ArtworkStatus unknown
Wooded Landscape with Donkeys and Goats, and Castle on Hill in Distance
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paper (fiber product)24 × 34 Cm
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About the artwork
Artist supplied description.
This drawing belongs to a group of some 20 similar sheets that record compositions by Pieter Bruegel the Elder (most of which are now lost). Far from direct observation, they are inventions that use landscape motifs for imaginative purposes. Because of the relative novelty of landscape compositions as independent of narrative or devotional subjects, Bruegel’s landscape drawings provided new inspiration for the artists who had access to his works. As such, drawings made after his compositions not only attest to Bruegel’s influence in the rise of landscape as a distinct genre of artistic expression, they also record some of his compositions that would otherwise be unknown.
Artwork metadata
Structured fields synced from connected systems.
| Medium | paper (fiber product) |
| Dimensions | 24 × 34 Cm |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Sun
01
Feb
note
Louisa Wood Ruby, “Bruegel/Brueghel/Bril: The ‘Lugt Group’ Revisited,” Master Drawings 50, no. 3, p. 359–60
Louisa Wood Ruby, “Bruegel/Brueghel/Bril: The ‘Lugt Group’ Revisited,” Master Drawings 50, no. 3, p. 359–60 (ill) (as copy after Pieter Bruegel the Elder).
Sun
01
Feb
exhibition
The Art Institute of Chicago, "Rubens, Rembrandt, and Drawing in the Golden Age", September 28, 2019 - January 5, 2020, pp. 226-27, 229 (ill.), 291-92, cat. 80, cat. by Victoria Sancho Lobis, et. al.
The Art Institute of Chicago, "Rubens, Rembrandt, and Drawing in the Golden Age", September 28, 2019 - January 5, 2020, pp. 226-27, 229 (ill.), 291-92, cat. 80, cat. by Victoria Sancho Lobis, et. al.
Sun
01
Feb
note
Teréz Gerszi with the assistance of Bernadett Tóth, The New Ideal of Beauty in the Age of Pieter Bruegel: Sixteenth-Century Netherlandish Drawings in the Museum of Fine Arts, Budapest
Teréz Gerszi with the assistance of Bernadett Tóth, The New Ideal of Beauty in the Age of Pieter Bruegel: Sixteenth-Century Netherlandish Drawings in the Museum of Fine Arts, Budapest (Budapest: Szépmu”vészeti Múzeum, 2012), under cat. No. 28, p. 78 (ill) (as after Pieter Bruegel the Elder).
Sun
01
Feb
note
Joseph van Haecken (c....
Joseph van Haecken (c. 1699–1749), London [stamp (Lugt 2516), recto, lower left, in black]. John Jacob Lindman (1854–1926), Chicago [stamp (Lugt 1479a), recto, lower right, in black]. William F. E. Gurley (1854–1943), Chicago [stamp (Lugt 5308), recto, lower center, in black]
Sun
01
Feb
note
given to the Art Institute of Chicago for the Leonora Hall Gurley Memorial Collection, 1922 [stamp (Lugt 1230b), verso, center, in black].
given to the Art Institute of Chicago for the Leonora Hall Gurley Memorial Collection, 1922 [stamp (Lugt 1230b), verso, center, in black].
Thu
01
Feb
note
Hans Mielke, Pieter Bruegel: Die Zeichnungen, Pictura Nova 2
Hans Mielke, Pieter Bruegel: Die Zeichnungen, Pictura Nova 2 (Turnhout: Brepols, 1996), no. 20, p. 42 (ill. P. 139).
Sat
01
Feb
exhibition
Berlin, Staatliche Museen Preussicher Kulturbesitz, Pieter Bruegel d. Ä. Als Zeichner, Sept. 19–Nov. 16, 1975, cat. 46, pp. 46–7, pl. 77, (as after Pieter Bruegel).
Berlin, Staatliche Museen Preussicher Kulturbesitz, Pieter Bruegel d. Ä. Als Zeichner, Sept. 19–Nov. 16, 1975, cat. 46, pp. 46–7, pl. 77, (as after Pieter Bruegel).
Tue
01
Feb
note
Karl Arndt, “Pieter Bruegel d. Ä. und die Geschichte der ‘Waldlandschaft’” Jahrbuch der Berliner Museen 14
Karl Arndt, “Pieter Bruegel d. Ä. und die Geschichte der ‘Waldlandschaft’” Jahrbuch der Berliner Museen 14 (1972), p. 101–103 (ill), no. K3a (as copy after Pieter Bruegel the Elder).
Tue
01
Feb
note
Matthias Winner, “Neubestimmtes und Unbestimmtes in zeichnerischen Werk von Jan Breughel d. Ä.,” Jahrbuch der Berliner Museen XIV
Matthias Winner, “Neubestimmtes und Unbestimmtes in zeichnerischen Werk von Jan Breughel d. Ä.,” Jahrbuch der Berliner Museen XIV (1972), p. 139–140 (as after Jan Bruegel the Elder).
Thu
01
Feb
note
Frits Lugt, Musée du Louvre, Inventaire Général des Dessins des Ecoles du Nord
Frits Lugt, Musée du Louvre, Inventaire Général des Dessins des Ecoles du Nord (Maîtres des Anciens Pays-Bas nés avant 1550) (Paris, 1968), p. 83, under no. 333.
Mon
01
Feb
note
Karl Arndt, “Pieter Bruegel d. Ä. Als Vorläufer Coninxloos,” Bermerkungen zur Geschichte der Waldlandschaft,” Kunstgeschichtliche Gesellschaft zu Berlin, Sitzungsberichte N.F. 14
Karl Arndt, “Pieter Bruegel d. Ä. Als Vorläufer Coninxloos,” Bermerkungen zur Geschichte der Waldlandschaft,” Kunstgeschichtliche Gesellschaft zu Berlin, Sitzungsberichte N.F. 14 (1965/66), p. 10, no. 5a.
© Artist-Unknown. All rights reserved.
