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panel (wood)40 × 53 Cm
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About the artwork
Artist supplied description.
The first Netherlandish painter known to have studied Classical sculpture in Rome, Jan Gossart here fused the vocabulary of the Italian Renaissance with a traditional Netherlandish diptych (two-panel) format. The Virgin Mary’s draperies and the child’s athletic figure show Gossart’s command of the new Renaissance style perfected by Italian artists Michelangelo and Raphael. The glance and blessing gesture of the infant Jesus are directed beyond the picture to the right, suggesting that the panel was once joined by another depicting a donor in prayer. Earlier Netherlandish patrons favored this construction of paired, hinged panels for portable altarpieces.
Artwork metadata
Structured fields synced from connected systems.
| Medium | panel (wood) |
| Dimensions | 40 × 53 Cm |
| Tags | Virgin and child/Madonna and childbiblicalchildrenChristian subjectsChristianitywomanwoman with children |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Wed
25
Feb
note
Etienne-Edmond Martin, 2nd Baron de Beurnonville, Paris
Etienne-Edmond Martin, 2nd Baron de Beurnonville, Paris
Wed
25
Feb
note
by descent to his widow
by descent to his widow
Wed
25
Feb
note
Shira Brisman, "Jan Gossart's Immaculate Art," in Peter Bokody and Alexander Nagel, eds., Renaissance Metapainting
Shira Brisman, "Jan Gossart's Immaculate Art," in Peter Bokody and Alexander Nagel, eds., Renaissance Metapainting (London and Turnhout: Harvey Miller, 2020), 269, 270 fig. 2, 275, 277, 280-81, 283-84, 286 fig. 8, 287, 290.
Wed
25
Feb
exhibition
Metropolitan Museum of Art, Man, Myth, and Sensual Pleasures: Jan Gossart's Renaissance, October 5, 2010 - Jan 17, 2011, no. 14.
Metropolitan Museum of Art, Man, Myth, and Sensual Pleasures: Jan Gossart's Renaissance, October 5, 2010 - Jan 17, 2011, no. 14.
Wed
25
Feb
note
Nancy H. Yeide, Beyond the Dreams of Avarice: The Hermann Goering Collection, Dallas, 2009, pp. 120, ill., 336, no. A801.
Nancy H. Yeide, Beyond the Dreams of Avarice: The Hermann Goering Collection, Dallas, 2009, pp. 120, ill., 336, no. A801.
Wed
25
Feb
exhibition
The Art Institute of Chicago, New Light on Old Masters: Research on Northern European and Spanish Paintings before 1600 in the Art Institute, 26 June—14 September 2008, no cat.
The Art Institute of Chicago, New Light on Old Masters: Research on Northern European and Spanish Paintings before 1600 in the Art Institute, 26 June—14 September 2008, no cat.
Wed
25
Feb
note
Martha Wolff in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, Chicago, 2008, pp. 227–31, ill. as frontispiece, p. 228.
Martha Wolff in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, Chicago, 2008, pp. 227–31, ill. as frontispiece, p. 228.
Wed
25
Feb
note
Didier Martens, "Un Tüchlein flamand de la Renaissance au château de Peralada et le Maître de la Madone," Locus Amoenus 6
Didier Martens, "Un Tüchlein flamand de la Renaissance au château de Peralada et le Maître de la Madone," Locus Amoenus 6 (2002/2003), pp. 126-27, fig. 16.
Wed
25
Feb
note
confiscated by the Einsatzstab Reichsleiter Rosenberg (E....
confiscated by the Einsatzstab Reichsleiter Rosenberg (E.R.R.) from the Banque de l’Union Parisienne where it had been placed on deposit [Consolidated Interrogation Report no. 2, 1945, p. 27 and May 26, 2000 report of Louis Amigues in curatorial file]
Wed
25
Feb
note
sold by the heirs of Max Wassermann to Wildenstein and Co, 1954 [Apr....
sold by the heirs of Max Wassermann to Wildenstein and Co, 1954 [Apr. 4, 2000 letter of Daniel Wildenstein and letter of Sep. 17, 1999 of Joseph Baillio, both in curatorial file]
Wed
25
Feb
note
"Accessions of American and Canadian Museums, April-June, 1957," The Art Quarterly, 20
"Accessions of American and Canadian Museums, April-June, 1957," The Art Quarterly, 20 (1957), p. 318, ill. p. 320.
Wed
25
Feb
note
sold to the Art Institute, 1957.
sold to the Art Institute, 1957.
Wed
25
Feb
note
The Art Institute of Chicago Quarterly 51
The Art Institute of Chicago Quarterly 51 (1956/57), pp. 88-89, ill.
Wed
25
Feb
note
Max J. Friedländer, Early Netherlandish Painting: From Van Eyck to Bruegel
Max J. Friedländer, Early Netherlandish Painting: From Van Eyck to Bruegel (London, 1956), p. 103.
Wed
25
Feb
note
Wildenstein and Co....
