ArtworkStatus unknown

Flower Clouds

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pastels (crayons)54 × 44 Cm

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About the artwork
Artist supplied description.

The evocative, symbolic art of Odilon Redon drew its inspiration from the internal world of his imagination. For years this student of Rodolphe Bresdin worked only in black and white, producing powerful and haunting charcoal drawings, lithographs, and etchings. Just as these black works, or Noirs, began to receive critical and public acclaim in the 1890s, Redon discovered the marvels of color through the use of pastel. His immersion in color and this new technique brought about a change in the artist’s approach to his subject matter as well. Flower Clouds is one of a number of pastels executed around 1905 that are dominated by spiritual overtones. Here a sailboat bears two figures, perhaps two saintly women, on a timeless journey through a fantastic, phosphorescent sea and sky. The dreamlike skiff may reflect Redon’s internal voyage, replacing the nocturnal turmoil of the earlier Noirs with a more hopeful vision. The luminous intensity of the pastels echoes the ardent spirituality of the theme.

Artwork metadata
Structured fields synced from connected systems.
Mediumpastels (crayons)
Dimensions54 × 44 Cm
Tags
mysteries/fantasiestransportationwater
CertificateCertificate not provided
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Wed
04
Feb
note

The Essential Guide

The Essential Guide (Chicago, 2009), p. 307 (ill.).
Wed
04
Feb
note

Gerald Bromme and Nancy Kinne, Exploring Painting

Gerald Bromme and Nancy Kinne, Exploring Painting (2002).
Wed
04
Feb
note

Dario Gamboni, Potential Images: Ambiguity and Indeterminacy in Modern Art

Dario Gamboni, Potential Images: Ambiguity and Indeterminacy in Modern Art (2002).
Wed
04
Feb
note

Harriet K. Stratis and Britt Salvesen

Harriet K. Stratis and Britt Salvesen (eds.), The Broad Spectrum: Studies in the Materials, Techniques, and Conservation of Color on Paper (London, 2002), pp. 265-157 (detail ill.).
Wed
04
Feb
note

James Wood, Treasures from The Art Institute of Chicago

James Wood, Treasures from The Art Institute of Chicago (New York, 2000), p. 236 (ill.).
Wed
04
Feb
exhibition

Paris, Galerie Barbazanges, "Odilon Redon, " May 18- June 15, 1920, cat. 136, as "Barque au soleil couchant".

Paris, Galerie Barbazanges, "Odilon Redon," May 18- June 15, 1920, cat. 136, as "Barque au soleil couchant".
Wed
04
Feb
exhibition

Paris, Hôtel de Ville, "Cercle d’art moderne, " June 1906, cat. 27, as "Barque".

Paris, Hôtel de Ville, "Cercle d’art moderne," June 1906, cat. 27, as "Barque".
Wed
04
Feb
note

Ètienne Charles, "Odilon Redon," La Liberté

Ètienne Charles, "Odilon Redon," La Liberté (March 24, 1906).
Wed
04
Feb
note

Henry Eon, Le Siècle

Henry Eon, Le Siècle (October 17, 1905).
Wed
04
Feb
note

Quentin, Le Moniteur du XXème Siècle

Quentin, Le Moniteur du XXème Siècle (November 5, 1905).
Wed
04
Feb
note

Louis Vauxcelles, "Salle 1," Le Gil Blas

Louis Vauxcelles, "Salle 1," Le Gil Blas (October 17, 1905).
Wed
04
Feb
note

M. Giry, "L’oeuvre de Redon et sa signification ver 1905," L’imformation d’histoire de l’art 2

M. Giry, "L’oeuvre de Redon et sa signification ver 1905," L’imformation d’histoire de l’art 2 (March-April 1970), p. 69.
Wed
04
Feb
exhibition

Paris, Grand Palais, Salon d’automne, October 18-November 25, 1905, cat. 1311, as "Marine".

