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The Garden of Palazzo Contarini dal Zaffo

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oil paint (paint)78 × 48 Cm

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About the artwork
Artist supplied description.

A member of a family of painters in Venice, Francesco Guardi is renowned for his lively views of the most recognizable monuments of this picturesque city and for his engaging architectural fantasies, or capricci. Wealthy travelers making the grand tour of Europe—considered an essential part of an education for upper-class men—provided an important market for such views. In this case, however, the patron was not a foreigner passing through Venice, but John Strange, who lived in the city on the lagoon as the British resident, or representative.

This view of the garden of a private house in Venice was highly unusual for Guardi. On the right is the rear facade of the Palazzo Contarini dal Zaffo; the front faces the Grand Canal. The artist’s main subject here is the palace’s formal garden, a luxury in Venice’s crowded urban environment. Elegant couples stroll through the garden’s geometric parterres. Guardi’s attention to the play of light further animates the scene—a shadow cast by an unseen building in the foreground divides the composition and contrasts with the bright light reflected off the facade of the residence and the distant, shimmering lagoon on the left.

These observations of light and place probably reflect the aesthetic interests of Strange, who commissioned the painting from Guardi as one of a set of four remarkably original views. Two of the four paintings show Strange’s own villa on the mainland. What connection Strange may have had to the Palazzo Contarini dal Zaffo is unclear.

Artwork metadata
Structured fields synced from connected systems.
Mediumoil paint (paint)
Dimensions78 × 48 Cm
Tags
Venice, ItalywaterlandscapebuildingbuildingscloudsfiguresflowersfoliagehousehousesItalymenshipsskytreeswomengardens
CertificateCertificate not provided
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Wed
25
Feb
note

given to the Marion and Max Ascoli Fund

given to the Marion and Max Ascoli Fund
Wed
25
Feb
note

One of series of four viewed in Venice and the Veneto, presumably painted for John Strange (died 1799), British resident in Venice between 1773 and 1788

One of series of four viewed in Venice and the Veneto, presumably painted for John Strange (died 1799), British resident in Venice between 1773 and 1788
Wed
25
Feb
note

Nottinghamshire

Nottinghamshire
Wed
25
Feb
note

Loisel, Catherine, et. al. Venice at Vivaldi and Tiepolo’s time, exh. cat.

Loisel, Catherine, et. al. Venice at Vivaldi and Tiepolo’s time, exh. cat. (Grand Palais, 2018) pp. 220, pp. 230-231, cat. 164.
Wed
25
Feb
exhibition

Paris, France, Grand Palais, Venice at Vivaldi and Tiepolo’s time, September 14 2018-January 21, 2019, cat. 164; Venice, Palazzo Ducale, Feb. 23- June 9, 2019.

Paris, France, Grand Palais, Venice at Vivaldi and Tiepolo’s time, September 14 2018-January 21, 2019, cat. 164; Venice, Palazzo Ducale, Feb. 23- June 9, 2019.
Wed
25
Feb
note

K. T. Parker, Catalogue of the Collection of Drawings in the Ashmolean Museum, vol. II, Italian Schools

K. T. Parker, Catalogue of the Collection of Drawings in the Ashmolean Museum, vol. II, Italian Schools (Oxford, 1956), pp. 509–510, under no. 1014.
Wed
25
Feb
note

J. Byam Shaw, “Guardi at the Royal Academy,” Burlington Magazine, 97,

J. Byam Shaw, “Guardi at the Royal Academy,” Burlington Magazine, 97, (1955), p. 16.
Wed
25
Feb
note

Royal Academy of Arts, London, European Masters of the Eighteenth Century, exh. cat. 1954–55, p. 40, under no. 89 and p. 158, under no. 575.

