Crouching Tahitian Woman (related to the painting Nafea faa ipoipo [When Will You Marry?])

Britt Salvesen, Gauguin, in association with Douglas W. Druick and Peter Kort Zegers, Artists in Focus (Art Institute of Chicago/Abrams, 2001), pp. 86, 108, no. 14 (ill.).

Carl Georg Heise, Grosse Zeichner des XIX Jahrhunderts (Gebr. Mann, 1959), pp. 179 (ill.), 188, no. 46.

Art Institute of Chicago, Gauguin: Paintings, Drawings, Prints, Sculpture, Feb. 12–Mar. 29, 1959, cat. 105; New York, Metropolitan Museum of Art, Apr. 21–May 31, 1959.

Art Institute of Chicago, Gauguin: Paintings, Drawings, Prints, Sculpture, exh. cat. (Art Institute of Chicago, 1959), pp. 68–69, cat. 105.

Art Institute of Chicago, Carl O. Schniewind: Memorial Exhibition, Jan. 22–Mar. 3, 1958, cat. 13, as Tahitian Woman.

Van Wyck Brooks, Paul Gauguin’s Intimate Journals (Indiana University Press, 1958), p. 205 (ill.).

Henri Perruchot, Gauguin Tahiti (Hazan, 1958), cover ill., pl. 2.

John Rewald, Gauguin Drawings, Bittner Art Book (T. Yoseloff, 1958), p. 29, fig. 47, 74.

John Rewald, Post-Impressionism: From Van Gogh to Gauguin (Museum of Modern Art, New York, 1956), p. 500 (ill.).

Paris, Musée de l’Orangerie, De David à Toulouse-Lautrec: Chefs-d’oeuvres des collections américaines, 1955, cat. 73, pl. 75, as Tahitienne.

Roseline Bacou and Maurice Sérullaz, French Drawings: Masterpieces from Seven Centuries, exh. cat. (R. R. Donnelley, 1955), p. 63, cat. 165.

Art Institute of Chicago, French Drawings: Masterpieces from Seven Centuries, Oct. 13–Nov. 27, 1955, cat. 165, as Tahitian Woman; Minneapolis Institute of Arts, Dec. 2–29, 1955; Detroit Institute of Arts, Jan. 7–Feb. 11, 1956; San Francisco, California Palace of the Legion of Honor, Mar. 7–Apr. 10, 1956.

Art Institute of Chicago, The Broad Spectrum: Color on Paper, Past and Present, Sept. 12–Oct. 31, 1999, not in cat.

Christoph Becker, ed., Paul Gauguin: Tahiti, exh. cat. (G. Hatje, 1998), pp. 70–71 (ill.); 168, cat. 49.

Staatsgalerie Stuttgart, Paul Gauguin: Tahiti, Feb. 7–Jun. 6, 1998, cat. 49.

Anna Maria Damigella, Paul Gauguin: La vita e l’opera (Mondadori, 1997), p. 162 (ill.).

Douglas Druick and Peter Zegers, Paul Gauguin: Pages from the Pacific, exh. cat. (Auckland City Art Gallery/Art Institute of Chicago, 1995), pp. 39, 51, cat. 13 (ill.).

Auckland (New Zealand) City Art Gallery, Paul Gauguin: Pages from the Pacific, Aug. 4–Oct. 15, 1995, cat. 13.

Ziva Amishai-Maisels et al., Paul Gauguin: E l’avanguardia russa, exh. cat. (Artificio Edizioni, 1995), p. 78 (ill.).

Belinda Thomson, ed., Gauguin by Himself (Bullfinch, 1993), pp. 222, 308, fig. 179.

Ingo F. Walther, Paul Gauguin: The Primitive Sophisticate (Benedikt Taschen, 1992), p. 59 (ill.).

Assja Kanto-Gukowskaja with Anna Barskaja and Marina Bessonowa, Paul Gauguin: In den Museen der Sowjetunion (Aurora-Kunstverlag, 1989), p. 92 (ill.).

Pushkin State Museum of Fine Arts, Gogen, exh. cat. (Sov. Khudozhnik, 1989), p. 156 (ill.).

Françoise Cachin, Gauguin: Ce malgré moi des sauvage (Gallimard, 1989), pp. 70 (ill.), 190. Translated as Gauguin: The Quest for Paradise (Abrams, 1992), pp. 70 (ill.), p. 190.

