The Bathers

Exhibited at London, French Gallery, 1884–85.

Charles Francis Browne, “The Permanent Collections in the Museum of the Art Institute of Chicago: VII. The Munger Collection,” Brush and Pencil 3, 1 (1898), pp. 2, 5–6, 8 (ill.).

Art Institute of Chicago, Catalogue of Paintings, Sculpture, and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1894), p. 62, no. 124.

Art Institute of Chicago, Twentieth Annual Report of the Trustees (Chicago: Art Institute of Chicago, 1899), p. 11.

Damien Bartoli, William Bouguereau: His Life and Works, vol. 1 (Woodbridge: Antique Collectors' Club, 2010), p. 305, pl. 176.

Damien Bartoli, William Bouguereau: Catalogue Raisonné of his Painted Work, vol. 2 (Woodbridge: Antique Collectors' Club, 2010), p. 225, no. 1884/07, pl. 176.

Al Gury, Color for Painters: A Guide to Traditions and Practice (New York: Watson-Guptill Publications, 2010), pp. 158–59,

Linda Nochlin, Bathers, Bodies, Beauty: The Visceral Eye (Cambridge, Massachusetts: Harvard University Press, 2006), pp. 19, 21, fig. 4.

Charles Harrison, Painting the Difference: Sex and Spectator in Modern Art (Chicago: University of Chicago Press, 2005), pp. 66-67, fig. 44.

Lukas Gloor and Marco Goldin, La Fondazione Collezione E. G. Bührle a Zurigo: Catalogo delle opera (Treviso: Linea d’ombra, 2003), p. 86 (ill.).

Charles Fabens Kelley, “Chicago: Record years,” Art News 51, 4 (1952), p. 62 (ill.).

Colorado Springs Fine Arts Center, Gay Nineties Exhibition, Fall 1950.

Toledo Museum of Art, The Spirit of Modern France 1745–1946, November–December 1946, cat. 40; traveled to Toronto Art Gallery, January–February 1947.

Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1932), p. 143.

Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1925), p. 128, no. 186.

Art Institute of Chicago, Handbook of Sculpture, Architecture, and Paintings (Chicago: Art Institute of Chicago, 1923), p. 29, no. 186.

Art Institute of Chicago, Handbook of Sculpture, Architecture and Paintings (Chicago: Art Institute of Chicago, 1922), p. 29, no. 186.

Art Institute of Chicago, Handbook of Sculpture, Architecture, Paintings, and Drawings (Chicago: Art Institute of Chicago, 1920), p. 29, no. 186.

Art Institute of Chicago, Catalogue of Paintings, Drawings, Sculpture and Architecture (Chicago: Art Institute of Chicago, 1917), p. 125, no. 186.

Art Institute of Chicago, General Catalogue of Paintings, Sculpture, and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1914), p. 125, no. 186.

“Notes,” Bulletin of the Art Institute of Chicago 8, 2 (1914), p. 22.

Art Institute of Chicago, General Catalogue of Paintings, Sculpture, and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1913), p. 120, no. 186, ill.

H. Mireur, Dictionnaire des ventes d’art faites en France et à l’Etranger prendant les XVIIIme & XIXme siècles, vol. 1 (Paris: 1911), p. 415.

his sale, New York, 1886, for 100,450 francs [according to Mireur 1911]. Albert A. Munger (died 1898), Chicago, by 1894 [lent to the Art Institute, 1894]

Art Institute of Chicago, General Catalogue of Sculpture, Paintings and Other Objects (Chicago: Art Institute of Chicago, 1910), p. 177, no. 186, ill.

Art Institute of Chicago, The Collections Illustrated, with a Historical Sketch and Description of the Museum (Chicago: Art Institute of Chicago, 1910), p. 23, ill.

Art Institute of Chicago, General Catalogue of Sculpture, Paintings and Other Objects (Chicago: Art Institute of Chicago, 1907), p. 191, no. 186, ill.

“Adolph William Bouguereau,” Sketch Book 5 (1905), ill. opposite p. 30.

Art Institute of Chicago, General Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1904), p. 178, no. 186, ill.

bequeathed to the Art Institute, 1901.

Art Institute of Chicago, General Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1901), p. 172, no. 186, ill.

Marius Vachon, William Bouguereau (Paris: Lahure, 1900), p. 155.

Charles Harrison, “Impresionismo, modernidad y originalidad,” in Francis Frascina, et. a., La modernidad y lo modern: pintura francesa en el siglo xix (Madrid: Akal, 1998), pp. 208–09, 211–12, fig. 191.

Charles Harrison, Modernism (Cambridge and New York: Cambridge University Press, 1997), p. 14, fig. 11.

Charles Harrison, “Cézanne: Fantasy and Imagination,” Modernism/Modernity 4, 3 (1997), p. 3, fig. 2. cover ill, detail.

Fronia E. Wissman, Bouguereau (San Francisco: Pomegranate Artbooks, 1996), p. 86, pl. 55.

Ruth Zubans, E. Phillips Fox: His Life and Art (Carlton, Victoria: Miegunyah Press, 1995), p. 21, 26, fig. 8.

Margherita Andreotti, “The Joseph Winterbotham Collection,” Art Institute of Chicago Museum Studies 20, 2 (1994), p. 116.

Robert Rosenblum, Gregory Hedberg and Mark Steven Walker, William-Adolphe Bouguereau: L’Art pompier (New York: Borghi & Co., 1992), p. 82.

Charles Harrison, Essays on Art and Language (Oxford: Blackwell, 1991), p. 179, pl. 96.

Philip Yenawine, How to Look at Modern Art (New York: H. N. Abrams, 1991), pp. 28 (ill.), 29.

Mark Steven Walker, “A Summary Catalogue of Paintings,” in Borghi & Co., William-Adolphe Bouguereau: l’art pompier, exh. cat. (Borghi & Co., New York, 1991), p. 72.

Stefan Germer, “Pictures at an Exhibition,” Chicago History 16, 1 (1987), pp. 14–15 (ill.), 21.

Richard Shiff, “The End of Impressionism,” in Charles S. Moffett, et. al., The New Painting: Impressionism, 1874–1886, exh. cat. (San Francisco: Fine Arts Museums, 1986), p. 63, fig. 2.

Laurier Lacroix, “Bouguereau, une question de sensibilité,” Vie des Arts 29, 115 (1984), p. 23 (ill.).

Paris, Musée du Petit Palais, William Bouguereau 1825–1905, February 9–May 6, 1984, cat. 112; traveled to Montreal Museum of Fine Arts, June 22–September 23, 1984; Hartford, Wadsworth Atheneum, October 27, 1984–January 13, 1985.

Barbara Ehrlich White, “The Bathers of 1887 and Renoir’s Anti-Impressionism,” The Art Bulletin 55, 1 (1973), pp. 121–22, fig. 28.

Miami Art Center, The Artist and the Sea, March 21–April 18, 1969, cat. 6.

Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago: Art Institute of Chicago, 1961), p. 30.