ArtworkStatus unknown

Noah Smith

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oil paint (paint)107 × 163 Cm

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About the artwork
Artist supplied description.

Ralph Earl garnered portrait commissions primarily from wealthy rural landowners in Connecticut, New York, and Vermont. A loyalist, Earl fled America for England during the Revolutionary War, developing his portrait style, in turn, by studying with Benjamin West (an American painter in London) and through contact with English artists. Returning in 1785, Earl painted this portrait of Noah Smith late in his career, having melded his British training with a simpler, linear style that appealed to his clients of the rural gentry. In this work, Smith, chief justice of the Vermont Supreme Court, sits assuredly before the viewer; the map at hand, pastoral view at left, and volumes of books behind him signal the sitter’s prominent position as a man of affairs in the young nation.

Artwork metadata
Structured fields synced from connected systems.
Mediumoil paint (paint)
Dimensions107 × 163 Cm
Tags
fashionmenmapsportraitspeople
CertificateCertificate not provided
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Thu
12
Feb
note

Franklin Bowditch Dexter, Biographical Sketches of the Graduates of Yale College

Franklin Bowditch Dexter, Biographical Sketches of the Graduates of Yale College (New York, Holt, 1885).
Thu
12
Feb
note

Noah Smith, Bennington, Vermont, 1798

Noah Smith, Bennington, Vermont, 1798
Thu
12
Feb
note

sold to the Art Institute of Chicago, 1956.

sold to the Art Institute of Chicago, 1956.
Thu
12
Feb
note

Samuel M. Green, “Uncovering the Connecticut School,” Art News 51, 10

Samuel M. Green, “Uncovering the Connecticut School,” Art News 51, 10 (Jan. 1953), 38.
Thu
12
Feb
note

From Colony to Nation

From Colony to Nation (Art Institute of Chicago, 1949).
Thu
12
Feb
note

John Spargo, The Rise and Progress of Freemasonry in Vermont

John Spargo, The Rise and Progress of Freemasonry in Vermont (Burlington, Vermont, privately printed, 1944).
Thu
12
Feb
note

New Jersey Historical Records Survey Project, American Portrait Inventory, 1440 Early American Portrait Artists

New Jersey Historical Records Survey Project, American Portrait Inventory, 1440 Early American Portrait Artists (Historical Records Survey, 1940), 86.
Thu
12
Feb
note

Daniel Catton Rich, “The Portraits of Ralph Earl,” International Studio 96, 4

Daniel Catton Rich, “The Portraits of Ralph Earl,” International Studio 96, 4 (Aug. 1930), 36–39.
Thu
12
Feb
note

bequeathed to Grand Lodge of the Most Ancient and Honorable Society of Free and Accepted Masons of the State of Vermont, Burlington, Vermont, from 1913

bequeathed to Grand Lodge of the Most Ancient and Honorable Society of Free and Accepted Masons of the State of Vermont, Burlington, Vermont, from 1913
Thu
12
Feb
note

by descent to Eliza Smith, Huntington, Vergennes, Vermont, 1812....

by descent to Eliza Smith, Huntington, Vergennes, Vermont, 1812. Ann Eliza Huntington, Vergennes, Vermont, by 1912
Thu
12
Feb
note

John Harrington, Vergennes, Vermont, from 1912

John Harrington, Vergennes, Vermont, from 1912
Thu
12
Feb
note

Judith A. Barter, et al., American Arts at The Art Institute of Chicago: From Colonial Times to World War I

Judith A. Barter, et al., American Arts at The Art Institute of Chicago: From Colonial Times to World War I (Art Institute of Chicago, 1998), 108–10, no. 108.
Sat
12
Feb
note

John Caldwell and Oswaldo Roldriguez Roque, American Paintings in the Metropolitan Museum of Art, Vol. I: A Catalogue of Works by Artists Born by 1815

John Caldwell and Oswaldo Roldriguez Roque, American Paintings in the Metropolitan Museum of Art, Vol. I: A Catalogue of Works by Artists Born by 1815 (Metropolitan Museum of Art, 1994), 147 (ill.).
Tue
12
Feb
note

Elizabeth Mankin Kornhauser, Ralph Earl: The Face of the Young Republic, exh. cat.,

Elizabeth Mankin Kornhauser, Ralph Earl: The Face of the Young Republic, exh. cat., (Yale University Press, 1991), cat. 59.
Thu
12
Feb
note

Margaretta M. Lovell, “Reading Eighteenth–Century American Family Portraits: Social Images and Self–Images,” Winterthur Portfolio 22, 4

Margaretta M. Lovell, “Reading Eighteenth–Century American Family Portraits: Social Images and Self–Images,” Winterthur Portfolio 22, 4 (Winter 1987), 244–64.
Mon
12
Feb
note

David A. Hanks, “American Paintings at The Art Institute of Chicago, Part 1: The Eighteenth Century,” Antiques 104

David A. Hanks, “American Paintings at The Art Institute of Chicago, Part 1: The Eighteenth Century,” Antiques 104 (Sept. 1973), 415.
Sun
12
Feb
note

Laurence B. Goodrich, Ralph Earl, Recorder for an Era

Laurence B. Goodrich, Ralph Earl, Recorder for an Era (State University of New York, 1967).
Mon
12
Feb
exhibition

Allentown Art Museum, Penn., The World of Benjamin West, May 1–July 31, 1962, cat. 71.

Allentown Art Museum, Penn., The World of Benjamin West, May 1–July 31, 1962, cat. 71.
Sun
12
Feb
note

Paintings in The Art Institute of Chicago, A Catalogue of the Picture Collection

Paintings in The Art Institute of Chicago, A Catalogue of the Picture Collection (Art Institute of Chicago, 1961), 156.
Fri
12
Feb
note

Lloyd Goodrich, “Ralph Earl’s Debt to Gainsborough and Other English Portraitists,” Antiques 78

Lloyd Goodrich, “Ralph Earl’s Debt to Gainsborough and Other English Portraitists,” Antiques 78 (Nov. 1960), 464–65.
© Artist-Unknown. All rights reserved.