ArtworkStatus unknown

The Mexican Major

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oil paint (paint)124 × 87 Cm

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About the artwork
Artist supplied description.

Frederic Remington was greatly impressed by the Mexican army, which he observed during a six-week visit to Mexico in 1889 in preparation for an article in Harper’s Weekly magazine. The Mexican Major is an elaborate, multifigural composition, designed to convey the professionalism, discipline, and “immensely picturesque” appearance of the officer and his regiment. Remington enjoyed the soldiers' ornate costumes, and he emphasized these through the use of rhythmic, flashing colors and the depiction of brilliant light. The line of horsemen stretches off into the far distance—a sign of honor, strength, and dignity.

Artwork metadata
Structured fields synced from connected systems.
Mediumoil paint (paint)
Dimensions124 × 87 Cm
Tags
fashionanimalspeopleportraits
CertificateCertificate not provided
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Mon
19
Jan
exhibition

New York, American Art Galleries, 1890

New York, American Art Galleries, 1890
Mon
19
Jan
exhibition

Boston Art Club, 1891.

Boston Art Club, 1891.
Mon
19
Jan
note

Peter H. Hassrick, et al., <em>Frederick Remington Catalogue Raisonné</em>, accessed May 5, 2020, <a href="http://remington.centerofthewest.org">http://remington.centerofthewest.org</a>, cat. 00964.

Peter H. Hassrick, et al., Frederick Remington Catalogue Raisonné, accessed May 5, 2020, http://remington.centerofthewest.org, cat. 00964.
Mon
19
Jan
exhibition

Art Institute of Chicago, <em>Window on the West: Chicago and the Art of the New Frontier 1890–1940</em>, June 28–Oct. 13, 2003, cat. 81, fig. 5, p. 85, 169.

Art Institute of Chicago, Window on the West: Chicago and the Art of the New Frontier 1890–1940, June 28–Oct. 13, 2003, cat. 81, fig. 5, p. 85, 169.
Fri
19
Jan
note

Peter H. Hassrick and Melissa J. Webster, <em>Frederic Remington: A Catalogue Raisonne of Paintings, Watercolors and Drawings, Volume I</em>

Peter H. Hassrick and Melissa J. Webster, Frederic Remington: A Catalogue Raisonne of Paintings, Watercolors and Drawings, Volume I (Buffalo Bill Historical Center / University of Washington Press, 1996), no. 964.
Sun
19
Jan
exhibition

Phoenix Art Museum, <em>Frederic Remington’s Southwest</em>, Jan. 4–Mar. 15, 1992, James K. Ballinger, p. 44, ill.; Memphis Brooks Museum of Art, Apr. 19–June 12, 1992; Omaha, Neb., Joslyn Art Museum, July 11–Sept. 6, 1992.

Phoenix Art Museum, Frederic Remington’s Southwest, Jan. 4–Mar. 15, 1992, James K. Ballinger, p. 44, ill.; Memphis Brooks Museum of Art, Apr. 19–June 12, 1992; Omaha, Neb., Joslyn Art Museum, July 11–Sept. 6, 1992.
Tue
19
Jan
note

given to the Art Institute of Chicago, 1982.

given to the Art Institute of Chicago, 1982.
Tue
19
Jan
exhibition

Art Institute of Chicago, <em>Frederic Remington</em>, Sept. 1–Oct. 11, 1982, no cat.

Art Institute of Chicago, Frederic Remington, Sept. 1–Oct. 11, 1982, no cat.
Tue
19
Jan
note

W....

W.R. Hearst Collection. George F. Harding Museum, Chicago, by 1982
Mon
19
Jan
exhibition

Mt. Vernon, Ill., Mitchell Museum, <em>Harding Foundation, Medieval and Renaissance Armor and Weapons, Remington Paintings, Bronzes and Drawings</em>, Dec. 5, 1981–Jan. 31, 1982, cat. no. 405.

Mt. Vernon, Ill., Mitchell Museum, Harding Foundation, Medieval and Renaissance Armor and Weapons, Remington Paintings, Bronzes and Drawings, Dec. 5, 1981–Jan. 31, 1982, cat. no. 405.
Wed
19
Jan
note

Henry C. Pitz, <em>Frederic Remington: 173 Drawings and Illustrations</em>

Henry C. Pitz, Frederic Remington: 173 Drawings and Illustrations (New York: Dover Publications, Inc., 1972), ill. no. 113.
Sun
19
Jan
exhibition

Art Institute of Chicago, <em>Paintings and Bronzes by Frederic Remington Lent by the George F. Harding Museum</em>, June 21–Oct. 10, 1969.

Art Institute of Chicago, Paintings and Bronzes by Frederic Remington Lent by the George F. Harding Museum, June 21–Oct. 10, 1969.
Sun
19
Jan
note

<em>Harper’s Weekly</em>, September 27, 1890, ill. p. 752.

Harper’s Weekly, September 27, 1890, ill. p. 752.
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