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oil paint (paint)35 × 50 Cm
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About the artwork
Artist supplied description.
This portrait would have served as a document of a marriage. Friedrich Rorbach’s name, age, and coat of arms, along with the date, are painted on the back of the panel, which was originally paired with a portrait of his wife, Katherina Knoblauchin, now in the National Gallery of Ireland. The two portraits share the same background— a fanciful mountain landscape. Conrad Faber, who worked in Frankfurt-am-Main, specialized in portraits depicting the patrician elite of that prosperous city. In the early 16th century, the energy and self-confidence of the many courts and free cities loosely united in the Holy Roman Empire brought about an artistic flowering in Germany.
Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 35 × 50 Cm |
| Tags | portraits: male subjectblack (color)coat of armsfeathersGermanyhatjewelrylandscapeluxurymarriages/weddingsmountainmountainsportraitportraitsriverwaterwealth |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Thu
12
Feb
note
sold Christie's, London, June 15-16, 1866, no....
sold Christie's, London, June 15-16, 1866, no. 288, as by G. Penz, to Bodley for £14 4s. 6d [according to annotated sale cat. at the Getty Research Institute]
Thu
12
Feb
note
Demotte of Paris, 8 East 57th Street, New York, n.d., n.pag.
Demotte of Paris, 8 East 57th Street, New York, n.d., n.pag. (ill.).
Thu
12
Feb
note
Henry Farrer to 1866
Henry Farrer to 1866
Thu
12
Feb
note
Martha Wolff in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, Chicago, 2008, pp. 358-62, ill.
Martha Wolff in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, Chicago, 2008, pp. 358-62, ill.
Thu
12
Feb
note
Annegret Laabs, Malerei und Plastik im Zisterzienserorden: Zum Bilderbrauch zwischen sakralen Zeremoniell und Stifterme-moria, 1250–1430, Petersberg, 2000, pp. 232–33.
Annegret Laabs, Malerei und Plastik im Zisterzienserorden: Zum Bilderbrauch zwischen sakralen Zeremoniell und Stifterme-moria, 1250–1430, Petersberg, 2000, pp. 232–33.
Thu
12
Feb
note
Paul Pieper, “Westfälische Maler der Spätgotik: Ergänzungen zur Kat-alog,” Westfalen 32
Paul Pieper, “Westfälische Maler der Spätgotik: Ergänzungen zur Kat-alog,” Westfalen 32 (1954), pp. 82–85.
Thu
12
Feb
note
Alfred Stange, Deutsche Malerei der Gotik, vol. 6, Berlin, 1954, pp. 16, 18, fig. 18.
Alfred Stange, Deutsche Malerei der Gotik, vol. 6, Berlin, 1954, pp. 16, 18, fig. 18.
Thu
12
Feb
note
Paul Pieper, “Westfälische Maler der Spätgotik,” Die Kunst und das schöne Heim 51
Paul Pieper, “Westfälische Maler der Spätgotik,” Die Kunst und das schöne Heim 51 (1953), p. 81.
Thu
12
Feb
note
Anton Henze, review of 1952 exhibition, in Das Münster 5
Anton Henze, review of 1952 exhibition, in Das Münster 5 (1952), p. 225.
Thu
12
Feb
note
Paul Pieper, review of 1952 exhibition, in Kunst-chronik 5
Paul Pieper, review of 1952 exhibition, in Kunst-chronik 5 (1952), pp. 214, 223.
Thu
12
Feb
note
Harald Busch, Meister des Nordens: Die altniederdeutsche Malerei, 1450–1550, Hamburg, 1943, p. 68, no. 20k.
Harald Busch, Meister des Nordens: Die altniederdeutsche Malerei, 1450–1550, Hamburg, 1943, p. 68, no. 20k.
Thu
12
Feb
note
Oswald Goetz, "The Portrait of Friedrich Rohrbach by Conrad Faber of Creuznach," Art in America 29
Oswald Goetz, "The Portrait of Friedrich Rohrbach by Conrad Faber of Creuznach," Art in America 29 (1941), pp. 89-97, figs. 1,5.
Thu
12
Feb
note
it is possible that Goudstikker was a part owner, since he is mentioned as purchaser in the 1938 Worcester catalogue]....
it is possible that Goudstikker was a part owner, since he is mentioned as purchaser in the 1938 Worcester catalogue]. J. Rosenbaum, Frankfurt, 1930 [as per Zülch, 1935]. J. Goudstikker Kunsthandel N. V., Amsterdam, by 1935
Thu
12
Feb
note
Daniel Catton Rich, Catalogue of the Charles H. and Mary F. Worcester Collection
Daniel Catton Rich, Catalogue of the Charles H. and Mary F. Worcester Collection (Chicago, 1938), no. 39.