Royal Academy of Arts, London, European Masters of the Eighteenth Century, exh. cat. 1954–55, p. 40, under no. 89 and p. 158, under no. 575.
Wed
25
Feb
note

J. Byam Shaw, The Drawings of Francesco Guardi

J. Byam Shaw, The Drawings of Francesco Guardi (London, 1951), p. 65, under no. 30.
Wed
25
Feb
note

Antonio Morassi, “Settecento inedito

Antonio Morassi, “Settecento inedito (II). VIII. Quattro ‘Ville’ del Guardi,” Arte veneta 4 (1950) p. 50, fig. 46.
Wed
25
Feb
note

Harold Sidney Harmsworth, first Vicount Rothermere (died 1940) [the series of four paintings was intact on the death of Lord Rothermere, but appears to have been sold separately and privately after his death, see Fahy 1973, p....

Harold Sidney Harmsworth, first Vicount Rothermere (died 1940) [the series of four paintings was intact on the death of Lord Rothermere, but appears to have been sold separately and privately after his death, see Fahy 1973, p. 111]. Knoedler, New York [according to Knoedler label on the back with stock no. 423 [5 or 6] 2]. Alfred Frankfurter, New York [letter from Alfred Frankfurter to Mr. and Mrs. Ascoli dated July 16, 1947, copy in curatorial file]
Wed
25
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Dr....

Dr. and Mrs. Max Ascoli, New York, by 1947 [letter cited above]
Wed
25
Feb
note

sale of his collection, Christie’s, London, March 15, 1800, no....

sale of his collection, Christie’s, London, March 15, 1800, no. 99. Colonel Milligan of Caldwell Hall, Burton-on-Trent
Thu
25
Feb
note

Dario Succi, Francesco Guardi. Itinerario dell’avventura artistica, Cinisello Balsamo, 1993, pp. 98–103.

Dario Succi, Francesco Guardi. Itinerario dell’avventura artistica, Cinisello Balsamo, 1993, pp. 98–103.
Tue
25
Feb
note

Colnaghi in America. A Survey to Commemorate the First Decade of Colnaghi in New York, edited by Nicholas H. J. Hall, New York, 1992, p. 104.

Colnaghi in America. A Survey to Commemorate the First Decade of Colnaghi in New York, edited by Nicholas H. J. Hall, New York, 1992, p. 104.
Mon
25
Feb
note

given to the Art Institute, 1991.

given to the Art Institute, 1991.
Sun
25
Feb
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Paul Jeromack, “Panorama del collezionismo pubblico nell’America del Nord, 1990–1995” in Pittura italiana antica. Artisti e opere del Seicento e del Settecento, ed. by Alessandro Morandotti, Milan, 2000, pp. 57

Paul Jeromack, “Panorama del collezionismo pubblico nell’America del Nord, 1990–1995” in Pittura italiana antica. Artisti e opere del Seicento e del Settecento, ed. by Alessandro Morandotti, Milan, 2000, pp. 57 (ill.), 58.
Sun
25
Feb
note

Jacob Bean and William Griswold, 18th Century Italian Drawings in the Metropolitan Museum of Art, New York, 1990, pp. 108, 112, under no. 93.

Jacob Bean and William Griswold, 18th Century Italian Drawings in the Metropolitan Museum of Art, New York, 1990, pp. 108, 112, under no. 93.
Sun
25
Feb
note

Art Institute of Chicago Annual Report 1990–91, Chicago 1991, pp. 13,

Art Institute of Chicago Annual Report 1990–91, Chicago 1991, pp. 13, (ill.), 19.
Sat
25
Feb
note

Important Old Master Pictures, Christie’s, London, December 8, 1989, pp. 162–165, under no. 114.

Important Old Master Pictures, Christie’s, London, December 8, 1989, pp. 162–165, under no. 114.
Sat
25
Feb
exhibition

On summer loan to the Metropolitan Museum of Art, New York, 1978, 1981, 1982, and 1983.

