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oil paint (paint)57 × 74 Cm
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About the artwork
Artist supplied description.
Joos van Cleve sold many versions of this painting to an international clientele eager for luxury goods. To suit the taste of his customers, Van Cleve learned to adapt the ideal forms of the Italian Renaissance to a Northern European context. Here, the poses and modeling of the intertwined children are indebted to the Italian painter Leonardo da Vinci, while the elaborate metalwork accents and costly materials comprising the architec- ture are characteristic of Northern European art. This particular painting includes the arms of its first owner— Pompejus Occo, the Amsterdam representative of the powerful German banking firm of Fugger—along the upper edge.
Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 57 × 74 Cm |
| Tags | Saint John the BaptistarchitechturechildrenChristian subjectslandscapenudes |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Mon
09
Feb
note
Peter van den Brink, “The Art of Copying. Coyping and Serial Production of Paintings in the Low Countries in the Sixteenth and Seventeenth centuries,” in Brueghel Enterprises, exh. cat., Maastricht, Bonnefanten Museum, 200l, p. 33.
Peter van den Brink, “The Art of Copying. Coyping and Serial Production of Paintings in the Low Countries in the Sixteenth and Seventeenth centuries,” in Brueghel Enterprises, exh. cat., Maastricht, Bonnefanten Museum, 200l, p. 33.
Mon
09
Feb
note
E[lizabeth] M[attison] in François Ier et l'art des Pays-Bas, ed. Cécile Scailliérez, exh. cat., Musée du Louvre, Paris, 2017, pp. 294-95, under no. 117.
E[lizabeth] M[attison] in François Ier et l'art des Pays-Bas, ed. Cécile Scailliérez, exh. cat., Musée du Louvre, Paris, 2017, pp. 294-95, under no. 117.
Mon
09
Feb
note
Everhard Korthals altes, "International rivalry at the auction of Willem Lormier's paintings in 1763: James Lowther, 1st Earl of Lonsdale, and August III, Elector of Saxony and King of Poland," Simiolus 4
Everhard Korthals altes, "International rivalry at the auction of Willem Lormier's paintings in 1763: James Lowther, 1st Earl of Lonsdale, and August III, Elector of Saxony and King of Poland," Simiolus 4 (2015-2016), pp.276, 282, no. 1, fig. 6.
Mon
09
Feb
note
Martha Wolff in Martha Wolff, Susan Frances Jones, et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago. A Catalogue of the Collection, Chicago, 2008, pp. 159-67, ill. p. 160 and fig. 1.
Martha Wolff in Martha Wolff, Susan Frances Jones, et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago. A Catalogue of the Collection, Chicago, 2008, pp. 159-67, ill. p. 160 and fig. 1.
Mon
09
Feb
exhibition
The Art Institute of Chicago, New Light on Old Masters: Research on Northern European and Spanish Paintings before 1600 in the Art Institute, 26 June—14 September 2008, no cat.
The Art Institute of Chicago, New Light on Old Masters: Research on Northern European and Spanish Paintings before 1600 in the Art Institute, 26 June—14 September 2008, no cat.
Mon
09
Feb
note
Micha Leeflang, “Serial Production in Joos van Cleve’s Workshop,” in Bulletin des Musées Royaux des Beaux-Arts de Belgique 55
Micha Leeflang, “Serial Production in Joos van Cleve’s Workshop,” in Bulletin des Musées Royaux des Beaux-Arts de Belgique 55 (2006), forthcoming.
Mon
09
Feb
note
John Oliver Hand, Joos van Cleve: The Complete Paintings, New Haven and London, 2004, pp. 98–99, 164, no. 81, fig. 104.
John Oliver Hand, Joos van Cleve: The Complete Paintings, New Haven and London, 2004, pp. 98–99, 164, no. 81, fig. 104.
Mon
09
Feb
note
Dagmar Eichberger, Leben mit Kunst, Wirken durch Kunst: Sammelwesen und Hofkunst unter Margarete von Österreich, Regentin der Niederlande, Turnhout, 2002, p. 31.
