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Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 31 × 46 Cm |
| Tags | Century of ProgressbabiesBreadchildrenChristian subjectsChristianityfoodinteriorJesusreligionreligiousreligious figuresreligious scenesVirgin and child/Madonna and childVirgin Marywomanworld's fairsChicago World's Fairs |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Tue
24
Feb
note
Susan Frances Jones in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, Chicago, 2008, pp. 151-4, ill.
Susan Frances Jones in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, Chicago, 2008, pp. 151-4, ill.
Tue
24
Feb
note
Georges Marlier, Ambrosius Benson et la peinture à Bruges au temps de Charles-Quint, Damme, 1957, pp. 110, 213, 326, nos. 184 and 185.
Georges Marlier, Ambrosius Benson et la peinture à Bruges au temps de Charles-Quint, Damme, 1957, pp. 110, 213, 326, nos. 184 and 185.
Tue
24
Feb
exhibition
Birmingham (Ala.) Museum of Art, North European Masters, 1952, no. 11, traveled to Atlanta, New Orleans, and Chattanooga.
Birmingham (Ala.) Museum of Art, North European Masters, 1952, no. 11, traveled to Atlanta, New Orleans, and Chattanooga.
Tue
24
Feb
exhibition
Tulsa, Okla., Philbrook Art Center, Annual Fall Exhibition, 1950 (no cat.).
Tulsa, Okla., Philbrook Art Center, Annual Fall Exhibition, 1950 (no cat.).
Tue
24
Feb
note
offered for sale, Parke-Bernet, New York, Mar....
offered for sale, Parke-Bernet, New York, Mar. 2, 1944, no. 66, bought in.
Tue
24
Feb
note
Max J. Friedländer, Die altniederländische Malerei, vol. 11, Leiden, 1934, p. 137, no. 195a; rev. English ed., Early Netherlandish Painting, Brussels and Leiden, 1974, p. 90, no. 195a.
Max J. Friedländer, Die altniederländische Malerei, vol. 11, Leiden, 1934, p. 137, no. 195a; rev. English ed., Early Netherlandish Painting, Brussels and Leiden, 1974, p. 90, no. 195a.
Tue
24
Feb
note
“Chicago to Show a Strong Group of Old Masters,” Art News 31, 33
“Chicago to Show a Strong Group of Old Masters,” Art News 31, 33 (1933), p. 4.
Tue
24
Feb
note
Daniel Catton Rich, “Die Ausstellung ‘Fünf Jahrhunderte der Frühmalerei in Chicago,’” Pantheon 6
Daniel Catton Rich, “Die Ausstellung ‘Fünf Jahrhunderte der Frühmalerei in Chicago,’” Pantheon 6 (1933), p. 376.
Tue
24
Feb
exhibition
Art Institute of Chicago, A Century of Progress, 1933, no. 42.
Art Institute of Chicago, A Century of Progress, 1933, no. 42.
Tue
24
Feb
note
The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection, 1932, p. 177.
The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection, 1932, p. 177.
Tue
24
Feb
note
sold to the Art Institute, 1929
sold to the Art Institute, 1929
Tue
24
Feb
note
Alfred Scharf, “Die Primitieven der Sammlung Cremer,” Der Cicerone 21
Alfred Scharf, “Die Primitieven der Sammlung Cremer,” Der Cicerone 21 (1929), p. 259.
Tue
24
Feb
note
sold, Wertheim Antiquitätenhaus, Berlin, May 29, 1929, no....
sold, Wertheim Antiquitätenhaus, Berlin, May 29, 1929, no. 21, to Knoedler, London [according to receipt from Knoedler, July 17, 1929, in registrar’s records]
Tue
24
Feb
note
Max J. Friedländer, “Ein Madonnenbild Gerard David’s im Kaiser Friedrich Museum,” Jahrbuch der königlich preussischen Kunstsammlungen 27
Max J. Friedländer, “Ein Madonnenbild Gerard David’s im Kaiser Friedrich Museum,” Jahrbuch der königlich preussischen Kunstsammlungen 27 (1906), p. 145.
Tue
24
Feb
note
Dowdeswell and Dowdeswell, London, 1903 [Friedländer 1906]....
Dowdeswell and Dowdeswell, London, 1903 [Friedländer 1906]. Josef Cremer, Dortmund, Germany, by 1929
Tue
24
Feb
note
Jean C. Wilson, Painting in Bruges at the Close of the Middle Ages, University Park, Pa., 1998, p. 199.
Jean C. Wilson, Painting in Bruges at the Close of the Middle Ages, University Park, Pa., 1998, p. 199.
Thu
24
Feb
note
Jean C. Wilson, “Adriaen Isenbrant Reconsidered: The Making and Marketing of Art in Sixteenth-Century Bruges,” Ph.D. diss., Johns Hopkins University, 1983
Jean C. Wilson, “Adriaen Isenbrant Reconsidered: The Making and Marketing of Art in Sixteenth-Century Bruges,” Ph.D. diss., Johns Hopkins University, 1983 (Ann Arbor, Mich., University Microfilms, 1983), p. 201.
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