Art, Paintings from New York Collections: Nathan Cummings Collection, exh. cat. (Metropolitan Museum of Art, 1971), p. 9, cat. 55.
Thu
22
Jan
note
Marie–Claude Wrenn, “Mr. Sara Lee, Art Collector,” Life Magazine
Marie–Claude Wrenn, “Mr. Sara Lee, Art Collector,” Life Magazine (Oct. 23, 1970), p. 77 (ill).
Mon
22
Jan
note
Christie’s, New York, Van Gogh, Gauguin, and Their Circle, with a preface by John Richardson, exh. cat.
Christie’s, New York, Van Gogh, Gauguin, and Their Circle, with a preface by John Richardson, exh. cat. (Christie, Manson & Woods, 1968), cat. 17 (ill.).
Mon
22
Jan
exhibition
New London, Conn., Lyman Allyn Museum, Paintings and Sculpture from the Collection of Mr. and Mrs. Nathan Cummings, Jan. 19–Feb. 18, 1968, no cat. no. (ill.).
New London, Conn., Lyman Allyn Museum, Paintings and Sculpture from the Collection of Mr. and Mrs. Nathan Cummings, Jan. 19–Feb. 18, 1968, no cat. no. (ill.).
Mon
22
Jan
note
Lyman Allyn Museum, Paintings and Sculpture from the Collection of Mr. and Mrs. Nathan Cummings, exh. cat.
Lyman Allyn Museum, Paintings and Sculpture from the Collection of Mr. and Mrs. Nathan Cummings, exh. cat. (Lyman Allyn Museum, 1968), n.p. (ill.).
Mon
22
Jan
exhibition
New York, Christie’s, Van Gogh, Gauguin and Their Circle, Nov. 14–30, 1968, cat. 17 (ill.).
New York, Christie’s, Van Gogh, Gauguin and Their Circle, Nov. 14–30, 1968, cat. 17 (ill.).
© Artist-Unknown. All rights reserved.