Wildenstein and Co., Paris and New York, from 1954 to 1957
Wed
25
Feb
note
returned to Mme Pierre Lemand (née Wassermann), Nov....
returned to Mme Pierre Lemand (née Wassermann), Nov. 29, 1946 [Louis Amigues report and May 19, 2000 letter from Françoise Cachin to James Wood]
Wed
25
Feb
note
transferred to the collection of Hermann Goering and recovered by the Allies in Berchtesgaden, then sent to the Central Collecting Point, Munich on Aug....
transferred to the collection of Hermann Goering and recovered by the Allies in Berchtesgaden, then sent to the Central Collecting Point, Munich on Aug. 1, 1945 (Munich property card no. 6168) and returned to France on Sep. 19, 1946
Wed
25
Feb
note
sold Paris, May 9-16, 1881, no....
sold Paris, May 9-16, 1881, no. 289, ill., for 4,000 francs to Baer [annotated sale cat. in Bibliothèque Nationale, Paris]. Dr. Max Wassermann (died 1932), Paris, by 1906 [lent by him to Tourcoing 1906]
Wed
25
Feb
note
Max J. Friedländer, Die altniederländische Malerei
Max J. Friedländer, Die altniederländische Malerei (Berlin, 1930), vol. 8, p. 156, no. 33 (rev. ed. 1972, pp. 94-95, no. 33, pl. 32).
Wed
25
Feb
note
Achille Segard, Jean Gossart dit Mabuse
Achille Segard, Jean Gossart dit Mabuse (Brussels and Paris, 1923), pp. 68-69, 185, no. 53, ill. opp. p. 64.
Wed
25
Feb
note
Martin Conway, The Van Eycks and their Followers
Martin Conway, The Van Eycks and their Followers (London, 1921), p. 373.
Wed
25
Feb
note
Max J. Friedländer, Von Eyck bis Brueghel: Studien zur Geschichte der niederländerischen Malerei, 2nd ed.
Max J. Friedländer, Von Eyck bis Brueghel: Studien zur Geschichte der niederländerischen Malerei, 2nd ed. (Berlin, 1921), pp. 133, 198.
Wed
25
Feb
note
Friedrich Winkler, "Gossaert" in Thieme-Becker vol. 14, Leipzig, 1921, p. 412.
Friedrich Winkler, "Gossaert" in Thieme-Becker vol. 14, Leipzig, 1921, p. 412.
Wed
25
Feb
exhibition
Tourcoing, Musée d'Art, Exposition d'Art Ancien, 1906, cat. no. 18.
Tourcoing, Musée d'Art, Exposition d'Art Ancien, 1906, cat. no. 18.
Fri
25
Feb
note
Jefferson C. Harrison, "Jan Gossaert's Madonna and Child: A Newly Proposed Mabuse Triptych," The Chrysler Museum Journal 1
Jefferson C. Harrison, "Jan Gossaert's Madonna and Child: A Newly Proposed Mabuse Triptych," The Chrysler Museum Journal 1 (1994), pp. 8, 10, fig. 6.
Tue
25
Feb
note
Guy Bauman and Walter A. Liedtke, Flemish Paintings in America: A Survey of Early Netherlandish and Flemish Paintings in the Public Collections of North America
Guy Bauman and Walter A. Liedtke, Flemish Paintings in America: A Survey of Early Netherlandish and Flemish Paintings in the Public Collections of North America (Antwerp, 1992), p. 337, no. 250, ill.
Wed
25
Feb
note
Larry Silver, "The 'Gothic' Gossaert: Native and Traditional Elements in a Mabuse Madonna," Pantheon 45
Larry Silver, "The 'Gothic' Gossaert: Native and Traditional Elements in a Mabuse Madonna," Pantheon 45 (1987), p. 59, fig. 3.
Tue
25
Feb
note
Masterworks of the Gemäldegalerie, Berlin with a History of the Collection
Masterworks of the Gemäldegalerie, Berlin with a History of the Collection (New York, 1986), p. 274, ill.
Tue
25
Feb
note
Larry Silver, "Figure nude, historie e poesie: Jan Gossaert and the Renaissance Nude in the Netherlands," Nederlands Kunsthistorisch Jaarboek 37
Larry Silver, "Figure nude, historie e poesie: Jan Gossaert and the Renaissance Nude in the Netherlands," Nederlands Kunsthistorisch Jaarboek 37 (1986), pp. 11, 24, fig. 38.
Sat
25
Feb
note
Larry Silver, The Paintings of Quinten Massys with Catalogue Raisonné
Larry Silver, The Paintings of Quinten Massys with Catalogue Raisonné (Montclair, N.J., 1984), p. 183, pl. 172.
Mon
25
Feb
note
Walter S. Gibson, "Jan Gossart de Mabuse: Madonna and Child in a Landscape," The Bulletin of the Cleveland Museum of Art, 61
Walter S. Gibson, "Jan Gossart de Mabuse: Madonna and Child in a Landscape," The Bulletin of the Cleveland Museum of Art, 61 (1974), p. 292, fig. 10.
Wed
25
Feb
note
John Maxon, The Art Institute of Chicago
John Maxon, The Art Institute of Chicago (London, 1970), p. 283, ill. p. 252.
Sun
25
Feb
note
Sadja Jacob Herzog, "Jan Gossart, called Mabuse
Sadja Jacob Herzog, "Jan Gossart, called Mabuse (ca. 1478-1532), A Study of his Chronology with a Catalogue of his Works", PhD. dissertation, Bryn Mawr College, 1968, pp. 272-273, no. 29, pl. 36.
Sat
25
Feb
note
Gert von der Osten, "Studien zu Jan Gossaert" in De Artibus Opuscula XL: Essays in Honor of Erwin Panofsky, ed. Millard Meiss
Gert von der Osten, "Studien zu Jan Gossaert" in De Artibus Opuscula XL: Essays in Honor of Erwin Panofsky, ed. Millard Meiss (New York, 1961), p. 465.
Sat
25
Feb
note
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago, 1961) p. 200, ill. p. 137.
© Artist-Unknown. All rights reserved.