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Artwork metadata
Structured fields synced from connected systems.
| Medium | tempera |
| Dimensions | 30 × 126 Cm |
| Tags | saintsaltarChristian subjectsChristianityreligionreligiousreligious attirereligious figuresreligious scenesgold (color)bookbiblesflowersman |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Wed
21
Jan
note
bequeathed to The George F....
bequeathed to The George F. Harding Museum, Chicago
Wed
21
Jan
note
Mauro Minardi, “Studi sulla collezione Nevin: i dipinti veneti del XIV e XV secolo,” Saggie e memorie di storia dell’arte 36
Mauro Minardi, “Studi sulla collezione Nevin: i dipinti veneti del XIV e XV secolo,” Saggie e memorie di storia dell’arte 36 (2012), pp. 332–35, 347 n. 103–05, 348 n. 111, figs. 33, 37.
Wed
21
Jan
note
Anna Tambini, Storia delle arti figurative a Faenza, vol. 3
Anna Tambini, Storia delle arti figurative a Faenza, vol. 3 (Faenza, 2009), pp. 20–23, 80–81 n. 7–8, figs. 14a, b.
Wed
21
Jan
note
Alice Turchi, “In Maestro di San Pier Damiano: profilo di un pittore faentino del primo Quattrocento,” Arte Cristiana 97, 850
Alice Turchi, “In Maestro di San Pier Damiano: profilo di un pittore faentino del primo Quattrocento,” Arte Cristiana 97, 850 (2009), pp. 14, 18 n. 45.
Wed
21
Jan
note
Simone Facchinetti, Mantegna e il Rinascimento in Valpadana
Simone Facchinetti, Mantegna e il Rinascimento in Valpadana (Florence, 2007), p. 96.
Wed
21
Jan
note
Cristina Bragaglia, in Valentino Pace and Roberto Tollo, San Nicola da Tolentino nell’arte: Corpus iconografico, vol. 1
Cristina Bragaglia, in Valentino Pace and Roberto Tollo, San Nicola da Tolentino nell’arte: Corpus iconografico, vol. 1 (Tolentino, 2005), pp. 288–89, no. 107.
Wed
21
Jan
note
Anna Tambini, “Maestro di San Pier Damiano
Anna Tambini, “Maestro di San Pier Damiano (Guglielmo di Guido del Peruccino?,” in Nadia Ceroni, Pinacoteca comunale di Ravenna: Museo d’arte della città (Ravenna, 2001), p. 32.
Wed
21
Jan
note
Raimond van Marle, The Development of the Italian Schools of Painting, vol. 15
Raimond van Marle, The Development of the Italian Schools of Painting, vol. 15 (The Hague, 1934), p. 605.
Wed
21
Jan
note
L. Serra, “Antonio da Fabriano,” Bollettino d’Arte 26, 1
L. Serra, “Antonio da Fabriano,” Bollettino d’Arte 26, 1 (1933), pp. 374, 377, ill.
Wed
21
Jan
note
possibly Dan Fellows Platt, Englewood, New Jersey, by 1932, as Antonio da Fabriano [according to Berenson 1932, but the annotated photograph at I Tatti cited above lists Platt but adds in parenthesis “Perkins says no”]....
possibly Dan Fellows Platt, Englewood, New Jersey, by 1932, as Antonio da Fabriano [according to Berenson 1932, but the annotated photograph at I Tatti cited above lists Platt but adds in parenthesis “Perkins says no”]. George F. Harding, Jr. (died 1939), Chicago
Wed
21
Jan
note
Bernard Berenson, Italian Pictures of the Renaissance
Bernard Berenson, Italian Pictures of the Renaissance (Oxford, 1932), pp. 29, 637.
Wed
21
Jan
note
his son Achillito Chiesa, Milan, by 1926
his son Achillito Chiesa, Milan, by 1926
Wed
21
Jan
note
his sale, American Art Association, New York, pt....
his sale, American Art Association, New York, pt. 2, April 16, 1926, no. 59, as Workshop of the Vivarini, for $6,300 to Clapp & Graham, with 1984.24a–b, d–g [price and buyer according to American Art Sales 1925]
Wed
21
Jan
note
American Art Sales, 6, 6
American Art Sales, 6, 6 (Washington, D.C., 1926), p. 18, no. 59.
