ArtworkStatus unknown

New England Headlands

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oil paint (paint)68 × 68 Cm

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About the artwork
Artist supplied description.

This panoramic landscape depicts one of Childe Hassam’s favorite destinations: Gloucester, Massachusetts. During the summer months Gloucester was home to many artists, who, like Hassam, chose to emphasize its picturesque aspects, such as its quaint buildings and sailing vessels, rather than its fish-processing plants. The composition exhibits Hassam’s broken brushwork and his use of bare canvas, particularly in the foreground. Bright, saturated blues and crisp whites add to the maritime tenor of the work, while the square canvas highlights its architectural quality and harmoniously organized space.

Artwork metadata
Structured fields synced from connected systems.
Mediumoil paint (paint)
Dimensions68 × 68 Cm
Tags
landscapesweather/seasonswaterCentury of Progressworld's fairsChicago World's Fairsarchitecture
CertificateCertificate not provided
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Fri
06
Feb
note

Judith A. Barter, et al., <em>The Age of American Impressionism: Masterpieces from the Art Institute of Chicago</em>

Judith A. Barter, et al., The Age of American Impressionism: Masterpieces from the Art Institute of Chicago (Chicago: Art Institute of Chicago, 2011), cat. 64.
Fri
06
Feb
note

“‘New England Headlands’: A Painting by Childe Hassam,” Christian Science Monitor, Sept. 17, 1947, p. 1 of The Home Forum Section, ill.

“‘New England Headlands’: A Painting by Childe Hassam,” Christian Science Monitor, Sept. 17, 1947, p. 1 of The Home Forum Section, ill.
Fri
06
Feb
note

Frederick A. Sweet, The Walter Schulze Gallery of American Paintings

Frederick A. Sweet, The Walter Schulze Gallery of American Paintings (Art Institute of Chicago, 1943), p. 14 (ill.).
Fri
06
Feb
exhibition

Art Institute of Chicago, A Century of Progress, Exhibition of Paintings and Sculpture, June 1– Nov. 1, 1933, cat. 561.

Art Institute of Chicago, A Century of Progress, Exhibition of Paintings and Sculpture, June 1– Nov. 1, 1933, cat. 561.
Fri
06
Feb
note

“The Walter H. Schulze Memorial,” Bulletin of the Art Institute of Chicago 24

“The Walter H. Schulze Memorial,” Bulletin of the Art Institute of Chicago 24 (1930), p. 79 (ill.).
Fri
06
Feb
note

given to the Art Institute of Chicago, 1930.

given to the Art Institute of Chicago, 1930.
Fri
06
Feb
note

Macbeth Galleries, New York City, by 1919

Macbeth Galleries, New York City, by 1919
Fri
06
Feb
note

Paul Schulze, Chicago, from 1919 to 1930

Paul Schulze, Chicago, from 1919 to 1930
Wed
06
Feb
exhibition

Albi, France, Musee Toulouse–Lautrec, Tresors Impressionistes du Musee de Chicago, June 27–Aug. 31, 1980, cat. 45.

Albi, France, Musee Toulouse–Lautrec, Tresors Impressionistes du Musee de Chicago, June 27–Aug. 31, 1980, cat. 45.
Mon
06
Feb
note

Milo M. Naeve, Classical Presence in American Art

Milo M. Naeve, Classical Presence in American Art (Art Institute of Chicago, 1978), p. 34, no. 45.
Fri
06
Feb
exhibition

Richmond, Virginia Museum, American Marine Painting, Sept. 27–Oct. 31, 1976, cat. 55, as New England Headlands.

Richmond, Virginia Museum, American Marine Painting, Sept. 27–Oct. 31, 1976, cat. 55, as New England Headlands.
Sun
06
Feb
exhibition

Tucson, Museum of Art, University of Arizona, Childe Hassam, 1859–1935, cat. 51; Santa Barbara Museum of Art, Mar. 26–Apr. 30, 1972.

Tucson, Museum of Art, University of Arizona, Childe Hassam, 1859–1935, cat. 51; Santa Barbara Museum of Art, Mar. 26–Apr. 30, 1972.
© Artist-Unknown. All rights reserved.