Thu
12
Feb
note
Lotte Brand, “Stephan Lochners Hochaltar von St. Katharinen zu Köln,” Ph.D. diss., Albert-Ludwigs-Universität Freiburg-im-Bre-isgau, 1938, pp. 34–36, fig. 3.
Lotte Brand, “Stephan Lochners Hochaltar von St. Katharinen zu Köln,” Ph.D. diss., Albert-Ludwigs-Universität Freiburg-im-Bre-isgau, 1938, pp. 34–36, fig. 3.
Thu
12
Feb
note
Johannes Sommer, Johann Koerbecke: Der Meister des Marienfelder Altares von 1457, Westfalen, Son-derheft 5, Münster, 1937, pp. 12–13, 16, 24, 28, 30, 34–35, figs. 2, 12.
Johannes Sommer, Johann Koerbecke: Der Meister des Marienfelder Altares von 1457, Westfalen, Son-derheft 5, Münster, 1937, pp. 12–13, 16, 24, 28, 30, 34–35, figs. 2, 12.
Thu
12
Feb
note
Karl Hölker, Kreis Warendorf, Bau- und Kunst-denkmäler von Westfalen 42, Münster, 1936, p. 278, fig. 404.
Karl Hölker, Kreis Warendorf, Bau- und Kunst-denkmäler von Westfalen 42, Münster, 1936, p. 278, fig. 404.
Thu
12
Feb
note
Charles L. Kuhn, A Catalogue of German Paintings of the Middle Ages and Renaissance in American Collections, Cambridge, Mass., 1936, p. 32, no. 63, pl. 14.
Charles L. Kuhn, A Catalogue of German Paintings of the Middle Ages and Renaissance in American Collections, Cambridge, Mass., 1936, p. 32, no. 63, pl. 14.
Thu
12
Feb
note
bought from Goudstikker by Charles Worcester, Chicago, for the Art Institute, in 1935.
bought from Goudstikker by Charles Worcester, Chicago, for the Art Institute, in 1935.
Thu
12
Feb
note
Daniel Catton Rich, “German Art in Chicago,” American-German Review 1, 4
Daniel Catton Rich, “German Art in Chicago,” American-German Review 1, 4 (1935), p. 38.
Thu
12
Feb
note
Martha Wolff, in Charles Sterling et al., The Robert Lehman Collection: Fifteenth- to Eigh-teenth-Century European Paintings; France, Central Europe, the Netherlands, Spain and Great Britain, New York, 1998, p. 84 n. 27.
Martha Wolff, in Charles Sterling et al., The Robert Lehman Collection: Fifteenth- to Eigh-teenth-Century European Paintings; France, Central Europe, the Netherlands, Spain and Great Britain, New York, 1998, p. 84 n. 27.
Mon
12
Feb
note
Brigitte Corley, Conrad von Soest: Painter among Merchant Princes, Lon-don, 1996, pp. 98, 244.
Brigitte Corley, Conrad von Soest: Painter among Merchant Princes, Lon-don, 1996, pp. 98, 244.
Mon
12
Feb
note
Jochen Luckhardt, “Koerbecke, Johann,” in Dictionary of Art, vol. 18, 1996, p. 189.
Jochen Luckhardt, “Koerbecke, Johann,” in Dictionary of Art, vol. 18, 1996, p. 189.
Fri
12
Feb
note
G[éza] Jászai, in Imagi-nation des Unsichtbaren: 1200 Jahre bildende Kunst im Bistum Münster, exh. cat., Münster, Westfälisches Landesmuseum für Kunst und Kulturgeschichte, 1993, p. 417, under no. B 2.13.
G[éza] Jászai, in Imagi-nation des Unsichtbaren: 1200 Jahre bildende Kunst im Bistum Münster, exh. cat., Münster, Westfälisches Landesmuseum für Kunst und Kulturgeschichte, 1993, p. 417, under no. B 2.13.
Fri
12
Feb
note
Art Institute of Chicago, Glad Tidings of Great Joy: Christmas at the Art Institute of Chi-cago, Chicago, 1993, pp. 11
Art Institute of Chicago, Glad Tidings of Great Joy: Christmas at the Art Institute of Chi-cago, Chicago, 1993, pp. 11 (ill.), 39.
