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paper (fiber product)31 × 105 Cm
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About the artwork
Artist supplied description.
Landscape painting offered artists the opportunity to create visual poems about the beauty and continuity of nature and man's place in it. Lu Zhi, a 16th-century artist, belonged to a class of highly educated men who painted for their own pleasure. In Distant Mountains, he used multiple ground planes and suggestive voids to create a majestic vista of jagged peaks and a meandering, wide river. Through the crystalline precision of his brush strokes, the artist achieved an image of great clarity and refinement.
Artwork metadata
Structured fields synced from connected systems.
| Medium | paper (fiber product) |
| Dimensions | 31 × 105 Cm |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Wed
28
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28
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Purchased from Walter Hochstadter, New York Ex collection: Xiang Yuanbian (1535-90)
Purchased from Walter Hochstadter, New York
Ex collection: Xiang Yuanbian (1535-90)
Wed
28
Jan
exhibition
Cleveland Museum of Art, Chinese Landscape Painting, 1954, p. 87, cat. 61, p. 85 (ill), cat. by Sherman E. Lee.
Cleveland Museum of Art, Chinese Landscape Painting, 1954, p. 87, cat. 61, p. 85 (ill), cat. by Sherman E. Lee.
Wed
28
Jan
note
Sherman E. Lee, Chinese Landscape Painting
Sherman E. Lee, Chinese Landscape Painting (Cleveland Museum of Art, 1954), p. 87, cat. 61, p. 85 (ill), 2nd ed, rev. (Harper & Row, 1962), p. 80, p. 81 (ill.), as Landscape with Clear Distance.
Thu
28
Jan
note
Elinor L. Pearlstein and James T. Ulak, Asian Art in the Art Institute of Chicago
Elinor L. Pearlstein and James T. Ulak, Asian Art in the Art Institute of Chicago (Art Institute of Chicago / Harry N. Abrams, Inc., New York, 1993), p. 74 (ill.), pp. 75-76, p. 149.
Mon
28
Jan
note
Louise Yuhas, “The Landscape Painting of Lu Chih
Louise Yuhas, “The Landscape Painting of Lu Chih (Part I)”, National Palace Museum Bulletin 20, 5-6 (November/December 1985, January/February 1986), pp. 9-10.
Sat
28
Jan
note
Alice R. M. Hyland, The Literati Vision: Sixteenth Century Wu School Painting and Calligraphy
Alice R. M. Hyland, The Literati Vision: Sixteenth Century Wu School Painting and Calligraphy (Memphis Brooks Museum of Art, 1984), cat. 19, p. 34, fig. 17.
Sat
28
Jan
exhibition
Memphis, Tenn., Memphis Brooks Museum of Art, The Literati Vision: Sixteenth Century Wu School Painting and Calligraphy, Sept. 16-Oct. 28, 1984, cat. by Alice R. M. Hyland; traveled to Fort Worth, Kimbell Art Museum, Dec. 2, 1984-Jan. 27...
Memphis, Tenn., Memphis Brooks Museum of Art, The Literati Vision: Sixteenth Century Wu School Painting and Calligraphy, Sept. 16-Oct. 28, 1984, cat. by Alice R. M. Hyland; traveled to Fort Worth, Kimbell Art Museum, Dec. 2, 1984-Jan. 27, 1985, p. 93, cat. 19, p. 34, fig. 17.
Thu
28
Jan
note
Louise Yuhas, “Lu Chih and the Literati Tradition: Paintings in the Style of Ni Tsan”. Ars Orientalis, 13
Louise Yuhas, “Lu Chih and the Literati Tradition: Paintings in the Style of Ni Tsan”. Ars Orientalis, 13 (1982), pp. 34-5; p. 52, fig. 10.
Sun
28
Jan
note
Louise Ripple Yuhas, The Landscape Art of Lu Chih
Louise Ripple Yuhas, The Landscape Art of Lu Chih (1496-1576), (Ph.D. diss., University of Michigan, 1979), p. 368.
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