ArtworkStatus unknown

Christ and the Samaritan Woman

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paper (fiber product)18 × 13 Cm

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About the artwork
Artist supplied description.

Giulio Campagnola invented stipple engraving, a method of using the point of the burin (a tool with diamond-shaped steel shaft) to make numerous small flecks in the metal plate, creating gradated tones instead of the more common linework. This technique approximated painting’s subtle transitions from light to dark values. This print may be after a composition, now lost, by Giorgione or Titian, both of whom were from Venice where Campagnola worked. It illustrates a story from the Gospel of John when Christ meets a woman by a well and asks her for a drink of water before revealing to her that he is the Messiah.

Artwork metadata
Structured fields synced from connected systems.
Mediumpaper (fiber product)
Dimensions18 × 13 Cm
CertificateCertificate not provided
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Tue
06
Feb
exhibition

Washington, D.C., National Gallery of Art, “Prints of the Italian Renaissance, ” June 23–October 7, 1973; also traveled to San Francisco, California Palace of the Legion of Honor, November 10, 1973–January 13, 1974.

Washington, D.C., National Gallery of Art, “Prints of the Italian Renaissance,” June 23–October 7, 1973; also traveled to San Francisco, California Palace of the Legion of Honor, November 10, 1973–January 13, 1974.
Tue
06
Feb
note

Jay A. Levenson, Prints of the Italian Renaissance: A Handbook of the Exhibition,

Jay A. Levenson, Prints of the Italian Renaissance: A Handbook of the Exhibition, (National Gallery of Art, Washington D.C. 1973), no. 284.
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