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oil paint (paint)34 × 51 Cm
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About the artwork
Artist supplied description.
This is a rare example of a surviving 15th-century painting from the northern provinces of the Netherlands (present-day Holland). This region had fewer centers of artistic production than the more populous southern Netherlands, and it also experienced substantial destruction of artworks during the iconoclastic outbursts of the mid-16th century. The few surviving panel paintings, as well as illuminated manuscripts, from this region are often characterized by an earthy realism. Here the artist was equally interested in the hostile reactions of the crowd as he was in giving poignancy to the figure of Christ, whom the Roman governor Pontius Pilate presents to the people for judgment.
Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 34 × 51 Cm |
| Tags | Christian subjectsChristianityreligionreligiousreligious figuresreligious scenesbiblicalJesuspeoplemenarchitechturearchitecturearchitecturehatswindowbuildingbloodRomanCentury of Progressworld's fairsChicago World's Fairs |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Sat
14
Feb
note
Walter S. Gibson, “Hieronymus Bosch and the Dutch Tradition,” in Album Amicorum
Walter S. Gibson, “Hieronymus Bosch and the Dutch Tradition,” in Album Amicorum
Sat
14
Feb
note
23, 41, 43–44.
23, 41, 43–44.
Sat
14
Feb
note
Daniela Hammer-Tugendhat, Hieronymus Bosch: Eine historische
Daniela Hammer-Tugendhat, Hieronymus Bosch: Eine historische
Sat
14
Feb
note
Robert Harshe, director of the Art Institute, acted as Ryerson’s agent at the Roerich sale
Robert Harshe, director of the Art Institute, acted as Ryerson’s agent at the Roerich sale
Sat
14
Feb
note
Erwin Panofsky, “Jean Hey’s ‘Ecce Homo’: Speculations about Its Author, Its Donor, and Its Iconography,” Bulletin des Musées Royaux des Beaux-Arts de Belgique 5
Erwin Panofsky, “Jean Hey’s ‘Ecce Homo’: Speculations about Its Author, Its Donor, and Its Iconography,” Bulletin des Musées Royaux des Beaux-Arts de Belgique 5
Sat
14
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note
67–68, 107, 153, 163, 182.
67–68, 107, 153, 163, 182.
Sat
14
Feb
note
Martha Wolff in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, Chicago, 2008, pp. 277-81, ill.
Martha Wolff in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, Chicago, 2008, pp. 277-81, ill.
Sat
14
Feb
note
Claudia Unger, “Die Tafelgemälde des Meisters der Virgo inter Virgines: Ein Beitrag zur Erforschung des Kunstgebietes der nördlichen Niederlande im 15. Jahrhundert,” Ph.D. diss., Freie Universität, Berlin, 2004, pp. 248–54, 269.
Claudia Unger, “Die Tafelgemälde des Meisters der Virgo inter Virgines: Ein Beitrag zur Erforschung des Kunstgebietes der nördlichen Niederlande im 15. Jahrhundert,” Ph.D. diss., Freie Universität, Berlin, 2004, pp. 248–54, 269.
Sat
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note
(1956), p. 108.
(1956), p. 108.
Sat
14
Feb
note
Hanns Swarzenski, “An Unknown Bosch,” Bulletin of the Museum of Fine Arts 53
Hanns Swarzenski, “An Unknown Bosch,” Bulletin of the Museum of Fine Arts 53 (1955), p. 7.
Sat
14
Feb
note
F[riedrich] Winkler, “Meister der Virgo inter Virgines,” in Ulrich Thieme and Felix Becker, Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart, vol. 37, Leipzig, 1950, p. 346.
F[riedrich] Winkler, “Meister der Virgo inter Virgines,” in Ulrich Thieme and Felix Becker, Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart, vol. 37, Leipzig, 1950, p. 346.
Sat
14
Feb
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J. Leeuwenberg, “Een werk van den Virgomeester en zijn copieën,” Oud Holland 65
J. Leeuwenberg, “Een werk van den Virgomeester en zijn copieën,” Oud Holland 65 (1950), p. 118.
Sat
14
Feb
exhibition
Art Institute of Chicago, A Century of Progress, 1934, no. 124, as the Master of the Virgo inter Virgines.
Art Institute of Chicago, A Century of Progress, 1934, no. 124, as the Master of the Virgo inter Virgines.
Sat
14
Feb
note
Daniel Catton Rich, “Die Ausstellung ‘Fünf Jahrhunderte der Frühmalerei in Chicago,’” Pantheon 6
Daniel Catton Rich, “Die Ausstellung ‘Fünf Jahrhunderte der Frühmalerei in Chicago,’” Pantheon 6 (1933), p. 376.
Sat
14
Feb
note
bequeathed to the Art Institute, 1933.
bequeathed to the Art Institute, 1933.
Sat
14
Feb
exhibition
Art Institute of Chicago, A Century of Progress, 1933, no. 49, as the Master of the Virgo inter Virgines.
Art Institute of Chicago, A Century of Progress, 1933, no. 49, as the Master of the Virgo inter Virgines.
Sat
14
Feb
note
The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection, 1932, p. 181, no. 376.30.
The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection, 1932, p. 181, no. 376.30.
Sat
14
Feb
note
Martin A....
Martin A. Ryerson (d. 1932), Chicago
Sat
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Feb
note
Daniel Catton Rich, “An Important Dutch Primitive,” Bulletin of the Art Institute of Chicago 25
Daniel Catton Rich, “An Important Dutch Primitive,” Bulletin of the Art Institute of Chicago 25 (1931), pp. 34–36, (cover ill.).