Dagmar Eichberger, Leben mit Kunst, Wirken durch Kunst: Sammelwesen und Hofkunst unter Margarete von Österreich, Regentin der Niederlande, Turnhout, 2002, p. 31.
Mon
09
Feb
exhibition
Los Angeles County Museum of Art, Leonardo da Vinci Loan Exhibition, 1949, cat. 34.
Los Angeles County Museum of Art, Leonardo da Vinci Loan Exhibition, 1949, cat. 34.
Mon
09
Feb
note
Pompejus Occo (died 1537), Amsterdam....
Pompejus Occo (died 1537), Amsterdam. Spanish Art Gallery, London, 1949
Tue
09
Feb
note
Laura Traversi and Jorgen Wadum, “Un Tableau avec ‘Deux Enfants s’embrassant’ au Mauritshuis,” in Colloque XII 1999, pp. 103, 106–07.
Laura Traversi and Jorgen Wadum, “Un Tableau avec ‘Deux Enfants s’embrassant’ au Mauritshuis,” in Colloque XII 1999, pp. 103, 106–07.
Mon
09
Feb
note
Laura Traversi, “Il tema leonardesco dei ‘Due fanciulli che se baciano e abbracciano’: Il dipinto di Chatsworth e una proposta attributiva a Jan Massys,” Annales de la Société royale d’archéologie de Bruxelles 62
Laura Traversi, “Il tema leonardesco dei ‘Due fanciulli che se baciano e abbracciano’: Il dipinto di Chatsworth e una proposta attributiva a Jan Massys,” Annales de la Société royale d’archéologie de Bruxelles 62 (1998), pp. 111–12, 116, 126–27, 129, 132.
Sun
09
Feb
note
Laura Traversi, “Il tema dei ‘Due fanciulli che si baciano e abbracciano’ tra ‘leonardismo italiano’ e ‘leonardismo fiammingo,’” Raccolta Vinciana 27
Laura Traversi, “Il tema dei ‘Due fanciulli che si baciano e abbracciano’ tra ‘leonardismo italiano’ e ‘leonardismo fiammingo,’” Raccolta Vinciana 27 (1997), pp. 382, 385, 399–410, 415, 429–31, 434, no. 2, fig. 2.
Fri
09
Feb
note
Paul Mitchell and Lynn Roberts, “Frame,” in The Dictionary of Art, vol. 11, New York, 1996, p. 486.
Paul Mitchell and Lynn Roberts, “Frame,” in The Dictionary of Art, vol. 11, New York, 1996, p. 486.
Fri
09
Feb
note
John Oliver Hand, “Joos van Cleve,” in The Dictionary of Art, vol. 7, New York 1996, p. 425.
John Oliver Hand, “Joos van Cleve,” in The Dictionary of Art, vol. 7, New York 1996, p. 425.
Thu
09
Feb
note
Larry Silver, “Kith and Kin: A Rediscovered Sacred Image by Massys,” in Shop Talk: Studies in Honor of Seymour Slive, Cambridge, Mass., 1995, p. 233, fig. 3.
Larry Silver, “Kith and Kin: A Rediscovered Sacred Image by Massys,” in Shop Talk: Studies in Honor of Seymour Slive, Cambridge, Mass., 1995, p. 233, fig. 3.
Thu
09
Feb
note
Jochen Sander, “Leonardo in Antwerpen: Joos van Cleves ‘Christus- und Johannesknabe, einander umarmend,’” Städel-Jahrbuch, n.s., 15
Jochen Sander, “Leonardo in Antwerpen: Joos van Cleves ‘Christus- und Johannesknabe, einander umarmend,’” Städel-Jahrbuch, n.s., 15 (1995), pp. 177, 183.
Thu
09
Feb
note
C[arlo] P[edretti], “The Swedish Courier,” Achademia Leonardi Vinci 8
C[arlo] P[edretti], “The Swedish Courier,” Achademia Leonardi Vinci 8 (1995), pp. 241–42.