Fri
12
Feb
note
John Oliver Hand, German Paintings of the Fifteenth through Seventeenth Centuries, Collec-tions of the National Gallery of Art Systematic Catalogue, Wash-ington, D.C., 1993, pp. 104–06, 108
John Oliver Hand, German Paintings of the Fifteenth through Seventeenth Centuries, Collec-tions of the National Gallery of Art Systematic Catalogue, Wash-ington, D.C., 1993, pp. 104–06, 108 (ill.).
Wed
12
Feb
note
R[aymond] K[eaveney] in Master Paintings from the National Gallery of Ireland: Mantegna to Goya, exh. cat.
R[aymond] K[eaveney] in Master Paintings from the National Gallery of Ireland: Mantegna to Goya, exh. cat. (Chicago, The Art Institute, 1992-93), p. 52, under no. 11.
Wed
12
Feb
note
Shirley Neilson Blum, “Hans Memling’s Annunciation with Angelic Attendants,” Metropolitan Museum Journal 27
Shirley Neilson Blum, “Hans Memling’s Annunciation with Angelic Attendants,” Metropolitan Museum Journal 27 (1992), pp. 53, 58 n. 60.
Tue
12
Feb
note
Isolde Lüb-beke, The Thyssen-Bornemisza Collection: Early German Paint-ing, 1350–1550, London, 1991, pp. 270–72, fig. 3A.
Isolde Lüb-beke, The Thyssen-Bornemisza Collection: Early German Paint-ing, 1350–1550, London, 1991, pp. 270–72, fig. 3A.
Mon
12
Feb
note
Angelica Dülberg, Privatporträts: Geschichte und Ikonologie einer Gattung im 15. und 16. Jahrhundert
Angelica Dülberg, Privatporträts: Geschichte und Ikonologie einer Gattung im 15. und 16. Jahrhundert (Berlin, 1990), p. 193, no. 54, figs. 519, 522.
Mon
12
Feb
note
Géza Jászai, “Der ehemalige Hochaltar der Klosterkirche der Zisterziensabtei Marienfeld: Ein neuer Rekon-struktionsversuch,” Westfalen 68
Géza Jászai, “Der ehemalige Hochaltar der Klosterkirche der Zisterziensabtei Marienfeld: Ein neuer Rekon-struktionsversuch,” Westfalen 68 (1990), pp. 33–43.
Thu
12
Feb
note
Jochen Luckhardt, Der Hoch-altar der Zisterzienser-klosterkirche Marienfeld, Münster, 1987, pp. 5, 8, 11, 16, 23, fig. 1.
Jochen Luckhardt, Der Hoch-altar der Zisterzienser-klosterkirche Marienfeld, Münster, 1987, pp. 5, 8, 11, 16, 23, fig. 1.
Thu
12
Feb
note
David Oldfield, German Paintings in the National Gallery of Ireland: a complete catalogue
David Oldfield, German Paintings in the National Gallery of Ireland: a complete catalogue (Dublin, 1987), pp. 22-23, under no. 21, fig. 10.
Thu
12
Feb
note
Barbara Jakoby, Der Einfluss nie-derländischer Tafelmalerei des 15. Jahrhunderts auf die Kunst der benachbarten Rheinlande am Beispiel der Verkündigungsdarstel-lung in Köln, am Niederrhein und in Westfalen
Barbara Jakoby, Der Einfluss nie-derländischer Tafelmalerei des 15. Jahrhunderts auf die Kunst der benachbarten Rheinlande am Beispiel der Verkündigungsdarstel-lung in Köln, am Niederrhein und in Westfalen (1440–1490), Co-logne, 1987, pp. 31–35, 265, fig. 4.
Wed
12
Feb
note
Paul Pieper, Die deutschen, nie-derländischen und italienischen Tafelbilder bis um 1530, Münster, 1986, pp. 166, 168
Paul Pieper, Die deutschen, nie-derländischen und italienischen Tafelbilder bis um 1530, Münster, 1986, pp. 166, 168 (ill.), 174–75.
Tue
12
Feb
note
Adrian L[e] H[arivel], Masterpieces from the National Gallery of Ireland, exh. cat.
Adrian L[e] H[arivel], Masterpieces from the National Gallery of Ireland, exh. cat. (National Gallery, London, 1985), p. 50 under no. 20, fig. A.
Tue
12
Feb
note
G[erhard] L[angemeyer], in Köln Westfalen, 1180–1980: Landesgeschichte zwischen Rhein und Weser, exh. cat., Münster, Westfälisches Landesmuseum für Kunst und Kulturgeschichte, 1981, pp. 96–97, under no. 288.
