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Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 63 × 76 Cm |
| Tags | portraitmenmanportraits: European subject |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Sun
08
Feb
note
given by them to the Art Institute of Chicago, 1944.
given by them to the Art Institute of Chicago, 1944.
Sun
08
Feb
note
probably at his death to his widow, Jeanette Hancock Logan, Chicago, (d....
probably at his death to his widow, Jeanette Hancock Logan, Chicago, (d. 1943), by descent to their sons Spencer H. Logan, Stuart Logan, and Waldo Logan
Sun
08
Feb
note
Arthur Tooth and Sons, London, by 1919 [according to the mount of a photograph in Witt Library, London]], presumably as a pair with the portrait of Mrs....
Arthur Tooth and Sons, London, by 1919 [according to the mount of a photograph in Witt Library, London]], presumably as a pair with the portrait of Mrs. Pringle, monogrammed and dated 1797, now in the Baltimore Museum of Art. Probably Frank G. Logan, Chicago (d. 1937) [his ownership can be inferred from the joint gift of his sons, see below]
Thu
08
Feb
note
Malcolm Warner in Susan Wise and Malcolm Warner, French and British Paintings from 1600 to 1800 in The Art Institute of Chicago: Chicago, 1996, pp. 185-188, ill.
Malcolm Warner in Susan Wise and Malcolm Warner, French and British Paintings from 1600 to 1800 in The Art Institute of Chicago: Chicago, 1996, pp. 185-188, ill.
Wed
08
Feb
note
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, p. 219.
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, p. 219.
Mon
08
Feb
note
John Wilson, "The Romantics, 1790-1830," in The British Portrait, 1660-1960, introduction by Sir Roy Strong, Woodbridge, 1991, p. 268. pl. 257.
John Wilson, "The Romantics, 1790-1830," in The British Portrait, 1660-1960, introduction by Sir Roy Strong, Woodbridge, 1991, p. 268. pl. 257.
© Artist-Unknown. All rights reserved.