Auti te pape (Women at the River), from the Noa Noa Suite

The Art Institute of Chicago, "Gauguin: Artist as Alchemist", June 25 - September 10, 2017, pp. 16, 31, 35, 188, 196, 208, 211, cat. 142, cat. by Gloria Groom, et. al.

Dario Gamboni, “Volcano Equals Head Equals Kiln Equals Phallus: Connecting Gauguin’s Metaphors of the Creative Act,” Res [Peabody Museum] 63/64 (2013), pp. 95–96, fig. 2.

Princeton University Art Museum, "Gauguin's Paradise Remembered: The Noa Noa Prints," September 25, 2010-January 2, 2011, p. 28, 130, cat. 16 (ill. and frontispiece ill.).

Alastair Wright and Calvin Brown, Gauguin’s Paradise Remembered: The Noa Noa Prints, exh. cat. (Princeton University Art Museum/Yale University Press, 2010), pp. 28, 130, cat. 16 (ill. and frontispiece ill.)

The Art Institute of Chicago, "Becoming Edvard Munch: Influence, Anxiety and Myth", February 14-April 26, 2009, pp. 144-146, fig. 156, p. 225, cat. 106, cat. by Jay A. Clarke

Jay E. Clarke, Becoming Edvard Munch, exh. cat. (Art Institute of Chicago/Yale University Press, 2009), pp. 144–46, fig. 156, 225, cat. 106.

George T. M. Shackelford and Claire Frèches-Thory, Gauguin Tahiti, with additional essays by Isabelle Cahn et al., exh. cat (MFA Publications, 2004), pp. 121, 124, 354, cat. 111b (ill.). Translated as Gauguin Tahiti: L’atelier du tropiques, exh. cat. (Réunion des Musées Nationaux, 2003), p. 377, cat. 112.

Boston, Museum of Fine Arts and Paris, Grand Palais, "Gauguin Tahiti," 2003-2004, pp. 121, 124, and 354, cat. 111b (ill.), cat. by George T. M. Shackelford and Claire Frèches-Thory; shown only in Boston, February 29-June 20, 2004.

The Art Institute of Chicago, "Intimate Encounters: Paul Gauguin and the South Pacific, The Edward McCormick Blair Collection," September 6, 2003-January 11, 2004.

Art Institute of Chicago, Intimate Encounters: Paul Gauguin and the South Pacific; The Edward McCormick Blair Collection, exhibition brochure (Art Institute of Chicago, 2003), hors. cat.

Dario Gamboni, Potential Images: Ambiguity and Indeterminacy in Modern Art (Reaktion, 2002), p. 93, no. 68 (ill.).

The Art Institute of Chicago, "Gauguin: Paintings, Drawings, Prints, Sculpture," February 12-March 29, 1959, p. 85, cat. 161; traveled to the Metropolitan Museum of Art, New York, April 21-May 31, 1959.

Art Institute of Chicago, Gauguin Prints (Art Institute of Chicago, 1959), n.pag. (ill.).

Art Institute of Chicago and Metropolitan Museum of Art, New York, Gauguin: Paintings, Drawings, Prints, Sculpture, exh. cat. (Art Institute of Chicago, 1959), p. 85, cat. 161.

Javier González de Durana, Miriam Alzuri, and María Amezaga, Francisco Durrio (1868–1940): Sobre las huellas de Gauguin (Museo de Bellas Artes de Bilbao, 2013), p. 219, no. 3 (ill.).

Francisco "Paco" Durrio (1868-1940), Paris [Kornfeld 1988]. Sold by Walter Geiser, Basel, to the Art Institute, 1948.

New York, Bignou Gallery, "Gauguin: First Trip to Tahiti," January 3–14, 1939, cat. 13.

Bignou Gallery, Gauguin: First Trip to Tahiti, foreword by Carl O. Schniewind, exh. cat. (Bignou Gallery, 1939), n.pag., cat. 13.

Leicester Galleries, Catalogue of an Exhibition of the Durrio Collection of Works by Paul Gauguin, exh. cat. (Ernest Brown & Phillips, 1931), p. 6, cat. 14.

Kunsthalle Basel, "Paul Gauguin," July-August, 1928, p. 25, cat. 108 (1st ed.), p. 30, cat. 218 (2nd ed.).

Marcel Guérin, L’oeuvre gravé de Gauguin (H. Floury, 1927; Alan Wofsy Fine Arts, 1980), cat. 35 (ill.).