Françoise Cachin, Gauguin (1988; reprint, Flammarion, 2003), p. 148, 308, fig. 156.17

René Huyghe, Gauguin (Crown, 1988), p. 56 (ill.).

Washington, D.C., National Gallery of Art, The Art of Paul Gauguin, May 1–July 31, 1988, cat. 146; Art Institute of Chicago, Sept. 17–Dec. 11, 1988; Paris, Galeries Nationales du Grand Palais, as Gauguin, Jan. 10–Apr. 20, 1988.

Vojtêch Jirat-Wasiutyeński and H. Travers Newton, Jr., review, Paul Gauguin: Chicago Art Institute, Burlington Magazine 130, no. 1026 (Sept. 1988), p. 721, fig. 48.

Richard R. Brettell, Françoise Cachin, Claire Frèches-Thory, and Charles F. Stuckey, The Art of Paul Gauguin, with assistance from Peter Zegers, exh. cat. (National Gallery of Art, Washington, D.C./Art Institute of Chicago/New York Graphic Society Books, 1988), pp. 265–66, cat. 146 (ill.).

Belinda Thomson, Gauguin (Thames & Hudson, 1987), p. 149, fig. 133 (ill.).

Michel Hoog, Paul Gauguin: Life and Work (Rizzoli, 1987), frontispiece (ill.).

Joseph-Émile Muller, Gauguin (Hazan, 1981), p. 36, fig. 31.

Richard Shone, The Post-Impressionists (Book Club Associates, 1980), pp. 96–97 (ill).

Harold Joachim and Sandra Haller Olsen, French Drawings and Sketchbooks of the Nineteenth Century, vol. 2 (University of Chicago Press, 1979), p. 59, nos. 3E9 and 3E10 (ill.).

Elda Fezzi and Fiorella Minervino, “Noa Noa” e il primo viaggio a Tahiti di Gauguin (Rizzoli, 1974), p. 87, no. 173 (ill.); 174 (ill.)

Art Institute of Chicago, A Quarter Century of Collecting: Drawings Given to the Art Institute of Chicago, 1944–1970 by Margaret Day Blake, Apr. 28–June 7, 1970, cat. 37 (ill.).

Ronald Pickvance, The Drawings of Gauguin (P. Hamlyn, 1970), p. 33; pl. 67; p. 34, pl. 12.

Parker Taylor, Cézanne/Gauguin (World Art Series, 1968), p. 122 (ill.).

René Huyghe, Gauguin (Flammarion, 1967), p. 55 (ill.).

André Balland, Noa Noa (André Balland, 1966), pp. 38, 193 (ill.).

Stephen Longstreet, The Drawings of Gauguin (Borden, 1965), n.pag. (ill. and ill. on cover).

Alfred Langer, Paul Gauguin (VEB E.A. Seemann, Buch- und Kunstverlag, 1965), pp. 47, 49, 87, pl. 14.

Georges Wildenstein, Gauguin, with Raymond Cogniat and Daniel Wildenstein, vol. 1, Catalogue (Beaux-Arts, 1964), pp. 176, 181, under cats. 445, 454.

Merete Bodelsen, Gauguin’s Ceramics: A Study in the Development of His Art (Faber & Faber 1964), pp. 186–88, fig. 136.

Lawrence and Elisabeth Hanson, The Seekers: Gauguin, Van Gogh, Cezanne (Random House, 1963), n.pag. (ill.).

Art Institute of Chicago, Master Drawings from the Art Institute of Chicago: An Exhibition Held at Wildenstein, Oct. 17–Nov. 30, 1963, cat. 115, pl. 45.

Merete Bodelsen, review of Paul Gauguin: Water-colours, Pastels, and Drawings in Colour by Jean Leymarie, Burlington Magazine 105, no. 723 (June 1963), p. 285.

Art Institute of Chicago, Master Drawings from the Art Institute of Chicago: An Exhibition Held at Wildenstein, exh. cat. (Art Institute of Chicago, 1963), cat. 115, pl. 45.

Ira Moskowitz, ed., Great Drawings of All Time, vol. 3 (Shorewood, 1962), n.pag., no. 827 (ill.).