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red chalk25 × 36 Cm
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About the artwork
Artist supplied description.
Agostino Carracci’s training as an engraver and his careful study of the human form are evident in the execution of this portrait of his son Antonio, both in the vigorous strokes of the background and in the structure of the face. Antonio was probably twelve or thirteen years old when his father made this portrait of him.
Artwork metadata
Structured fields synced from connected systems.
| Medium | red chalk |
| Dimensions | 25 × 36 Cm |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Sat
31
Jan
exhibition
London, The Lawrence Gallery, "6th Exhibition, One Hundred Original Drawings by Lodovico, Agostino, and Annibale Carracci, collected by Sir Thomas Lawrence, " 1836, p. 17, cat. 45.
London, The Lawrence Gallery, "6th Exhibition, One Hundred Original Drawings by Lodovico, Agostino, and Annibale Carracci, collected by Sir Thomas Lawrence," 1836, p. 17, cat. 45.
Sat
31
Jan
note
by descent
by descent
Sat
31
Jan
note
Shelley Perlove and George S. Keyes
Shelley Perlove and George S. Keyes (editors).
Sat
31
Jan
note
Viscount Morel de Vindé and Benard 1810]....
Viscount Morel de Vindé and Benard 1810]. Thomas Dimsdale (1758–1823) London [his stamp (Lugt 2426), verso, lower left, in black (now illegible)]. Sir Thomas Lawrence (1769–1830), London [London 1836]
Sat
31
Jan
exhibition
Catalogue of the Ellesmere Collection of Drawings at Bridgewater House (London, 1898), cat. 84.
Catalogue of the Ellesmere Collection of Drawings at Bridgewater House (London, 1898), cat. 84.
Sat
31
Jan
note
M....
M. Paignon Dijonval (1708–1792) [see Lugt 2520]
Sat
31
Jan
note
sold by Samuel Woodburn (1786–1853), London, to Lord Francis Egerton (1800–1857), 1st Earl of Ellesmere and 1st Duke of Sutherland, London [his stamp (Lugt suppl....
sold by Samuel Woodburn (1786–1853), London, to Lord Francis Egerton (1800–1857), 1st Earl of Ellesmere and 1st Duke of Sutherland, London [his stamp (Lugt suppl. 2710b), recto, lower right in black]
Sat
31
Jan
note
Charles-Gilbert Viscount Morel de Vindé and Benard, Cabinet de M. Paignon Dijonval: état Détaillé et Raisonné des Dessins et Estampes dont il est Composé
Charles-Gilbert Viscount Morel de Vindé and Benard, Cabinet de M. Paignon Dijonval: état Détaillé et Raisonné des Dessins et Estampes dont il est Composé (Paris, 1810), p. 33, no. 56.
Sat
31
Jan
note
by descent to his son, Charles-Gilbert Viscount Morel de Vindé (1759–1842), Paris [see Lugt 2520
by descent to his son, Charles-Gilbert Viscount Morel de Vindé (1759–1842), Paris [see Lugt 2520
Sat
31
Jan
exhibition
The Art Institute of Chicago, "Strokes of Genius: Italian Drawings from the Goldman Collection, " November 1, 2014-February 1, 2015.
The Art Institute of Chicago, "Strokes of Genius: Italian Drawings from the Goldman Collection," November 1, 2014-February 1, 2015.
Sat
31
Jan
note
Seventeenth-Century European Drawings in Midwestern Collections
Seventeenth-Century European Drawings in Midwestern Collections (University of Notre Dame Press, 2014), pp. 20
Sat
31
Jan
exhibition
London, P. & D. Colnaghi & Co., "A Loan Exhibition of Drawings by the Carracci and Other Masters, " January 25-February 22, 1955, n.p., cat. 35.
London, P. & D. Colnaghi & Co., "A Loan Exhibition of Drawings by the Carracci and Other Masters," January 25-February 22, 1955, n.p., cat. 35.
Sat
31
Jan
exhibition
Leicester Museums and Art Gallery, "The Ellesmere Collection of Old Master Drawings, " 1954, p. 16, cat. 31, pl. X.
Leicester Museums and Art Gallery, "The Ellesmere Collection of Old Master Drawings," 1954, p. 16, cat. 31, pl. X.
Sun
31
Jan
exhibition
The Art Institute of Chicago, "The Broad Spectrum: Color on Paper, Past and Present, " September 12–October 31, 1999, hors. cat.
The Art Institute of Chicago, "The Broad Spectrum: Color on Paper, Past and Present," September 12–October 31, 1999, hors. cat.
Sat
31
Jan
note
Roberto Zapperi, "I ritratti di Antonio Carracci," Paragone, 38
Roberto Zapperi, "I ritratti di Antonio Carracci," Paragone, 38 (1987), pp. 17-22, pl. 1.
Wed
31
Jan
note
Diane DeGrazia Bohlin, Prints and Related Drawings by the Carracci Family
Diane DeGrazia Bohlin, Prints and Related Drawings by the Carracci Family (Washington, 1979), pp. 47 and 66, fig. P.
Wed
31
Jan
exhibition
The Art Institute of Chicago, "Italian Drawings in The Art Institute of Chicago, " 1979-1980, pp. 45-6, cat. 46, pl. 55, cat. by Harold Joachim and Suzanne Folds McCullagh; traveled to Washington, D.C., National Gallery of Art.
The Art Institute of Chicago, "Italian Drawings in The Art Institute of Chicago," 1979-1980, pp. 45-6, cat. 46, pl. 55, cat. by Harold Joachim and Suzanne Folds McCullagh; traveled to Washington, D.C., National Gallery of Art.
Wed
31
Jan
note
Harold Joachim, Italian Drawings of the 15th, 16th, and 17th Centuries
Harold Joachim, Italian Drawings of the 15th, 16th, and 17th Centuries (Chicago, 1979), p. 112, no. 4A8.
Tue
31
Jan
exhibition
The Art Institute of Chicago, "European Portraits 1600-1900 in The Art Institute of Chicago, " July 8-September 11, 1978, pp. 96-8, cat. 23 (ill.).
The Art Institute of Chicago, "European Portraits 1600-1900 in The Art Institute of Chicago," July 8-September 11, 1978, pp. 96-8, cat. 23 (ill.).
Wed
31
Jan
note
The Art Institute of Chicago Annual Report
The Art Institute of Chicago Annual Report (1973), pp. 15 (ill.) and 33.
Wed
31
Jan
note
sold by Marianne Feilchenfeldt, Zurich, to the Art Institute, 1973.
sold by Marianne Feilchenfeldt, Zurich, to the Art Institute, 1973.
Mon
31
Jan
note
sold, Sotheby’s, London, July 11, 1972, Ellesmere sale, lot 30, to Walter Feilchenfeldt [Chicago 1978]
sold, Sotheby’s, London, July 11, 1972, Ellesmere sale, lot 30, to Walter Feilchenfeldt [Chicago 1978]
Tue
31
Jan
exhibition
Newcastle upon Tyne, The Hatton Gallery, "The Carracci, Drawings and Paintings, " November-December 1961, n.p., cat. 40.
Newcastle upon Tyne, The Hatton Gallery, "The Carracci, Drawings and Paintings," November-December 1961, n.p., cat. 40.
© Artist-Unknown. All rights reserved.