Sun
09
Feb
note
Guy Bauman and Walter A. Liedtke, Flemish Paintings in America: A Survey of Early Netherlandish and Flemish Paintings in the Public Collections of North America, Antwerp, 1992, p. 343, no. 287
Guy Bauman and Walter A. Liedtke, Flemish Paintings in America: A Survey of Early Netherlandish and Flemish Paintings in the Public Collections of North America, Antwerp, 1992, p. 343, no. 287 (ill.).
Sat
09
Feb
note
Franco Moro, “Spunti sulla diffusione di un tema leonardesco tra Italia e Fiandra sino a Lanino,” in I leonardeschi a Milano: Fortuna e collezionismo, ed. Maria Teresa Fiorio and Pietro C. Marani, Milan, 1991, pp. 127–128, fig. 8.
Franco Moro, “Spunti sulla diffusione di un tema leonardesco tra Italia e Fiandra sino a Lanino,” in I leonardeschi a Milano: Fortuna e collezionismo, ed. Maria Teresa Fiorio and Pietro C. Marani, Milan, 1991, pp. 127–128, fig. 8.
Thu
09
Feb
note
John Oliver Hand, “Joos van Cleve’s Holy Family,” Currier Gallery of Art Bulletin
John Oliver Hand, “Joos van Cleve’s Holy Family,” Currier Gallery of Art Bulletin (1989), pp. 17, 25 n. 26.
Thu
09
Feb
note
sold to French and Co....
sold to French and Co., New York, 1949 [according to Robert Samuels of French and Co., in conversation with Martha Wolff, March 31 and April 7, 1989]
Sun
09
Feb
note
S[ebastian] A. C. Dudok van Heel, “Amsterdamse portretten uit de zestiende eeuw
S[ebastian] A. C. Dudok van Heel, “Amsterdamse portretten uit de zestiende eeuw (V), Amstelodamum 73 (1986), p. 110 (ill.).
Thu
09
Feb
note
Larry Silver, The Paintings of Quinten Massys with Catalogue Raisonné, Montclair, N.J., 1984, pp. 81, 180, 182, 188 n. 24, 190 n. 45, pl. 166.
Larry Silver, The Paintings of Quinten Massys with Catalogue Raisonné, Montclair, N.J., 1984, pp. 81, 180, 182, 188 n. 24, 190 n. 45, pl. 166.
Mon
09
Feb
note
John David Farmer, “Bernard van Orley of Brussels,” Ph.D. diss., Princeton University, 1981, p. 135.
John David Farmer, “Bernard van Orley of Brussels,” Ph.D. diss., Princeton University, 1981, p. 135.
Mon
09
Feb
note
Ilse Hecht, “The Infants Christ and Saint John Embracing: Notes on a Composition by Joos van Cleve,” Apollo 113
Ilse Hecht, “The Infants Christ and Saint John Embracing: Notes on a Composition by Joos van Cleve,” Apollo 113 (1981), pp. 222–29, pl. 1.
Fri
09
Feb
note
Bernard Huys and Sebastien A. C. Dudok van Heel, Occo Codex, Buren, 1979, pl. 5.
Bernard Huys and Sebastien A. C. Dudok van Heel, Occo Codex, Buren, 1979, pl. 5.
Fri
09
Feb
note
Ilse Hecht, “The Infants Christ and Saint John Embracing: A Composition by Joos van Cleve,” AIC Bulletin 73
Ilse Hecht, “The Infants Christ and Saint John Embracing: A Composition by Joos van Cleve,” AIC Bulletin 73 (1979), pp. 12–14, fig. 1.
Sun
09
Feb
note
sold to the Art Institute, 1975.
sold to the Art Institute, 1975.
Sat
09
Feb
note
sold to Ernest Joresco, Chicago, 1963 [according to Samuels, this took place on Dec....
sold to Ernest Joresco, Chicago, 1963 [according to Samuels, this took place on Dec. 21, 1963]
© Artist-Unknown. All rights reserved.