The Red Room, Etretat

Mary Weaver Chapin and Heather Lemoneded Brown, Private Lives: Home and Family in the Art of the Nabis, exh. cat. (New Haven and London: Yale University Press, 2021), 110-11, 137 cat. 81, 139, 267.

Cleveland Museum of Art, Private Lives: Home and Family in the Art of the Nabis, 1890-1900, June 27-Sep. 19, 2021, cat. 81; Portland Museum of Art, Oct. 24, 2021-Jan. 23, 2022.

Felix Valloton, exh. cat. (Royal Academy of Arts, 2019), pp. 93

London, Royal Academy of Arts, Félix Vallotton: Painter of Disquiet, June 27 - September 29 2019, cat. 28, traveled to New York, The Metropolitan Museum of Art, October 29 2019 - January 26 2020.

Paris, Galeries nationales d’exposition du Grand Palais, Félix Vallotton (1865-1925). Le fou sous la glace, September 30, 2013–January 20, 2014, cat. 65; Amsterdam, Van Gogh Museum, February 14–June 1, 2014; Tokyo, Mitsubishi Ichigokan Museum, June 14–September 23, 2014.

Amsterdam, Van Gogh Museum, Snapshot! Painter/ Photogrophers from Bonnard to Vuillard, Ocober 14, 2011-January 15, 2012, cat. 153; travels to Washington, D.C., Phillips Collection, Febuary 4-May 6, 2012, Indianapolis, Indianapolis Museum of Art, June 6- September 9, 2012.

Mariana Ducrey, Félix Vallotton, 1865–1925, L’Oeuvre Peint vol. II (Lausanne, 2005) no. 267.

Poletti, Katia, "Un Regard Photographique," in Félix Vallotton (1865-1925). Le fou sous la glace, Exh. cat. (Réunion des musées nationaux - Grand Palais, 2013), p. 127-133, cat. 65

Katia Poletti, “Vallotton and Photography Freeze Frame,” Snapshot: Painters and Photography 1888-1915, ed. Elizabeth W. Easton, Exh. cat. (Yale UP, 2012), p. 179, cat. 153, p. 217, 227, 232.

San Francisco Museum of Modern Art, Degas to Picasso: The Sculptor, The Painter and the Camera, October 1, 1999-January 4, 2000; Dallas Museum of Art February February 1, 2000-May 7, 2000; Museo Guggenheim, Bilbao June 12, 2000-September 10, 2000.

Isabelle de la Brunière and Phillippe Grapeloup-Roche, “Vallotton and the Camera: Art and the Science of Photography,” Apollo (June 1994), pp. 18–23, 19 (ill.).

Zurich, Kunsthaus, The Nabis, 1888–1900, May 29–August 16, 1993, cat. 136; Paris, Grand Palais, September 22, 1993–January 4, 1994; Paris, Musée d’Orsay, January 11-February 13, 1994.

New Haven, Yale University Art Gallery, Felix Vallotton, October 24, 1991-January 5, 1992; Houston, Museum of Fine Arts, January 31–March 29, 1992; Indianapolis, Museum of Art, April 25–June 11, 1992, p. 33, (ill.) p. 35.

R. Brettell, Post-Impressionists, Art Institute of Chicago and Harry N. Ambrams (New York, 1987), pp. 85–86, 87 (color ill.).

Tokyo, Seibu Museum, The Impressionist Tradition, Masterpieces from the Art Institute of Chicago, October 18–December 1, 1985; traveled to Kyoto, Fukuoka Art Museum, January 5–February 2, 1986; Kyoto, Municipal Museum of Art, March 4–April 13, 1986, cat. 65.

Mrs. Clive Runnells (died 1977)

bequeathed to the Art Institute, 1977.