Portrait after a Costume Ball (Portrait of Madame Dietz-Monnin)

Paris, 4me Exposition de Peinture, April-May, 1879, cat. 59.

Simon Kelly and Esther Bell, Degas, Impressionism, and the Paris Millinery Trade, exh. cat. (Fine Arts Museums of San Francisco/ Legion of Honor/ Delmonico Books/ Prestel, 2017), pp. 153, fig. 75 (ill).

Washington, D.C., National Gallery of Art, Degas/Cassatt, May 11–October 5, 2014.

The Art Institute of Chicago, Masterpieces in Memory of Chauncey McCormick, January 15–February 20, 1955, cat. 13.

bequeathed to the Art Institute, 1954.

sold to Joseph Winterbotham (died 1954), Burlington, Vt. by 1933 [see Chicago 1933 and an inventory of Joseph Winterbotham collection accompanying the exhibition at The Chicago Arts Club in 1936, copy in curatorial file]

Marcel Guerin, ed., Degas Letters, trans. M. Kay (Oxford, 1947), pp. 60-61, no. 37.

P. A. Lemoisne, Degas et son oeuvres, vol. 2 (Paris, 1946), no. 534 (ill.).

Boston, Museum of Fine Arts, Art in New England: Paintings, Drawings, Prints From Private Collections in New England, June 9-September 10, 1939, cat. 37.

Camille Mauclair, Degas (New York, 1937), p. 64 (ill.).

The Arts Club of Chicago, Joseph Winterbotham Collection, December 9-31, 1936, cat. 11.

The Art Institute of Chicago, A Century of Progress, Exhibition of Painting and Sculpture, June 1–November 1, 1933, cat. 290.

Cleveland Museum of Art, French Art Since 1800, November 7–December 8, 1929, no cat.

sale, New York, American Art Association, January 27, 1921, lot 34 (ill.). Henry D. Hughes, Philadelphia [according to Lemoisne 1946]. Sale, New York, American Art Association, January 28, 1926, lot 171 (ill.). Reinhardt Gallery, New York by at least 1933

Etienne Charles, “Les Mots de Degas,” La Renaissance 1 (April 1918), p. 4 (ill.).

Degas Sale, Paris, Georges Petit, May 4-5, 1918, lot 116 (ill.)

Anthea Callen, “The Unvarnished Truth: Mattness, ‘Primitivism’ and Modernity in French Painting, c. 1870-1907,” The Burlington Magazine 136, 1100 (November 1994), p. 742.

Felix Baumann and Marianne Karabelnik, eds., Degas Portraits, exh. cat. (Kunsthaus Zurich, 1994), pp. (ill.) 18, 105, 106.

Richard Kendall, ed., Degas by Himself: Drawings, Prints, Paintings, Writings (London, 1987), pp. 114-15 (ill.).

The Joseph Winterbotham Collection at the Art Institute of Chicago: The Art Institute of Chicago Museum Studies 20, 2 (1986), pp. 114–115 (ill.).

Charles S. Moffet, The New Painting: Impressionism 1874-1886, exh. cat. (The Fine Arts Museums of San Francisco and National Gallery of Art, Washington, 1986), p. 267.

The Art Institute of Chicago, Degas in The Art Institute Chicago, July 19–September 23, 1984, cat. 47 (ill.).

sold to Jacques Seligmann, Paris [according to Charles Durand-Ruel’s letter to Richard Brettell, dated May 10, 1983, copy in curatorial file]

Diane Kelder, The Great Book of French Impressionism (New York, 1980), p. 16 (ill.).

The Art Institute of Chicago: 100 Masterpieces (Chicago, 1978), no. 62.

John Maxon, The Art Institute of Chicago (New York, 1970), pp. 267, 280 (ill.).

Alfred Werner, Degas Pastels (New York, 1968), p. 22.

Theodore Reff, “Some Unpublished Letters of Degas,” Art Bulletin 50, 1 (1968), pp. 90-91.

Jean Sutherland Boggs, Portraits by Degas (Berkeley and Los Angeles, 1962), p. 52.