Christ before Pilate

The Art Institute of Chicago, "Capturing the Sublime: Italian Drawings of the Renaissance and Baroque", March 26-July 8, 2012, pl 11, pp. 42-43, cat. by Suzanne Folds McCullagh, et. al.

Ottawa, The National Gallery of Canada, "Leonardo, Michelangelo and the Renaissance in Florence," May 27-September 5, 2005.

Suzanne Folds McCullagh, "‘A Lasting Monument’: The Regenstein Collection at The Art Institute of Chicago,” The Art Institute of Chicago Museum Studies 26, 1 (2000), p. 12.

Private collection, England [McCullagh and Giles 1997]. British Rail Pension Fund

The Art Institute of Chicago, "Drawings Rediscovered: Italian Drawings before 1600 in The Art Institute of Chicago," April 10-July 22, 1997.

Suzanne Folds McCullagh and Laura M. Giles, Italian Drawings before 1600 in The Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1997), pp. 197-98, no. 255 (ill.).

Alessandro Conti, Pontormo (Milan, 1995), pp. 33-34, and 78, pl. 33, as Closing the Gates of the Temple of Janus.

Philippe Costamagna, Pontormo: Catalogue Raisonné de l’Oeuvre Peint (Paris, 1994), pp. 11, 54, 60-61, and 175-76, fig. 45.

Harriet K. Stratis, "The Technical Aspects of Pontormo’s Christ before Pilate," The Art Institute of Chicago Museum Studies 17:1 (1991), pp. 46, and 49-50 (ill.).

New York, The Frick Collection, "From Pontormo to Seurat: Drawings Recently Acquired by The Art Institute of Chicago," April 23-July 7, 1991, n.p., cat. 3; traveled to The Art Institute of Chicago, September 10, 1991-January 5, 1992.

Laura M. Giles, "Christ before Pilate: A Major Composition Study by Pontormo," The Art Institute of Chicago Museum Studies 17:1 (1991), pp. 34-35.

sold by Lexbourne Ltd., London, to the Art Institute of Chicago, 1989.

The Art Institute of Chicago, "Recent Acquisitions: Old Master Drawings of the 15th-18th Centuries," 1989-1990.