ArtworkStatus unknown

Viola Surviving the Shipwreck off the Coast of Illyria, from “Twelfth Night”

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paper (fiber product)48 × 29 Cm

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About the artwork
Artist supplied description.

George Romney’s reputation as a portraitist rivaled that of Sir Joshua Reynolds and Thomas Gainsborough, the leading figures of 18th-century British painting. Romney’s true ambition to be a history painter, however, was not fully realized until the Boydell Shakespeare Gallery was opened in 1786. This drawing is one of hundreds by Romney, most of which are in pen and wash, illustrating Shakespeare, Milton, and Greco-Roman mythology. The artist’s sweeping gestures with pen and wash emphasize the struggle and loss brought on by the shipwreck in the opening act of Shakespeare’s Twelfth Night.

Artwork metadata
Structured fields synced from connected systems.
Mediumpaper (fiber product)
Dimensions48 × 29 Cm
CertificateCertificate not provided
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Sun
25
Jan
exhibition

Art Institute of Chicago, "Shockingly Mad: Henry Fuseli and the Art of Drawing, " Nov. 16, 2017-Apr. 1, 2018, no cat.

Art Institute of Chicago, "Shockingly Mad: Henry Fuseli and the Art of Drawing," Nov. 16, 2017-Apr. 1, 2018, no cat.
Sun
25
Jan
exhibition

Art Institute of Chicago, "The Thrill of the Chase: Drawings for the Harry B. and Bessie K. Braude Memorial Collection, " Mar. 15-June 15, 2014, no cat.

Art Institute of Chicago, "The Thrill of the Chase: Drawings for the Harry B. and Bessie K. Braude Memorial Collection," Mar. 15-June 15, 2014, no cat.
Sun
25
Jan
note

given to the Art Institute of Chicago, 2013.

given to the Art Institute of Chicago, 2013.
Sun
25
Jan
exhibition

Art Institute of Chicago, "Drawings in Dialogue: Old Master Through Modern, The Harry B. and Bessie K. Braude Memorial Collection, " June 3–July 30, 2006, p. 72, cat. 43 (ill.).

Art Institute of Chicago, "Drawings in Dialogue: Old Master Through Modern, The Harry B. and Bessie K. Braude Memorial Collection," June 3–July 30, 2006, p. 72, cat. 43 (ill.).
Sun
25
Jan
note

Suzanne Folds McCullagh

Suzanne Folds McCullagh (ed.), Drawings in Dialogue: Old Master Through Modern, The Harry B. and Bessie K. Braude Memorial Collection, exh. cat. (Chicago: The Art Institute of Chicago, 2006), p. 72, cat. 43 (ill.).
Sun
25
Jan
exhibition

London, Agnew’s, "Twenty Five Drawings by George Romney 1734–1802, " June 11–28, 2002, cat. 14.

London, Agnew’s, "Twenty Five Drawings by George Romney 1734–1802," June 11–28, 2002, cat. 14.
Sun
25
Jan
note

Alfred A....

Alfred A. de Pass (1861–1953), London and Falmouth [stamps (Lugt 108a) recto, lower right, in black (twice)]
Sun
25
Jan
note

presented to the Royal Institution of Cornwall, Truro, 1928

presented to the Royal Institution of Cornwall, Truro, 1928
Mon
25
Jan
note

Yvonne Romney Dixon, Designs from Fancy: George Romney’s Shakespearean Drawings

Yvonne Romney Dixon, Designs from Fancy: George Romney’s Shakespearean Drawings (Seattle, 1988), p. 88, pl. 52, as The Flood.
Tue
25
Jan
note

sold, Christie’s, Feb....

sold, Christie’s, Feb. 22, 1966, lot 33 (one of five in lot), to Agnew’s, London. Private collection, from 1966. Sold by Agnew’s, London, to Dorothy Braude Edinburg, Brookline, MA, Nov. 15, 2002 [invoice]
© Artist-Unknown. All rights reserved.