ArtworkStatus unknown

Painted Banner (paubha) of Goddess Ushnishavijaya Within a Funerary Mound (chaitya) and Surrounded by Chaityas

by Unknown artist
0 likesNot savedShare from mobile app
57 × 58 Cm

Views

0

Likes

0

Saves

Not saved

Shares

0

About the artwork
Artist supplied description.

At the center of this cloth painting (paubha) from Nepal the goddess Ushnishavijaya is enshrined within a large Buddhist funeral mound or shrine (chaitya), flanked by a red and green bodhisattva. As the personification of the Buddha’s cranial bump (ushnisha), Ushnishavijaya is associated with wisdom and is worshipped for long life and freedom from rebirth. At the periphery, she is surrounded by the guardians of the four directions. The blank red spaces are areas where the painting was damaged and then restored. An upper section is also missing. The many small chaityas represent the multiplication of merit accumulated in this painting, which symbolically allow for the donation of 100,000 chaityas in a ceremony known as lakshachaitya (100,000 chaityas). This ceremony is depicted in the bottom register, where priests officiate at the lower left and donors officiate at the lower right.

Artwork metadata
Structured fields synced from connected systems.
Dimensions57 × 58 Cm
CertificateCertificate not provided
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Sat
22
Nov
note

given to the Art Institute of Chicago, Nov....

given to the Art Institute of Chicago, Nov. 19, 2014.
Sat
22
Nov
note

promised as a gift to the Art Institute of Chicago, Mar....

promised as a gift to the Art Institute of Chicago, Mar. 11, 2002]
Sat
22
Nov
note

James W....

James W. Alsdorf (1913–1990) and Marilynn B. Alsdorf (1925–2019), Winnetka and Chicago, IL
Sun
22
Nov
note

Alsop, Ian. "The Conservations of Tibetan Thangkas," in asianart.com an online magazine, March 5, 1998.

Alsop, Ian. "The Conservations of Tibetan Thangkas," in asianart.com an online magazine, March 5, 1998.
Sat
22
Nov
exhibition

Art Institute of Chicago, <em> A Collecting Odyssey: Indian, Himalayan, and Southeast Asian Art from the James and Marilynn Alsdorf Collection </em>, August 2- October 26, 1997, cat. 198.

Art Institute of Chicago, A Collecting Odyssey: Indian, Himalayan, and Southeast Asian Art from the James and Marilynn Alsdorf Collection , August 2- October 26, 1997, cat. 198.
Sat
22
Nov
note

Pratapaditya Pal, with contributions by Stephen Little, <em> A Collecting Odyssey: Indian, Himalayan, and Southeast Asian Art from the James and Marilynn Alsdorf Collection </em>

Pratapaditya Pal, with contributions by Stephen Little, A Collecting Odyssey: Indian, Himalayan, and Southeast Asian Art from the James and Marilynn Alsdorf Collection (The Art Institute of Chicago in association with Thames and Hudson, 1997), 216, cat. 198, 151 (ill.).
Mon
22
Nov
note

Victoria Blyth-Hill, “A History of Thanka Conservation in Western Collections”, <em>Western Association of Art Conservators Newsletter </em> 15, no. 2

Victoria Blyth-Hill, “A History of Thanka Conservation in Western Collections”, Western Association of Art Conservators Newsletter 15, no. 2 (Los Angeles, 1993): 18.
Tue
22
Nov
note

by descent to Marilynn B....

by descent to Marilynn B. Alsdorf, Chicago, 1990 [on long-term loan at the Art Institute of Chicago, Apr. 6, 1983
© Unknown artist. All rights reserved.