Sketches from “The Gypsies,” “The Spanish Ballet,” and “Lola de Valence” for “L’Autographe au Salon de 1865”

N. Garstein, “Édouard Manet,” The Art Journal (1884), p. 110 (partially ill.).

“Manet, Cat. 8, Sketches from “The Gypsies,” “The Spanish Ballet,” and “Lola de Valence” for “L’Autographe au Salon de 1865,” in Manet Paintings and Works on Paper at the Art Institute of Chicago (Art Institute of Chicago, 2017), https://publications.artic.edu/manet/reader/manetart/section/140020.

given by Dorothy Braude Edinburg to the Art Institute of Chicago, 2012.

Juliet Wilson-Bareau, “Goya und Manet: Zwei Meisterhafte Malerradierer Zwei Seelenverwandte Geister,” in Die Historische Sammlung Otto Gerstenberg, ed. Juliette Scharf and Janna Strzoda (Hatje Cantz, 2012), vol. 1, p. 154.

Juliette Scharf and Hanna Strzoda (editors), with Janina Dahlmanns, Die Historische Sammlung Otto Gerstenberg (Hatje Cantz, 2012), vol. 2, p. 154, no. 926 (ill.).

Maurice Exsteens (1887–1962), Paris [Scharf and Strzoda, 2012]. Acquired by Heinrich Stahl (1868–1942), Berlin, for Otto Gerstenberg (1848–1935), Berlin, July 1929 [e-mail from Janina Dahlmann, Mar. 23, 2011, in curatorial object file]

Art Institute of Chicago, "Drawings in Dialogue: Old Master Through Modern, The Harry B. and Bessie K. Braude Memorial Collection," June 3–July 30, 2006, p. 98, cat. 63 (ill.).

George Heard Hamilton, Manet and His Critics (Yale University Press, 1954), p. 76.

Adolphe Tabarant, Manet et ses œuvres (Gallimard, 1947), p. 51, no. 556.

Paul Jamot and Georges Wildenstein, Manet, vol. 1 (Les Beaux Arts, 1932), p. 120, under no. 46, p. 121, under no. 48, and p. 123, under no. 59.

sold by Otto Wertheimer to Dorothy Braude Edinburg (1921–2014), Brookline, Mass., Feb. 1967 [Dorothy Braude Edinburg collection records in curatorial object file]

D. Carol Thomson, “The Paris Salon of Fifty Years Ago,” The Studio 65, 269 (Aug. 1915), pp. 162, 165 (ill.).

Mario Bois, Manet Tauromachies et Autre Themes Espagnols (Plume, 1994), p. 140 (ill.).

Juliet Wilson-Bareau, Édouard Manet, Voyage en Espagne (L’Echoppe, 1988), p. 14.

Charles F. Stuckey and Juliet Wilson-Bareau, Edouard Manet (1832–1883), exh. cat. (Art Life Ltd., 1986), p. 152, under no. 4.

Paris, Galerie Huguette Berès, "Manet: Dessins, aquarelles, eaux-fortes lithographies, correspondance," 1978, n.p., cat. 10 (ill.), as Le buveur d’eau—Danseurs espagnoles—Lola de Valence.

Denis Rouart and Daniel Wildenstein, Édouard Manet: Catalogue raisonné (Bibliothèque des Arts, 1975), vol. 1, Peintures, p. 56, under no. 43; p. 64, under nos. 53, 55; vol. 2, Pastels, aquarelles et dessins, pp. 140–41, no. 371 (ill.); p. 166, no. 460; p. 188, no. 532.

probably sold to Otto Wertheimer (1896–1973), Paris, 1947 [e-mail from Juliet Wilson-Bareau, Sept. 14, 2011, in curatorial object file]

Jean C. Harris, Édouard Manet, Graphic Works: A Definitive Catalogue Raisonné (Collectors Editions, 1970), p. 126, under no. 43.

Alain de Leiris, The Drawings of Édouard Manet (University of California Press, 1969), p. 107, no. 177.

Carl Chiarenza, “Manet’s Use of Photography in the Creation of a Drawing,” Master Drawings 7, 1 (Spring 1969), p. 42.

probably by descent to his daughter, Margarethe Scharf (1889–1961), Berlin