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oil paint (paint)90 × 70 Cm
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About the artwork
Artist supplied description.
In Landscape No. 3, Cash Entry Mines, New Mexico, Marsden Hartley used short brushstrokes, patches of pigment, and abstracted cloud forms to portray soaring mountains under a vibrant sky, intentionally minimizing the industrial mines that are the subject of this composition. The artist had spent eighteen months in New Mexico from 1918 until he returned to New York in 1919, but he continued to paint the Southwest from memory for several years, increasingly exaggerating the dramatic terrain and brilliant hues as time passed. For Hartley, as for so many artists who visited the Southwest, the remembered landscape became a vehicle for modernist exploration of color and shape.
Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 90 × 70 Cm |
| Tags | landscapes |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Thu
29
Jan
note
Colleen Carroll, “How Artists See the Elements”
Colleen Carroll, “How Artists See the Elements” (Abbeville Press, date unknown).
Thu
29
Jan
note
Alfred Stieglitz Collection, New York
Alfred Stieglitz Collection, New York
Thu
29
Jan
exhibition
Brooklyn Museum of Art, Youth and Beauty: Art of the American Twenties, Oct. 28, 2011–Jan. 22, 2012; Dallas Museum of Art, Feb. 24–May 27, 2012; Cleveland Museum of Art, July 1–Sept. 16, 2012.
Brooklyn Museum of Art, Youth and Beauty: Art of the American Twenties, Oct. 28, 2011–Jan. 22, 2012; Dallas Museum of Art, Feb. 24–May 27, 2012; Cleveland Museum of Art, July 1–Sept. 16, 2012.
Thu
29
Jan
exhibition
Santa Fe, Georgia O'Keeffe Museum, The Search for an American Modernism: Marsden Hartley and New Mexico, Jan. 25–May 11, 2008.
Santa Fe, Georgia O'Keeffe Museum, The Search for an American Modernism: Marsden Hartley and New Mexico, Jan. 25–May 11, 2008.
Thu
29
Jan
note
Judith A. Barter, et al., <em>American Modernism at the Art Institute of Chicago, From World War I to 1955</em>
Judith A. Barter, et al., American Modernism at the Art Institute of Chicago, From World War I to 1955 (Chicago: Art Institute of Chicago, 2009), cat. 22.
Thu
29
Jan
note
bequeathed through Georgia O'Keeffe to the Art Institute of Chicago, 1949.
bequeathed through Georgia O'Keeffe to the Art Institute of Chicago, 1949.
Thu
29
Jan
exhibition
New York City, Museum of Modern Art, “Alfred Stiegliz: His Collection, ” June 10– Aug. 31, 1947, no cat.
New York City, Museum of Modern Art, “Alfred Stiegliz: His Collection,” June 10– Aug. 31, 1947, no cat.
Thu
29
Jan
note
Ernst W. Watson, “Two Painters, A Study in Contrasts,” American Artist 9
Ernst W. Watson, “Two Painters, A Study in Contrasts,” American Artist 9 (May 1945),,12–18 (ill.).
Thu
29
Jan
exhibition
New York City, Museum of Modern Art, “Lyonel Feninger, Marsden Hartley, ” 1944, p. 70 (ill.).
New York City, Museum of Modern Art, “Lyonel Feninger, Marsden Hartley,” 1944, p. 70 (ill.).
Sat
29
Jan
note
Arnold Skolnick, ed., Paintings of the Southwest,
Arnold Skolnick, ed., Paintings of the Southwest, (Clarkson Potter Publishers, 1994), 62 (ill.).
Fri
29
Jan
note
Jeanne Hokin, Pinnacles and PyraMich.ds
Jeanne Hokin, Pinnacles and PyraMich.ds (University of New Mexico, 1993), 43–45, pl. 10.
Fri
29
Jan
note
Gail R. Scott, Marsden Hartley
Gail R. Scott, Marsden Hartley (Abbeville Press, 1988).
Tue
29
Jan
exhibition
New York City, Whitney Museum of Art, “Marsden Hartley, ” Mar. 4–May 25, 1980, pl. 88; Art Institute of Chicago, June 10–Aug. 3, 1980, Fort Worth, Amon Carter Museum of Western Art, Sept. 5–Oct. 26, 1980, Berkeley...
New York City, Whitney Museum of Art, “Marsden Hartley,” Mar. 4–May 25, 1980, pl. 88; Art Institute of Chicago, June 10–Aug. 3, 1980, Fort Worth, Amon Carter Museum of Western Art, Sept. 5–Oct. 26, 1980, Berkeley, University of California Art Museum, Nov. 12, 1980–Jan. 4, 1981.
Sun
29
Jan
note
Paintings in the Art Institute of Chicago
Paintings in the Art Institute of Chicago (Art Institute of Chicago, 1961), 212.
© Artist-Unknown. All rights reserved.