ArtworkStatus unknown

The Actor Maximilian Korn in a Landscape

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oil paint (paint)26 × 31 Cm

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About the artwork
Artist supplied description.

This portrait’s sitter, a famous Viennese actor named Maximilian Korn, poses elegantly in fine garments with his finger holding his place in a book, as if he has just been interrupted while reading. Artist Ferdinand Georg Waldmüller, no stranger to the theater himself, honed his skill as a painter by copying well-known works in Dresden, Rome, and Vienna while on tour with his wife, Katharina Weidner, a successful opera singer. Here, Waldmüller updated the traditional Renaissance portrait with a landscape background by integrating the sitter into his organic surroundings: Korn leans on a mossy rock and basks in the same sunlight that illuminates the distant mountains.

Artwork metadata
Structured fields synced from connected systems.
Mediumoil paint (paint)
Dimensions26 × 31 Cm
Tags
portraits: male subjectwatertreessunskyrocksportraitsportraitmountainsmountainmanlightlandscapeslandscapecloudsbushesbookactors (performing artists)
CertificateCertificate not provided
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Fri
13
Feb
note

Jäger collection

Jäger collection
Fri
13
Feb
note

by descent to her son, Vienna

by descent to her son, Vienna
Fri
13
Feb
exhibition

Milwaukee Art Museum, Biedermeier: The Invention of Simplicity, September 16, 2006–January 1, 2007, cat. 83; traveled to Vienna, Albertina, February 2–May 13, 2007; Berlin, Deutsches Historisches Museum, June 8–September 2, 2007.

Milwaukee Art Museum, Biedermeier: The Invention of Simplicity, September 16, 2006–January 1, 2007, cat. 83; traveled to Vienna, Albertina, February 2–May 13, 2007; Berlin, Deutsches Historisches Museum, June 8–September 2, 2007.
Fri
13
Feb
note

Laurie Winters, “Northern European Painting and Drawing,” in Hans Ottomeyer, Klaus Albrecht Schröder, and Laurie Winters, Biedermeier: The Invention of Simplicity, exh. cat.

Laurie Winters, “Northern European Painting and Drawing,” in Hans Ottomeyer, Klaus Albrecht Schröder, and Laurie Winters, Biedermeier: The Invention of Simplicity, exh. cat. (Milwaukee: Milwaukee Art Museum and Ostfildern: Hatje Cantz, 2006), p. 324, no. 313, fig. 313.
Fri
13
Feb
note

Art Institute of Chicago, Annual Report 2003–2004

Art Institute of Chicago, Annual Report 2003–2004 (Chicago: Art Institute of Chicago, 2004), pp. 16 (ill.), 33.
Fri
13
Feb
note

sold Galerie Leo Schidlof, Vienna, October 11–13, 1920, lot 121 as Männerporträt, to an Austrian collector [according to an email from Marcus Marschall to Martha Wolff dated July 24, 2003, copy in curatorial file]

sold Galerie Leo Schidlof, Vienna, October 11–13, 1920, lot 121 as Männerporträt, to an Austrian collector [according to an email from Marcus Marschall to Martha Wolff dated July 24, 2003, copy in curatorial file]
Fri
13
Feb
note

purchased by the Art Institute with funds donated by the Gidwitz Family Foundation, 2003.

purchased by the Art Institute with funds donated by the Gidwitz Family Foundation, 2003.
Fri
13
Feb
note

“The European Fine Art Fair,” Weltkunst 72, 2

“The European Fine Art Fair,” Weltkunst 72, 2 (2002), p. 147.
Fri
13
Feb
note

bought by a private collector and consigned to Daxer & Marschall, Munich, 2002

bought by a private collector and consigned to Daxer & Marschall, Munich, 2002
Fri
13
Feb
note

Dorotheum, Vienna, May 28, 2001, lot 22

Dorotheum, Vienna, May 28, 2001, lot 22
Fri
13
Feb
note

Bruno Grimschitz, Ferdinand Georg Waldmüller

Bruno Grimschitz, Ferdinand Georg Waldmüller (Salzburg: Verlag Galerie Welz, 1957), pp. 35, 295, no. 217, pl. 2.
Fri
13
Feb
note

in the possession of a female member of this family, Innsbruck, Austria, by 1957 [according to the email cited above and Grimschitz 1957]

in the possession of a female member of this family, Innsbruck, Austria, by 1957 [according to the email cited above and Grimschitz 1957]
Tue
13
Feb
note

Rupert Feuchtmüller, Ferdinand Georg Waldmüller 1793–1865: Leben, Schriften, Werke

Rupert Feuchtmüller, Ferdinand Georg Waldmüller 1793–1865: Leben, Schriften, Werke (Vienna and Munich: C. Brandstätter, 1996), pp. 51, 441, no. 237 (ill.).
Tue
13
Feb
note

Klaus Albrecht Schröder, Ferdinand Georg Waldmüller

Klaus Albrecht Schröder, Ferdinand Georg Waldmüller (Munich: Prestel-Verlag, 1990), pp. 17, 45 n. 58, 72, fig. 7.
Wed
13
Feb
note

by descent to her brother-in-law, Bad Reichenhall until 1974 [this and the following provenance until 2001 according to the email cited above]

by descent to her brother-in-law, Bad Reichenhall until 1974 [this and the following provenance until 2001 according to the email cited above]
Wed
13
Feb
note

by descent to his niece, from 1974 until 2000

by descent to his niece, from 1974 until 2000
Sat
13
Feb
note

Bruno Grimschitz, “Ferdinand Georg Waldmüller,” Neue Österreichische Biographie ab 1815 14

Bruno Grimschitz, “Ferdinand Georg Waldmüller,” Neue Österreichische Biographie ab 1815 14 (1960), p. 56.
© Artist-Unknown. All rights reserved.