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Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 63 × 73 Cm |
| Tags | landscapetreesdoganimalsdogsParischurchcitiesFrancestreetbridge |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Tue
27
Jan
note
by descent to their sons Honoré and Potter Palmer
by descent to their sons Honoré and Potter Palmer
Tue
27
Jan
exhibition
New York, American Federation of the Arts, Exhibition of Nineteenth Century French Paintings, 1948–1949; traveled to Dayton, Ohio, Dayton Art Institute, June 1–28 1948; Springfield, Springfield Art Museum, August 1948; Saginaw, Michigan...
New York, American Federation of the Arts, Exhibition of Nineteenth Century French Paintings, 1948–1949; traveled to Dayton, Ohio, Dayton Art Institute, June 1–28 1948; Springfield, Springfield Art Museum, August 1948; Saginaw, Michigan, The Saginaw Museum, December 19, 1948–January 9, 1949, cat. 24; Memphis, Tennessee, Brooks Memorial Art Gallery, March 1–22, 1949; Utica, New York, The Munson Williams Proctor Institute, April 1949.
Tue
27
Jan
exhibition
University of Chicago, The Renaissance Society, Paintings of Sea and Land and City Streets, 1933, no cat.
University of Chicago, The Renaissance Society, Paintings of Sea and Land and City Streets, 1933, no cat.
Tue
27
Jan
note
Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection
Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1932), p. 168.
Tue
27
Jan
note
Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection
Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1925), p. 149, no. 842.
Tue
27
Jan
note
“Chicago’s Possessions in Art, Natural History and Historic Relics,” Fort Dearborn Magazine 4, 2
“Chicago’s Possessions in Art, Natural History and Historic Relics,” Fort Dearborn Magazine 4, 2 (1923), p. 27 (ill.).
Tue
27
Jan
note
Art Institute of Chicago, Handbook of Sculpture, Architecture, and Paintings
Art Institute of Chicago, Handbook of Sculpture, Architecture, and Paintings (Chicago: Art Institute of Chicago, 1923), p. 69, no. 842.
Tue
27
Jan
note
Art Institute of Chicago, Handbook of Sculpture, Architecture and Paintings
Art Institute of Chicago, Handbook of Sculpture, Architecture and Paintings (Chicago: Art Institute of Chicago, 1922), p. 69, no. 842.
Tue
27
Jan
note
given to the Art Institute, 1922.
given to the Art Institute, 1922.
Tue
27
Jan
note
“The Potter Palmer Collection of Paintings,” Bulletin of the Art Institute of Chicago 16, 3
“The Potter Palmer Collection of Paintings,” Bulletin of the Art Institute of Chicago 16, 3 (1922), p. 40 (ill.).
Tue
27
Jan
note
“Accessions and Loans,” Bulletin of the Art Institute of Chicago 16, 3
“Accessions and Loans,” Bulletin of the Art Institute of Chicago 16, 3 (1922), p. 47.
Tue
27
Jan
note
his widow, Bertha Honoré Palmer (died 1918)
his widow, Bertha Honoré Palmer (died 1918)
Tue
27
Jan
note
G. Coquiot, “Jean Francois Raffaelli,” Gazette des beaux-arts, per. 4, 5
G. Coquiot, “Jean Francois Raffaelli,” Gazette des beaux-arts, per. 4, 5 (1911), p. 140.
Tue
27
Jan
note
Potter Palmer (died 1902), Chicago, by 1893 [according to an inventory dated December 1921 in the Art Institute Archives]
Potter Palmer (died 1902), Chicago, by 1893 [according to an inventory dated December 1921 in the Art Institute Archives]
Fri
27
Jan
note
Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection
Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago: Art Institute of Chicago, 1961), p. 363.
© Artist-Unknown. All rights reserved.
