ArtworkStatus unknown

Bar-room Scene

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oil paint (paint)69 × 57 Cm

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About the artwork
Artist supplied description.

William Sidney Mount specialized in scenes of everyday life, known as genre paintings. He was one of the earliest American artists to do so, and his compositions, including Bar-room Scene, were rich in narrative and humor and engaged with the complex cultural, political, and racial circumstances that defined antebellum society. Here Mount portrayed a boisterous group of patrons in a country tavern. The seated men encourage the drunken dance of the central figure, whose tattered clothes and inebriated state suggest a less fortunate position. Standing in the back corner is an African American figure, who, as a free black man in 1830s New York, was able to frequent the public tavern, but, as Mount makes clear visually, did not participate fully or equally in this community.

Artwork metadata
Structured fields synced from connected systems.
Mediumoil paint (paint)
Dimensions69 × 57 Cm
Tags
diningdrinkingpeopleportraits
CertificateCertificate not provided
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Wed
18
Feb
note

“The Fine Arts,” The Knickerbocker, June 1835, 550–556, no. 141, 554.

“The Fine Arts,” The Knickerbocker, June 1835, 550–556, no. 141, 554.
Wed
18
Feb
note

The American Cyclopedia, A Popular Dictionary of General Knowledge, Vol. XII

The American Cyclopedia, A Popular Dictionary of General Knowledge, Vol. XII (New York: D. Appleton and Co., 1883), 7–8.
Wed
18
Feb
exhibition

New York, National Academy of Design (May–?), Tenth Annual Exhibition, no. 141.

New York, National Academy of Design (May–?), Tenth Annual Exhibition, no. 141.
Wed
18
Feb
exhibition

Art Institute of Chicago, <a href="https://www.artic.edu/exhibitions/4071/two-centuries-of-american-art-1750-1950"><em>Two Centuries of American Art, 1750-1950</em></a>, Oct. 1, 1959–Jan. 10, 1960...

Art Institute of Chicago, Two Centuries of American Art, 1750-1950, Oct. 1, 1959–Jan. 10, 1960, no cat. [downloadable checklist available].
Wed
18
Feb
exhibition

Cincinnati Art Museum, Rediscoveries in American Painting, Oct. 3–Nov. 6, 1955, no. 63 and p. 14 as The Breakdown.

Cincinnati Art Museum, Rediscoveries in American Painting, Oct. 3–Nov. 6, 1955, no. 63 and p. 14 as The Breakdown.
Wed
18
Feb
exhibition

Milwaukee Art Institute, 19th Century American Masters, Feb. 20–Mar. 28, 1948, no. 34 as The Breakdown.

Milwaukee Art Institute, 19th Century American Masters, Feb. 20–Mar. 28, 1948, no. 34 as The Breakdown.
Wed
18
Feb
exhibition

Long Island, New York, The Suffolk Museum at Stony Brook, The Mount Brothers (Aug. 23–Sept. 28, 1947, no. 67, p. 44, ill. p. 28 as The Breakdown.

Long Island, New York, The Suffolk Museum at Stony Brook, The Mount Brothers (Aug. 23–Sept. 28, 1947, no. 67, p. 44, ill. p. 28 as The Breakdown.
Wed
18
Feb
exhibition

New York, The Metropolitan Museum of Art, William Sidney Mount and His Circle, Jan. 31–?, 1945, no. 11 as The Breakdown.

New York, The Metropolitan Museum of Art, William Sidney Mount and His Circle, Jan. 31–?, 1945, no. 11 as The Breakdown.
Wed
18
Feb
exhibition

Brooklyn Museum, Exhibition of Drawings and Paintings by William Sidney Mount: 1807–1868, Jan. 23–Mar. 8, 1942, no. 40, ill. as The Breakdown.

Brooklyn Museum, Exhibition of Drawings and Paintings by William Sidney Mount: 1807–1868, Jan. 23–Mar. 8, 1942, no. 40, ill. as The Breakdown.
Wed
18
Feb
note

given to the Art Institute of Chicago, 1939.

given to the Art Institute of Chicago, 1939.
Wed
18
Feb
exhibition

Art Institute of Chicago, The Friends of American Art, Loan Exhibition of American Paintings at the Art Institute of Chicago, Jan. 8–28, 1914, no. 49, as The Breakdown.

Art Institute of Chicago, The Friends of American Art, Loan Exhibition of American Paintings at the Art Institute of Chicago, Jan. 8–28, 1914, no. 49, as The Breakdown.
Wed
18
Feb
note

Gouverneur Kemble, Cold Spring, N....

Gouverneur Kemble, Cold Spring, N.Y., 1835. Ehrich Galleries, New York, by 1911
Wed
18
Feb
note

William Owen and Erna Sawyer Goodman, Chicago, 1911

William Owen and Erna Sawyer Goodman, Chicago, 1911
Thu
18
Feb
exhibition

William Sydney Mount: American Genre Painter Amon Carter Museum, Fort Worth Feb. 5–May 4, 1999.

William Sydney Mount: American Genre Painter Amon Carter Museum, Fort Worth Feb. 5–May 4, 1999.
Wed
18
Feb
note

Judith A. Barter, et al., American Arts at The Art Institute of Chicago: From Colonial Times to World War I

Judith A. Barter, et al., American Arts at The Art Institute of Chicago: From Colonial Times to World War I (Art Institute of Chicago, 1998).
Thu
18
Feb
note

Art Institute of Chicago, Master Paintings in The Art Institute of Chicago

Art Institute of Chicago, Master Paintings in The Art Institute of Chicago (Boston and Toronto: Little, Brown, 1988), 81, ill.
Thu
18
Feb
note

Marvin D. Schwartz, “The Art Institute’s New Wing,” Antiques and the Arts Weekly, November 4, 1988, 1, 60–62, ill. p. 60.

Marvin D. Schwartz, “The Art Institute’s New Wing,” Antiques and the Arts Weekly, November 4, 1988, 1, 60–62, ill. p. 60.
Mon
18
Feb
note

Benjamin Nelson Pftingstag, Aspects of Form and Time in the Paintings of Willliam Sidney Mount

Benjamin Nelson Pftingstag, Aspects of Form and Time in the Paintings of Willliam Sidney Mount (Ann Arbor: University Microfilms International, 1980), Ph.D. diss., 92, 119–122; mentioned under an earlier title: The Breakdown.
Wed
18
Feb
note

Barbara T. Ross, American Drawings in the Art Museum, Princeton University Exhibition, October 3–November 28, 1976, 108, no. 109,

Barbara T. Ross, American Drawings in the Art Museum, Princeton University Exhibition, October 3–November 28, 1976, 108, no. 109, (not included in exhibition history).
Tue
18
Feb
note

Alfred Frankenstein, William Sidney Mount

Alfred Frankenstein, William Sidney Mount (Abrams, Inc., 1975).
Mon
18
Feb
exhibition

Los Angeles County Museum of Art, American Narrative Painting, 1974, no. 24, ill. p. 62 as The Breakdown.

Los Angeles County Museum of Art, American Narrative Painting, 1974, no. 24, ill. p. 62 as The Breakdown.
© Artist-Unknown. All rights reserved.