ArtworkStatus unknown

Virgin and Child with Saints Jerome, Bernardino of Siena, and Angels

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oil paint (paint)48 × 66 Cm

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Artwork metadata
Structured fields synced from connected systems.
Mediumoil paint (paint)
Dimensions48 × 66 Cm
Tags
Century of ProgressVirgin and child/Madonna and childsaintsangelsmother and childmotherchildrenbabiesJesusVirgin Marywomanwoman with childrenmenreligionreligiousreligious figuresreligious scenesChristian subjectsChristianityworld's fairsChicago World's Fairs
CertificateCertificate not provided
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Sat
14
Feb
note

sold by Kleinberger to Ferdinand Hermann, New York [according to Hermann sale catalogue]

sold by Kleinberger to Ferdinand Hermann, New York [according to Hermann sale catalogue]
Sat
14
Feb
note

Possibly private collection, London

Possibly private collection, London
Sat
14
Feb
note

Jean Dollfus, Paris

Jean Dollfus, Paris
Sat
14
Feb
note

Helen Parker, The Christmas Story Illustrated from the Collection of The Art Institute of Chicago, Chicago, 1949, ill., n. pag.

Helen Parker, The Christmas Story Illustrated from the Collection of The Art Institute of Chicago, Chicago, 1949, ill., n. pag.
Sat
14
Feb
note

Art Institute of Chicago, An Illustrated Guide to the Collections of the Art Institute of Chicago, Chicago, 1948, p. 25.

Art Institute of Chicago, An Illustrated Guide to the Collections of the Art Institute of Chicago, Chicago, 1948, p. 25.
Sat
14
Feb
note

R. Shoolman and C. Slatkin, The Enjoyment of Art in America, Philadelphia and New York, 1942, p. 284.

R. Shoolman and C. Slatkin, The Enjoyment of Art in America, Philadelphia and New York, 1942, p. 284.
Sat
14
Feb
note

Art Institute of Chicago, A Brief Illustrated Guide to the Collections, Chicago, 1935, p. 20.

Art Institute of Chicago, A Brief Illustrated Guide to the Collections, Chicago, 1935, p. 20.
Sat
14
Feb
note

F. Mason Perkins in Ulrich Thieme and Felix Becker, Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart, vol. 29, Leipzig, 1935, p. 415.

F. Mason Perkins in Ulrich Thieme and Felix Becker, Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart, vol. 29, Leipzig, 1935, p. 415.
Sat
14
Feb
exhibition

Art Institute of Chicago, A Century of Progress, 1934, no. 34.

Art Institute of Chicago, A Century of Progress, 1934, no. 34.
Sat
14
Feb
exhibition

Art Institute of Chicago, A Century of Progress, 1933, no. 93

Art Institute of Chicago, A Century of Progress, 1933, no. 93
Sat
14
Feb
note

bequeathed to the Art Institute, 1933.

bequeathed to the Art Institute, 1933.
Sat
14
Feb
note

Daniel Catton Rich, “The Paintings of Martin A. Ryerson,” Bulletin of the Art Institute of Chicago 27

Daniel Catton Rich, “The Paintings of Martin A. Ryerson,” Bulletin of the Art Institute of Chicago 27 (1933), p. 8.
Sat
14
Feb
note

Mario Salmi, “Dipinti senese nella raccolta Chigi-Saracini,” La Diana 8,2

Mario Salmi, “Dipinti senese nella raccolta Chigi-Saracini,” La Diana 8,2 (1933), p. 82.
Sat
14
Feb
note

William R. Valentiner, Paintings in the Collection of Martin A. Ryerson, unpub. MS [1932], Archives, The Art Institute of Chicago, n. pag.

William R. Valentiner, Paintings in the Collection of Martin A. Ryerson, unpub. MS [1932], Archives, The Art Institute of Chicago, n. pag.
Sat
14
Feb
note

Bernard Berenson, Italian Pictures of the Renaissance. A List of the Principal Artists and their Works with an Index of Places, Oxford, 1932, p. 498.

Bernard Berenson, Italian Pictures of the Renaissance. A List of the Principal Artists and their Works with an Index of Places, Oxford, 1932, p. 498.
Sat
14
Feb
note

Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection, Chicago, 1932, p. 182.

Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection, Chicago, 1932, p. 182.
Sat
14
Feb
note

sold by Kleinberger to Martin A....

sold by Kleinberger to Martin A. Ryerson (died 1932), Chicago, 1922 [Kleinberger records cited above and invoice in curatorial file]
Sat
14
Feb
note

Raimond van Marle, The Development of the Italian Schools of Painting, The Hague, 1927, vol. 9, p, 494.

Raimond van Marle, The Development of the Italian Schools of Painting, The Hague, 1927, vol. 9, p, 494.
Sat
14
Feb
note

Rose Mary Fischkin, Martin A. Ryerson Collection of Paintings and Sculpture, XIII to XVIII Century, Loaned to the Art Institute of Chicago, unpub. MS [1926]. Ryerson Library, The Art Institute of Chicago, pp. 35-6.

