Sheet of Studies with the Head of the Fornarina and Hands of Madame de Senonnes

London, Wildenstein and Company, “The Art of Drawing: XVIth to XIXth Centuries,” May 9–June 16, 1956, p. 25, cat. 96.

repatriated to France, September 19, 1946 and restituted to Wildenstein, March 21, 1947 [Central Collecting Point card

recovered by the American Forces’ Monuments, Fine Arts, and Archives Service (M.F.A.A.) and processed at the Munich Central Art Collecting Point, June 24, 1945 [Central Collecting Point card]

confiscated by the Einsatzstab Reichsleiter Rosenberg (E.R.R.), before January 15, 1943 [January 15, 1943 is the date the drawing was entered into the E.R.R.’s records at the Jeu de Paume Museum in Paris]

Tübingen, Germany, Kunsthalle Tübingen, "Ingres und Delacroix: Aquarelle und Zeichnungen," September 12-October 28, 1986, pp. 250-51, cat. 7 (ill.), cat. by Ernst Goldschmidt and Götz Adriani, et al, traveled to Brussels, Palais des Beaux-Arts, November 6-December 21, 1986.

The Art Institute of Chicago, “The Regenstein Collection of European Drawings,” 1985–1986.

Harold Joachim, French Drawings and Sketchbooks of the Nineteenth Century I (Chicago, 1979), pp. 89-90, no. 4F3.

The Art Institute of Chicago, “The Regenstein Collection of European Drawings,” 1974, no. 63, cat. by Harold Joachim.

Cultural Plunder by the Einsatzstab Reichsleiter Rosenberg: Database of Art Objects at the Jeu de Paume (on-line)]. Wildenstein and Company, London, by May 1956 [1956 exh. cat.]. Villiers David, London [according to a letter from Frederick Schab dated March 7, 1972 in the curatorial file]. Sold by the William Schab Gallery, New York, to the Art Institute, 1972.

The Art Quarterly, 35:4 (Winter 1972), p. 439 (ill.).

William Schab Gallery, Master Prints and Drawings (1971), no. 76 (ill.).