Paris, Grand Palais, Salon d’automne, October 18-November 25, 1905, cat. 1311, as "Marine".
Wed
04
Feb
note

Aubry, Le Petit Havre

Aubry, Le Petit Havre (November 7, 1905).
Wed
04
Feb
note

Sold by the artist to Charles Waltner, Paris, February 1904 [Chicago 1994]

Sold by the artist to Charles Waltner, Paris, February 1904 [Chicago 1994]
Thu
04
Feb
exhibition

The Art Institute of Chicago, "The Broad Spectrum: Color on Paper, Past and Present, " September 12–October 31, 1999, p. 256-257 (detail ill.).

The Art Institute of Chicago, "The Broad Spectrum: Color on Paper, Past and Present," September 12–October 31, 1999, p. 256-257 (detail ill.).
Sun
04
Feb
note

Alec Wildenstein, Odilon Redon, Catalogue raisonné de l’oeuvre peint et dessiné 3

Alec Wildenstein, Odilon Redon, Catalogue raisonné de l’oeuvre peint et dessiné 3 (Paris, 1996), p. 352, no. 1954 (ill.).
Fri
04
Feb
exhibition

The Art Institute of Chicago, "Odilon Redon: Prince of Dreams 1840-1916, " July 2-September 18, 1994, no. 137, cat. by Douglas Druick, et al; the Van Gogh Museum, Amsterdam, October 20, 1994-January 15, 1995...

The Art Institute of Chicago, "Odilon Redon: Prince of Dreams 1840-1916," July 2-September 18, 1994, no. 137, cat. by Douglas Druick, et al; the Van Gogh Museum, Amsterdam, October 20, 1994-January 15, 1995, and the Royal Academy of Arts, London, February 16-May 21, 1995.
Fri
04
Feb
note

Oktavia Christ, "Wiederentdexkung eines Mystikers," Kunst und Antiquitäten

Oktavia Christ, "Wiederentdexkung eines Mystikers," Kunst und Antiquitäten (December 1994), p. 17 (ill.).
Fri
04
Feb
note

J. Coignard, "Odilon Redon, Prince des Mystérieux Rêves," Beaux-Arts Magazine

J. Coignard, "Odilon Redon, Prince des Mystérieux Rêves," Beaux-Arts Magazine (December 1994), p. 92-93 (ill.).
Thu
04
Feb
note

James N. Wood and Sally Ruth May, The Art Institute of Chicago: The Essential Guide

James N. Wood and Sally Ruth May, The Art Institute of Chicago: The Essential Guide (Chicago, 1993), p. 215 (ill.).
Sun
04
Feb
note

"La Chronique des Arts. Principales Acquisitions des Musées en 1990," Gazette des Beaux-Arts

"La Chronique des Arts. Principales Acquisitions des Musées en 1990," Gazette des Beaux-Arts (March 1991), p. 61 (ill.).
Sun
04
Feb
exhibition

Paris, Galerie H. Odermatt, Ph. Cazeau, "Maîtres des XIX et XX Siècles, " May 4-July 28, 1990, cat. 8.

Paris, Galerie H. Odermatt, Ph. Cazeau, "Maîtres des XIX et XX Siècles," May 4-July 28, 1990, cat. 8.
Sat
04
Feb
note

The Art Institute of Chicago Annual Report

The Art Institute of Chicago Annual Report (1989-1990), p. 5 (ill.).
Sat
04
Feb
note

Charles Waltner, to 1926 [Wildenstein 1996]....

Charles Waltner, to 1926 [Wildenstein 1996]. Marcel Kapferer, Paris, c. 1930 [Wildenstein 1996]. Vogel, Versoix, Switzerland, 1947 [Wildenstein 1996]. Private collection, Switzerland, c. 1989 [Wildenstein 1996]. Sold, Hôtel des Ventes, Enghein, France, November 21, 1989, lot 8. Sold by Altman-Burke Fine Art Inc., New York, to the Art Institute, 1990.
© Artist-Unknown. All rights reserved.