Rose Mary Fischkin, Martin A. Ryerson Collection of Paintings and Sculpture, XIII to XVIII Century, Loaned to the Art Institute of Chicago, unpub. MS [1926]. Ryerson Library, The Art Institute of Chicago, pp. 35-6.
Sat
14
Feb
note

E. Gaillard, Un peintre siennois au XVe siècle: Sano di Pietro, Chambéry, 1923, p. 204, ill. frontispiece.

E. Gaillard, Un peintre siennois au XVe siècle: Sano di Pietro, Chambéry, 1923, p. 204, ill. frontispiece.
Sat
14
Feb
note

“Sano di Pietro,” Bulletin of the Art Institute of Chicago 17

“Sano di Pietro,” Bulletin of the Art Institute of Chicago 17 (1923), p. 5, cover ill.
Sat
14
Feb
note

Art Institute of Chicago, Handbook of Sculpture, Architecture, and Paintings, Chicago, 1923, p. 73.

Art Institute of Chicago, Handbook of Sculpture, Architecture, and Paintings, Chicago, 1923, p. 73.
Sat
14
Feb
exhibition

Northampton, Mass., Smith College, Hillyer Art Gallery, 1922, no cat.

Northampton, Mass., Smith College, Hillyer Art Gallery, 1922, no cat.
Sat
14
Feb
note

Salomon Reinach, Répertoire de peintures du moyen age et de la renaissance

Salomon Reinach, Répertoire de peintures du moyen age et de la renaissance (1280-1580), vol. 5, Paris, 1922, p. 383, ill.
Sat
14
Feb
note

sold Anderson Galleries, New York, February 18, 1921, no....

sold Anderson Galleries, New York, February 18, 1921, no. 107 to Kleinberger, New York [the consignor described as a “New York gentleman”, price and buyer in Kleinberger records, Department of European Paintings, The Metropolitan Museum of Art]
Sat
14
Feb
note

sold American Art Association, New York, January 15, 1918, no....

sold American Art Association, New York, January 15, 1918, no. 46, ill. to R. Ederheimer for $2,100 [price and buyer in annotated sale catalogue in Art Institute Library and American Art New 1918]. Private collection, New York, possibly that of Ederheimer
Sat
14
Feb
note

“Next Weeks [sic] Picture Sales: The Ferdinand Hermann Pictures,” American Art News 16, 14

“Next Weeks [sic] Picture Sales: The Ferdinand Hermann Pictures,” American Art News 16, 14 (1918), p. 1.
Sat
14
Feb
note

“Hermann Picture Sale,” American Art News 16, 15

“Hermann Picture Sale,” American Art News 16, 15 (1918), p. 7.
Sat
14
Feb
exhibition

New York, F. Kleinberger Galleries, Italian Primitives, 1917, no. 62.

New York, F. Kleinberger Galleries, Italian Primitives, 1917, no. 62.
Sat
14
Feb
note

sold Galerie Georges Petit, Paris, pt....

sold Galerie Georges Petit, Paris, pt. 3, April 1-2, 1912, no. 76, ill., to Kleinberger for Fr 15,600 [according to annotated catalogue at Getty Center, Los Angeles]
Sat
14
Feb
note

Bernhard Berenson, The Central Italian Painters of the Renaissance, 2nd ed., New York and London, 1909, p. 239.

Bernhard Berenson, The Central Italian Painters of the Renaissance, 2nd ed., New York and London, 1909, p. 239.
Sat
14
Feb
note

Mojmír S. Frinta, Punched Decoration on Late Medieval Panela and Miniature Painting, Part I, Prague, 1998, pp. 194, 261, 317.

Mojmír S. Frinta, Punched Decoration on Late Medieval Panela and Miniature Painting, Part I, Prague, 1998, pp. 194, 261, 317.
Sun
14
Feb
note

Christopher Lloyd, Italian Paintings before 1600 in The Art Institute of Chicago; A Catalogue of the Collection, Chicago, 1993, pp. 212-215, ill.

Christopher Lloyd, Italian Paintings before 1600 in The Art Institute of Chicago; A Catalogue of the Collection, Chicago, 1993, pp. 212-215, ill.
Sat
14
Feb
note

John Pope Hennessy with Larry Kanter, The Robert Lehman Collection, vol. 1, Italian Paintings, New York, 1987, p. 146, under no. 61.

John Pope Hennessy with Larry Kanter, The Robert Lehman Collection, vol. 1, Italian Paintings, New York, 1987, p. 146, under no. 61.
Mon
14
Feb
note

Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections, Cambridge, Mass., 1972, pp. 181, 320, 571.

Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections, Cambridge, Mass., 1972, pp. 181, 320, 571.
Wed
14
Feb
note

Bernard Berenson, Italian Pictures of the Renaissance. A List of the Principal Artists and their Works with an Index of Places. Central Italian and North Italian Schools, London, 1968, vol. 1, p. 374.

Bernard Berenson, Italian Pictures of the Renaissance. A List of the Principal Artists and their Works with an Index of Places. Central Italian and North Italian Schools, London, 1968, vol. 1, p. 374.
Tue
14
Feb
note

E. T. De Wald, Italian Painting, 1200-1600, New York, 1961, p. 340.

E. T. De Wald, Italian Painting, 1200-1600, New York, 1961, p. 340.
Tue
14
Feb
note

Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, Chicago, 1961, p. 410.

Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, Chicago, 1961, p. 410.
Tue
14
Feb
note

sold Hôtel Drouot, Paris, February 27, 1882, La Collection de M....

sold Hôtel Drouot, Paris, February 27, 1882, La Collection de M. M. de Londres, either no. 71, Vierge avec gloire d’anges, for Fr 675, or no. 74, La Vierge et l’Enfant, for Fr 410 [the catalogue of the Dollfus sale stated that the painting was no. 72 in the 1882 sale, though that number is a Visitation]
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