Sat
14
Feb
note
letter from Harshe to Ryerson, Apr....
letter from Harshe to Ryerson, Apr. 1, 1930, Art Institute Archives].
Sat
14
Feb
note
Frank Jewett Mather, Jr., “Roerich Museum to Sell Many Old Masters,” Art News 28, 20
Frank Jewett Mather, Jr., “Roerich Museum to Sell Many Old Masters,” Art News 28, 20 (1930), pp. 4, 27 (ill.).
Sat
14
Feb
note
on loan to the Art Institute from 1930
on loan to the Art Institute from 1930
Sat
14
Feb
note
sold, American Art Association, Anderson Galleries, New York, Mar....
sold, American Art Association, Anderson Galleries, New York, Mar. 27–28, 1930, no. 64, to Ryerson for $7,000 [exhibited at the Roerich Museum in 1927
Sat
14
Feb
exhibition
New York, Corona Mundi International Art Center (Roerich Museum), Exhibition of Old Masters, 1927, no. 11, as the Master of the Virgo inter Virgines.
New York, Corona Mundi International Art Center (Roerich Museum), Exhibition of Old Masters, 1927, no. 11, as the Master of the Virgo inter Virgines.
Sat
14
Feb
note
Max J. Friedländer, Die altniederländische Malerei,, vol. 5, Berlin, 1927, pp. 72–74, 140, no. 53, pl. 35; rev. English ed., Early Netherlandish Painting, Brussels and Leiden,1969, pp. 41–43, 80, no. 53, pl. 35.
Max J. Friedländer, Die altniederländische Malerei,, vol. 5, Berlin, 1927, pp. 72–74, 140, no. 53, pl. 35; rev. English ed., Early Netherlandish Painting, Brussels and Leiden,1969, pp. 41–43, 80, no. 53, pl. 35.
Sat
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Feb
note
Italian art market....
Italian art market. Count Contini, Rome, by 1923 [Friedländer 1927]. Roerich Museum, New York, by 1927
Sat
14
Feb
note
Nicholas Roerich Museum, Roerich Museum: A Decade of Activity, 1921–1931, New York, 1931, p. 56.
Nicholas Roerich Museum, Roerich Museum: A Decade of Activity, 1921–1931, New York, 1931, p. 56.
Sat
14
Feb
note
Robert C. Williams, Russian Art and American Money, 1900–1940, Cambridge, Mass., and London, 1980, p. 133.
Robert C. Williams, Russian Art and American Money, 1900–1940, Cambridge, Mass., and London, 1980, p. 133.
Sun
14
Feb
note
Marc Rudolf de Vrij, De Meester van de Virgo inter Virgines, Amsterdam, 1999, pp. 11,
Marc Rudolf de Vrij, De Meester van de Virgo inter Virgines, Amsterdam, 1999, pp. 11,
Fri
14
Feb
note
Peter Sutton, A Guide to Dutch Art in America, Washington, D.C., and Grand Rapids, Mich., 1986, p. 65.
Peter Sutton, A Guide to Dutch Art in America, Washington, D.C., and Grand Rapids, Mich., 1986, p. 65.
Sat
14
Feb
note
Albert Châtelet, Early Dutch Painting: Painting in the Northern Netherlands in the Fifteenth Century, New York, 1981, pp. 143, 230, no. 117, fig. 221.
Albert Châtelet, Early Dutch Painting: Painting in the Northern Netherlands in the Fifteenth Century, New York, 1981, pp. 143, 230, no. 117, fig. 221.
Sat
14
Feb
note
Interpretation seiner Gestaltungsprinzipien, Munich, 1981, pp.
Interpretation seiner Gestaltungsprinzipien, Munich, 1981, pp.
Fri
14
Feb
note
Arts Council of Great Britain, Treasures from the Burrell Collection, exh. cat., London, Hayward Gallery, 1975, p. 13, under no. 4.
Arts Council of Great Britain, Treasures from the Burrell Collection, exh. cat., London, Hayward Gallery, 1975, p. 13, under no. 4.
Wed
14
Feb
note
J. G. van Gelder, The Hague, 1973, pp. 129–30, fig. 6.
J. G. van Gelder, The Hague, 1973, pp. 129–30, fig. 6.
Thu
14
Feb
note
K. G. Boon, “De Meester van de Virgo inter Virgines,” Oud Delft 2
K. G. Boon, “De Meester van de Virgo inter Virgines,” Oud Delft 2 (1963), pp. 14, 22, 30, 34, fig. 6.
Tue
14
Feb
note
Karl Arndt, review of Eisler 1961, in Zeitschrift für Kunstgeschichte 27
Karl Arndt, review of Eisler 1961, in Zeitschrift für Kunstgeschichte 27 (1964), p. 175.
Tue
14
Feb
note
K. G. Boon, “Een Utrechtse schilder uit de 15de eeuw, de Meester van de Boom van Jesse in de Buurkerk,” Oud Holland 76
K. G. Boon, “Een Utrechtse schilder uit de 15de eeuw, de Meester van de Boom van Jesse in de Buurkerk,” Oud Holland 76 (1961), p. 52 n. 5.
Tue
14
Feb
note
Colin T. Eisler, New England Museums, Corpus de la peinture des anciens Pays-Bas méridionaux au quinzième siècle 4, Brussels, 1961, p. 38, under no. 66.
Colin T. Eisler, New England Museums, Corpus de la peinture des anciens Pays-Bas méridionaux au quinzième siècle 4, Brussels, 1961, p. 38, under no. 66.
Tue
14
Feb
note
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, p. 303.
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, p. 303.
© Artist-Unknown. All rights reserved.