On summer loan to the Metropolitan Museum of Art, New York, 1978, 1981, 1982, and 1983.
Tue
25
Feb
note

Antonio Morassi, Guardi, Tutti I desegni di Antonio, Francesco, e Giacomo Guardi

Antonio Morassi, Guardi, Tutti I desegni di Antonio, Francesco, e Giacomo Guardi (Venice, 1975), pp. 63, 153, no. 419.
Sun
25
Feb
note

Everett Fahy, The Wrightsman Collection, vol. 5, Paintings, Drawings

Everett Fahy, The Wrightsman Collection, vol. 5, Paintings, Drawings (New York, 1973), pp. 106–115, fig. 3.
Sun
25
Feb
note

Antonio Morassi, Guardi. Antonio e Francesco Guardi

Antonio Morassi, Guardi. Antonio e Francesco Guardi (Venice, 1973), pp. 436–437, no. 680, fig. 635.
Thu
25
Feb
note

Antonio Morassi, preface to Mercedes Precerutti-Garberi, Frescoes from Italian Villas

Antonio Morassi, preface to Mercedes Precerutti-Garberi, Frescoes from Italian Villas (New York, 1971), pp. 1–2.
Thu
25
Feb
note

Jacob Bean and Felice Stempfle, Drawings from New York Collections III: The Eighteenth Century in Italy, exh. cat. Metropolitan Museum of Art, New York, 1971, p. 87, under no. 207.

Jacob Bean and Felice Stempfle, Drawings from New York Collections III: The Eighteenth Century in Italy, exh. cat. Metropolitan Museum of Art, New York, 1971, p. 87, under no. 207.
Wed
25
Feb
note

Denys Sutton, Italian Drawings from the Ashmolean Museum, Oxford, exh. cat. Wildenstein, London, 1970, under no. 69.

Denys Sutton, Italian Drawings from the Ashmolean Museum, Oxford, exh. cat. Wildenstein, London, 1970, under no. 69.
Sun
25
Feb
note

J. Byam Shaw, J.B.S. Selected Writings

J. Byam Shaw, J.B.S. Selected Writings (London, 1968), pp. 117–118.
Sat
25
Feb
note

Francis J. B. Watson, “Guardi in England,” in Problemi quardeschi: Atti del convegno di studi promosso dalla mostra dei Guardi

Francis J. B. Watson, “Guardi in England,” in Problemi quardeschi: Atti del convegno di studi promosso dalla mostra dei Guardi (Venice, 1967), p. 210.
Thu
25
Feb
note

Pietro Zampetti, Mostra dei Guardi, exh. cat. Palazzo Grassi, Venice, 1965, p. 266, under no. 139.

Pietro Zampetti, Mostra dei Guardi, exh. cat. Palazzo Grassi, Venice, 1965, p. 266, under no. 139.
Mon
25
Feb
note

Rodolfo Pallucchini, La pittura veneziana del settecento

Rodolfo Pallucchini, La pittura veneziana del settecento (Venice, 1963), p. 248.
Mon
25
Feb
note

Winslow Ames, “The Villa dal Timpano Arcuato’ by Francesco Guardi,” Master Drawings, I, 3

Winslow Ames, “The Villa dal Timpano Arcuato’ by Francesco Guardi,” Master Drawings, I, 3 (1963), pp. 37–38.
Mon
25
Feb
note

Charles Davies, London....

Charles Davies, London. Colnaghi’s, London [Ames 1963, p. 37 states that Rothermere acquired the series from Colnaghi]
Thu
25
Feb
note

Francis Haskell, “Francesco Guardi as Vedutista and Some of His Patrons,” Journal of the Warburg and Courtauld Institutes, 23

Francis Haskell, “Francesco Guardi as Vedutista and Some of His Patrons,” Journal of the Warburg and Courtauld Institutes, 23 (1960), pp. 269–270.
Sun
25
Feb
note

sold, Christie’s, London, March 13, 1883, no....

sold, Christie’s, London, March 13, 1883, no. 358 or 359, to Davies [this information given in Christie’s sale catalogue, December 8, 1989 under no. 114, Villa Loredan from the same series]
Mon
25
Feb
note

sale of his collection, European Museum, London, May 27, 1799, no....

sale of his collection, European Museum, London, May 27, 1799, no. 49 (bought in)
© Artist-Unknown. All rights reserved.