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paper (fiber product)69 × 90 Cm
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About the artwork
Artist supplied description.
This large sheet is the final study for Ferrari's ceiling decoration in the Galleria Dorata in Palazzo Carrega-Cataldi, in Genoa, which he completed in 1743-1744. The composition depicts a scene from Book I of Virgil's Aeneid, when the goddess Venus appreaches Jupited on Olympus to lament her son Aeneas's adversities.
Artwork metadata
Structured fields synced from connected systems.
| Medium | paper (fiber product) |
| Dimensions | 69 × 90 Cm |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Wed
21
Jan
note
Suzanne Folds McCullagh, “Olympus, or Venus Interceding with Jove on Behalf of Aeneas, 1743/44,” The Art Institute of Chicago Museum Studies 26, 1
Suzanne Folds McCullagh, “Olympus, or Venus Interceding with Jove on Behalf of Aeneas, 1743/44,” The Art Institute of Chicago Museum Studies 26, 1 (2000), pp. 32-33, no. 9.
Sun
21
Jan
exhibition
The Art Institute of Chicago, February 2-May 8, 1990 (installation).
The Art Institute of Chicago, February 2-May 8, 1990 (installation).
Tue
21
Jan
note
Barbara Brejon de Lavergnée, “A Drawing by Lorenzo de' Ferrari in the Louvre,“ Master Drawings, 23-24
Barbara Brejon de Lavergnée, “A Drawing by Lorenzo de' Ferrari in the Louvre,“ Master Drawings, 23-24 (Summer 1986), pp. 229-31.
Tue
21
Jan
note
Lawrence Turcic, “Review of Le dessin à Gênes du XVIème au XVIIIème siècle,” Master Drawings, 23-24
Lawrence Turcic, “Review of Le dessin à Gênes du XVIème au XVIIIème siècle,” Master Drawings, 23-24 (Summer 1986), p. 243, notes 14-16, pl. 53.
Mon
21
Jan
note
Mary Newcome-Schleier, “Dessins de l”École génoise dans les collections publiques,” La revue du Louvre et des Musées de France, 35
Mary Newcome-Schleier, “Dessins de l”École génoise dans les collections publiques,” La revue du Louvre et des Musées de France, 35 (1985), p. 212, note 16.
Thu
21
Jan
note
The Burlington Magazine
The Burlington Magazine (November 1982), p. 8 (ill.).
Mon
21
Jan
note
Private Collection, Paris, 1980....
Private Collection, Paris, 1980. Sold by Richard Collins, New York, to the Art Institute, 1982.
Mon
21
Jan
note
Jean-Claude Boyer, “Pierre Mignard
Jean-Claude Boyer, “Pierre Mignard (1612-1695). La donation Baderou au Musée de Rouen,” Etudes de la revue du Louvre et des Musées de France I (1980), pp. 45-46, fig. 2.
Tue
21
Jan
note
“From Maineri to Miró: The Regenstein Collection Since 1975,” The Art Institute of Chicago Museum Studies 17:1
“From Maineri to Miró: The Regenstein Collection Since 1975,” The Art Institute of Chicago Museum Studies 17:1 (2000), pp. 32-33, no. 9 (ill.).
© Artist-Unknown. All rights reserved.