G[erhard] L[angemeyer], in Köln Westfalen, 1180–1980: Landesgeschichte zwischen Rhein und Weser, exh. cat., Münster, Westfälisches Landesmuseum für Kunst und Kulturgeschichte, 1981, pp. 96–97, under no. 288.
Mon
12
Feb
note
Allen Rosenbaum, Old Master Paint-ings from the Collection of Baron Thyssen-Bornemisza, exh. cat., Washington, D.C., International Exhibitions Foundation, 1979, p. 122.
Allen Rosenbaum, Old Master Paint-ings from the Collection of Baron Thyssen-Bornemisza, exh. cat., Washington, D.C., International Exhibitions Foundation, 1979, p. 122.
Sat
12
Feb
note
Colin Eisler, Paintings from the Samuel H. Kress Collection: European Schools Excluding Italian, Oxford, 1977, p. 5.
Colin Eisler, Paintings from the Samuel H. Kress Collection: European Schools Excluding Italian, Oxford, 1977, p. 5.
Tue
12
Feb
note
Nicole Reynaud, Les Primitifs de l’école de Cologne, exh. cat., Paris, Louvre, 1974, p. 33, under no. 14.
Nicole Reynaud, Les Primitifs de l’école de Cologne, exh. cat., Paris, Louvre, 1974, p. 33, under no. 14.
Sat
12
Feb
note
Gisela Goldberg and Gisela Scheffler, Altdeutsche Gemälde: Köln und Nordwestdeutschland, Alte Pinakothek Gemäldekataloge 14, Munich, 1972, pp. 260, 269.
Gisela Goldberg and Gisela Scheffler, Altdeutsche Gemälde: Köln und Nordwestdeutschland, Alte Pinakothek Gemäldekataloge 14, Munich, 1972, pp. 260, 269.
Sun
12
Feb
note
Alfred Stange, Kri-tisches Verzeichnis der deutschen Tafelbilder vor Dürer, vol. 1, Munich, 1967, pp. 153–54, no. 498.
Alfred Stange, Kri-tisches Verzeichnis der deutschen Tafelbilder vor Dürer, vol. 1, Munich, 1967, pp. 153–54, no. 498.
Wed
12
Feb
note
H. W. Grohn, "Faber von Creuznach, Conrad," in Kindlers Malerei Lexikon, vol. 2,
H. W. Grohn, "Faber von Creuznach, Conrad," in Kindlers Malerei Lexikon, vol. 2, (Zürich, [1964-78]), p. 319.
Wed
12
Feb
note
Paul Pieper, Das Westfälische in Malerei und Plastik, Münster, 1964, pp. 21–24, fig. 11.
Paul Pieper, Das Westfälische in Malerei und Plastik, Münster, 1964, pp. 21–24, fig. 11.
Tue
12
Feb
note
Paul Pieper, “Ein Johannes-altar von Johann Koerbecke,” Pan-theon 21
Paul Pieper, “Ein Johannes-altar von Johann Koerbecke,” Pan-theon 21 (1963), p. 354.
Tue
12
Feb
note
Wolfgang Brücker, "Conrad Faber von Creuznach," Schriften des historischen Museums 11
Wolfgang Brücker, "Conrad Faber von Creuznach," Schriften des historischen Museums 11 (Frankfurt-am-Main, 1963), pp. 2, 42-45, 48, 50–55, 63–64, 82, 113 n. 98, 134, n. 258, 150, 170-171, no. 16, figs, 17, 67.
Tue
12
Feb
note
Mikhail Iakovlevich Libman, Zhivopis i risunok Germanii i Avstrii XV–XIX vekov, exh. cat., Moscow, [Pushkin State Museum of Fine Arts], 1963, p. 39.
Mikhail Iakovlevich Libman, Zhivopis i risunok Germanii i Avstrii XV–XIX vekov, exh. cat., Moscow, [Pushkin State Museum of Fine Arts], 1963, p. 39.
Sun
12
Feb
note
H. Th[eodor] Musper, Gotische Maler-ei nördlich der Alpen, Cologne, 1961, p. 214.
H. Th[eodor] Musper, Gotische Maler-ei nördlich der Alpen, Cologne, 1961, p. 214.
Sun
12
Feb
note
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago, 1961), pp. 158-59.
Sun
12
Feb
note
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, p. 252.
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, p. 252.
© Artist-Unknown. All rights reserved.