Association Paris–Amerique Latine, Exposition rétrospective: Hommage au génial artiste franco-péruvien Gauguin, with introductions by F. Cossio del Pomar and G. Daniel de Monfreid, exh. cat. (n.p., 1926), cat. 40.

Paris, Association Paris Amerique Latine, "Exposition Retrospective: Hommage au Génial Artiste Franca-Péruvien Gauguin," December 17, 1926, cat. 40.

Antonio García de Linares, Primera exposición internacional de pintura y escultura, exh. cat. (Imp. Eléxpuru Hnos., 1919), p. 14, cat. 127.

Bilbao, Spain, Escuelas de Berastegui, "Primera Exposición Internacional de Pintura y Escultura," August-September, 1919, p. 14, cat. 127.

Paris, Grand Palais des Champs-Elysees, "Salon d'Automne," 1906, cat. 137.

Société du Salon d’Automne, Catalogue des ouvrages de peinture, sculpture, dessin, gravure, architecture et art décoratif, exh. cat. (Compagnie Française des Papiers-Monnaie, 1906), cat. 137.

Kunsthalle Basel, Paul Gauguin, 1848–1903, exh. cat., 2nd ed. (Kunsthalle Basel, 1928), p. 30, cat. 218.

London, The Leicester Galleries, "Catalogue of an Exhibition of the Durrio Collection of Works by Paul Gauguin (1848-1903)," May-June, 1931, p. 6, cat. 14.

Galerien Thannhauser, Paul Gauguin, 1848–1903, introduction by W. Barth, exh. cat. (Galerien Thannhauser, 1928), p. 15, cat. 194.

Kunsthalle Basel, Paul Gauguin, 1848–1903, exh. cat. (Kunsthalle Basel, 1928), p. 25, cat. 108.

Oberes Belvedere, Paul Gauguin, 1848–1903, exh. cat. (Österreichische Galerie im Oberen Belvedere, 1960), p. 44, cat. 79.

Berlin, Galerien Thannhauser, "Paul Gauguin: 1848-1903," October 1928, p. 15, cat. 194.

Jacquelynn Baas and Richard S. Field, The Artistic Revival of the Woodcut in France, 1850–1900, exh. cat. (Ann Arbor, University of Michigan Museum of Art, 1984), pp. 109, 116, cat. 66 (ill.).

Anna Maria Damigella, Paul Gauguin: La vita e l’opera (Mondadori, 1997), p. 188 (ill.).

Elizabeth Mongan, Eberhard W. Kornfeld, and Harold Joachim, Paul Gauguin: Catalogue Raisonné of His Prints, with assistance of Christine E. Stauffer (Galerie Kornfeld, 1988), pp. 71–72, cat. 16 (ill.)E

Washington, D.C., National Gallery of Art, "The Art of Paul Gauguin," May 1-July 31, 1988, p. 322, cat. 167 (ill.); traveled to The Art Institute of Chicago, September 17-December 11, 1988.

Richard R. Brettell, Françoise Cachin, Claire Frèches-Thory, and Charles F. Stuckey, The Art of Paul Gauguin, with assistance from Peter Zegers, exh. cat. (National Gallery of Art, Washington, D.C./Art Institute of Chicago/New York Graphic Society Books, 1988), p. 322, cat. 167 (ill.).

Paul Gauguin, Noa Noa, transcription, ed. Pierre Petit, commentary by Bronwen Nicholson (J.-J. Pauvert, 1988), p. 123 (ill.).

Adam Biro, Gauguin: La bibliothèque des expositions (A. Biro, 1988), p. 66, fig. 40a.

Ann Arbor, Mich., The University of Michigan Museum of Art, "The Artistic Revival of the Woodcut in France, 1850-1900," November 4, 1983-January 8, 1984, p. 109 and 116, cat. 66 (ill.), cat. by Jacquelynn Baas and Richard S. Field; traveled to the Yale University Art Gallery, New Haven. Conn., February 1-March 25, 1984, and the Baltimore Museum of Art, April 17-June 3, 1984.

John Maxon, The Art Institute of Chicago (Abrams, 1970), p. 135 (ill.).

Alfred Langer, Paul Gauguin (VEB E.A. Seemann, Buch- und Kunstverlag, 1965), pp. 59–60, 87, pl. 21.

Munich, Haus der Kunst, "Paul Gauguin," April 1-May 29, 1960, p. 33, cat. 183.

Vienna, Österreichische Galerie im Oberen Belvedere, "Paul Gauguin," June 7-July 31, 1960, p. 44, cat. 79.