Peasants Bringing Home a Calf Born in the Fields

Alfred Sensier, La Vie et lo’Oeuvre de Je. F. Millet (Paris, 1881), pp. 258, 263-269.

Charles Francis Browne, "The Permanent Collections in the Museum of the Art Institute of Chicago: IV - The Henry Field Memorial Collection," Brush and Pencil 2, 1 (1898), pp. 2 (ill.), 7.

“Art Institute of Chicago: II – Modern Paintings: The Henry Field Collection,” Art Amateur 21, 1 (1894), p. 19.

Paris, Centennale de l’Art Français, 1889, cat. 524.

Alfred Sensier, Jean-François Millet (1896), p. 170-171.

C.C. Cook, Art and the Artists of Our Time vol. 3 (New York, 1888), p. 248.

“Chicago, ILL.: The Art Institute of Chicago,” in American Art Annual 1898 (London: Macmillan & Co., 1899), p. 140, no. 31.

Paris, Salon, 1864, no. 1363.

“The Henry Field Memorial Collection,” Art Amateur 31, 6 (1894), p. 115.

Catalogue of the Collection of Books, Manuscripts and Works of Art Belonging to Henry Probasco, Cincinnati, Ohio (Cambridge, 1873), p. 398.

William M. R. French, “The Permanent Collections in the Museum of the Art Institute of Chicago,” Brush and Pencil 1, 4 (1898), p. 81, ill.

“Drift of the Dog Days,” The Collector 4, 16 (1893), p. 247.

given to the Art Institute, 1894.

Chicago, Worlds Columbian Exhibition: Loan Collection: Foreign Masterpieces Owned in the United States, 1893, no. 3063.

Julia Ady Cartwright, Jean François Millet (London 1896), pp. 250 ff, 264 ff, 370.

Bruno Girveau, Chantal Georgel, Régis Cotentin, Jean-François Millet, exh. cat. (Réunion des musées nationaux-Grand Palais, 2017), p. 25, 70-71, 141, cat. 34.

Lille, Palais Beaux-Arts Lille, Jean-François Millet, Oct. 13, 2017- Jan. 22, 2018, cat. 34 (ill.).

Chantal Georgel, Millet (Paris: Citadelles & Mazenod, 2014), pp. 306, 308–9, fig. 295.

Simon Kelly and April M. Watson, Impressionist France: Visions of Nation from Le Gray to Monet (Saint Louis Art Museum, Saint Louis, Missouri and The Nelson-Atkins Museum of Art, Kansas City Missouri, 2013) pp. 184-186, cat. 59 (ill.).

Kansas City, MO, Nelson-Atkins Museum of Art, Impressionist France: Visions of Nation from Le Gray to Monet, October 19, 2013–January 19, 2014; Saint Louis Art Museum, February 22–May 25, 2014, cat. 59 (ill.).

Amsterdam, Van Gogh Museum, Fierce Friends: Artists and Animals in the Industrial Age, 1750-1920, October 5, 2005- February 5, 2006; Pittsburgh, Carnegie Museum of Art, March 26 - August 27, 2006.

Vincent Van Gogh, The Complete Letters of Vincent Van Gogh vol. 3 (Greenwich, 1958), letter p. 521 (early December, 1889).

The Art Institute of Chicago, Masterpieces in The Art Institute of Chicago (Chicago, 1952).

The Art Institute of Chicago, Century of Progress, Exhibition of Painting and Sculpture, June 1- November 1, 1934, cat 196.

The Art Institute of Chicago, Century of Progress, Exhibition of Painting and Sculpture, June 1-November 1, 1933, cat 250.

The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago, 1932), p. 47 (ill.).

The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collections (Chicago, 1925), pp. 50-51 (ill.).

“ Millets in the Art Institute,” The Art Institute of Chicago Bulletin 18 (1924), pp. 88, 89 (ill.).

Etienne Moreau-Nelaton, Millet, raconté par lui-même (Paris, 1921) vol. 2, pp. 73f, 115, 117, 144, 154 (ill), 160-162, vol. 3, pp. 115, 117.

Kenyon Cox, Artist and Public (London, 1914), pp. 63f (ill.).

Arthur Hoeber, The Barbizon Painters (1914), p. 59.

The Art Institute of Chicago, General Catalogue (Chicago, 1907) no. 131 (ill.).

“Collection of the Late Me. J. Staats-Forbes,” Burlington Magazine 5 (1904), ill.

The Art Institute of Chicago, Historical Sketch (Chicago, 1904), p 15 (ill.).

Romain Rolland, Millet (London, 1902), p. 4, ill.

J. Cartwright, Jean François Millet: His Life and Letters (London, 1902,) pp. 251, 264, 370.

Henry Probasco (1820-1902), Cincinnati by 1873 [see Cambridge 1873]

Frederick Clifton Pierce, Field Genealogy, vol. 2 (Chicago: Hammond Press, 1901), pp. 709, 712, no. 31.

“Jean François Millet,” Masters in Art 1, 8 (1900), p. 35.

Tokyo, ASAHI, Masterworks of Modern Art From The Art Institute of Chicago, cat. 3 (ill.), 1994, traveled to Nagaoka, Niiagata Prefectural Museum of Modern Art; Nagoya, Aichi Prefectural Museum of Art; and Yokohama Museum of Art, 1994-1995.

Tokyo, The Seibu Museum of Art, The Impressionist Tradition: Masterpieces from the Art Institute of Chicago, October 18-December 17, 1985. cat. 9 (ill.), traveled to Fukuoka Art Museum, January 5-February 2, 1986 and Kyoto Municipal Muesum of Art, March 4-April 13, 1986.

John Minor Wisdom, French Nineteenth Century Oil Sketches: David to Degas, exh. cat. (Chapel Hill, N.C.: William Hayes Ackland Memorial Art Center, University of North Carolina 1978), p. 104, under no. 50.

London, Hayward Gallery, Jean François Millet, January 22-March 7, 1976, cat. 88 (ill.).

Paris, Galeries nationales d’exposition de Grand Palais, Jean François Millet, October 17, 1975-January 5, 1976, cat. 164 (ill.).

Peter Bermingham, American Art in the Barbizon Mood, exh. cat (Washington D.C., The National Coalition of Fine Arts, Smithsonian Institute, 1975), p. 75 (ill.).

The Cleveland Museum of Art Bulletin (November 1973), pp. 266, 265 (ill.).

Robert L. Herbert, “City vs. Country: The Rural Image in French Paintings From Millet to Gauguin,” ArtForum (February 1970), pp. 48, 50.

Robert L. Herbert, “Millet Reconsidered,” The Art Institute of Chicago Museum Studies I, (1966), pp. 43, 45ff, 60-61, 42 (ill.).

Robert L. Herbert, Barbizon Revisited, exh. cat. (San Francisco, California Palace of the Legion of Honor, 1962), p. 45.