Two Tahitian Women in a Landscape

Anna Gruetzner Robins, “Manet and the Post-Impressionists’: A Checklist of Exhibits,” Burlington Magazine 152, no. 1293 (Dec. 2010), pp. 787–88.

Peter Kort Zegers, “In the Kitchen with Paul Gauguin: Devising Recipes for a Symbolist Graphic Aesthetic,” in The Broad Spectrum: Studies in the Materials, Techniques, and Conservation of Color on Paper, ed. Harriet K. Stratis and Britt Salvesen (Archetype, 2002), pp. 141–43, fig. 3.7.

Colta Ives and Susan Alyson Stein, The Lure of the Exotic: Gauguin in New York Collections, with Charlotte Hale and Marjorie Shelley, exh. cat. (Metropolitan Museum of Art, New York/Yale University Press, 2002), p. 154, fig. 59.

Minneapolis Institute of Arts, Gauguin in Tahiti, Apr. 1–May 14, 1950, no cat.

John Rewald, 19th Century French Drawings, exh. cat. (California Palace of the Legion of Honor, 1947), p. 85, cat. 139.

San Francisco, California Palace of the Legion of Honor, 19th Century French Drawings, Mar. 8–Apr. 6, 1947, cat. 139.

New York, Wildenstein & Co., A Loan Exhibition of Paul Gauguin, for the Benefit of the New York Infirmary, Apr. 3–May 4, 1946, cat. 46.

Wildenstein & Co., A Loan Exhibition of Paul Gauguin, for the Benefit of the New York Infirmary, with an essay by Raymond Cogniat (Wildenstein & Co., 1946), p. 68, cat. 46.

Boston, Institute of Modern Art, 100 Modern Pictures in Water Color, Gouache and Tempera, May 23–July 14, 1945, cat. 20.

Institute of Modern Art, 100 Modern Pictures in Water Color, Gouache and Tempera, exh. cat. ([Institute of Modern Art, Boston], 1945), n.pag., cat. 20.

Javier González de Durana, Miriam Alzuri, and María Amezaga, Francisco Durrio (1868–1940): Sobre las huellas de Gauguin, exh. cat. (Museo de Bellas Artes de Bilbao, 2013), p. 208, no. 4 (ill.).

Francisco “Paco” Durrio (1868–1940), Paris, between 1893 and 1895 [González de Durana, Alzuri, and Amezaga, Francisco Durrio (1868–1940): Sobre las huellas de Gauguin, exh. cat. (Museo de Bellas Artes de Bilbao, 2013), pp. 195–98, 208, no. 4]. Emily Crane Chadbourne (1871–1964), Chicago and London, by 1910 [Robins, “‘Manet and the Post-Impressionists’: A Checklist of Exhibits,” Burlington Magazine, 152, no. 1293 (Dec. 2010), pp. 787–88.]

Art Institute of Chicago, Catalogue of “A Century of Progress”: Exhibition of Paintings and Sculpture; Lent from American Collections, ed. Daniel Catton Rich, 3rd ed., exh. cat. (Art Institute of Chicago, 1933), p. 91, cat. 876.

Art Institute of Chicago, “A Century of Progress”: Loan Exhibition of Paintings and Sculpture, June 1–Nov. 1, 1933, cat. 876.

Rose Mary Fischkin, “Notes on Some Modern Drawings,” Bulletin of the Art Institute of Chicago, 21, no. 3 (Mar. 1927), p. 36.

“Accessions and Loans,” Bulletin of the Art Institute of Chicago 17, no. 1 (Jan. 1923), p. 11.

given to the Art Institute of Chicago, 1922.

Andrew Martinez, “A Mixed Reception for Modernism: The 1914 Armory Show at The Art Institute of Chicago,” Art Institute of Chicago Museum Studies 19, no. 1 (1993), p. 40.

Copley Society of Boston, International Exhibition of Modern Art, Apr. 28–May 19, 1913, cat. 59, as Woman and Child.

Association of American Painters and Sculptors, Catalogue of International Exhibition of Modern Art, exh. cat. (Copley Society of Boston, 1913), n.pag., cat. 59.

New York, 69th Regiment Armory, International Exhibition of Modern Art, Feb. 17–Mar. 15, 1913, cat. 179, as Femme et Enfant.

Association of American Painters and Sculptors, Catalogue of International Exhibition of Modern Art, exh. cat. (n.p., 1913), p. 26, cat. 179.

Beatrice Wilczynski, “European Paintings Exhibited in the 1913 Armory Show,” unpublished MS, 1955), p. 19, no. 142, pl. 2, no. 15, Ryerson Library.

Art Institute of Chicago, International Exhibition of Modern Art, Mar. 24–Apr. 16, 1913, cat. 142, as Woman and child.

Association of American Painters and Sculptors, Catalogue of International Exhibition of Modern Art, exh. cat. (n.p., 1913), n.pag., cat. 142.

Munson-Williams-Proctor Institute, 1913 Armory Show: 50th Anniversary Exhibition, exh. cat. (Munson-Williams-Proctor Institute, 1963), p. 190, no. 179.

London, Grafton Galleries, Manet and the Post-Impressionists, Nov. 8, 1910–Jan. 15, 1911, cat. 185 as Water Colour.

Grafton Galleries, Manet and the Post-Impressionists, exh. cat. (Ballantyne, 1910), p. 34, cat. 185.

Milton W. Brown, The Story of the Armory Show (Abbeville, 1988), pp. 268–69, no. 179.