Wed
21
Jan
note
probably sold to Achille Chiesa (died 1921), Milan
probably sold to Achille Chiesa (died 1921), Milan
Wed
21
Jan
note
his estate sale, Galleria Sangiorgi, Rome, April 22, 1907, no....
his estate sale, Galleria Sangiorgi, Rome, April 22, 1907, no. 41, as school of Vivarini, with 1984.24a–b, d–g to Frascione, Florence [according to a letter from F. Mason Perkins to Bernard Berenson dated November 15, 1907, Biblioteca Berenson, Villa I Tatti, Fiesole, copy in curatorial file]
Wed
21
Jan
note
Robert Jenkins Nevin (died 1906), Rome, by 1906
Robert Jenkins Nevin (died 1906), Rome, by 1906
Thu
21
Jan
note
Andrea De Marchi, “Problemi aperti su Squarcione pittore e sui romagnoli a Padova,” in Francesco Squarcione: “Pictorum symnasiarcha singularis”
Andrea De Marchi, “Problemi aperti su Squarcione pittore e sui romagnoli a Padova,” in Francesco Squarcione: “Pictorum symnasiarcha singularis” (Padua, 1999), pp. 124–25 n. 38–40, 126, figs. 98–99.
Thu
21
Jan
note
Stefano Tumidei, “Romagnoli in Veneto: congiunture figurative e viaggi d’artisti tra Quattro e Cinquecentro,” in La pittura emiliana nel Veneto
Stefano Tumidei, “Romagnoli in Veneto: congiunture figurative e viaggi d’artisti tra Quattro e Cinquecentro,” in La pittura emiliana nel Veneto (Verona and Modena, 1999), pp. 65, 84 n. 18.
Wed
21
Jan
note
Mauro Minardi, “Sulle tracce di Ansuino da Forlì,” Arte Cristiana 86, 785
Mauro Minardi, “Sulle tracce di Ansuino da Forlì,” Arte Cristiana 86, 785 (1998), pp. 97–98, 100–01, 108 n. 33, 109 n. 38–39, 110 n. 44, 54, fig. 2.
Tue
21
Jan
note
Federico Zeri, “Anonimo padovano,” in Federico Zeri and Andrea G. De Marchi, Dipinit: La Spezia, Museo civico Amedeo Lia
Federico Zeri, “Anonimo padovano,” in Federico Zeri and Andrea G. De Marchi, Dipinit: La Spezia, Museo civico Amedeo Lia (Milan and La Spezia, 1997), pp. 386–87, under no. 181.
Sun
21
Jan
note
Andrea De Marchi, “Centralità di Padova: Alcuni esempi di interferenza tra scultura e pittura nell’area adriatica alla metà del Quattrocento,” in Charles Dempsey, ed., Quattrocento Adriatico: Fifteenth-Century Art of the Adriatic Rim
Andrea De Marchi, “Centralità di Padova: Alcuni esempi di interferenza tra scultura e pittura nell’area adriatica alla metà del Quattrocento,” in Charles Dempsey, ed., Quattrocento Adriatico: Fifteenth-Century Art of the Adriatic Rim (Bologna, 1996), pp. 62–63 n. 26.
Fri
21
Jan
note
Carl Brandon Strehlke, review of Christopher Lloyd, “Italian Paintings before 1600 in the Art Institute of Chicago: A Catalogue of the Collection,” Burlington Magazine 136
Carl Brandon Strehlke, review of Christopher Lloyd, “Italian Paintings before 1600 in the Art Institute of Chicago: A Catalogue of the Collection,” Burlington Magazine 136 (1994), p. 626.
Thu
21
Jan
note
Christopher Lloyd, Italian Paintings before 1600 in the Art Institute of Chicago: A Catalogue of the Collection
Christopher Lloyd, Italian Paintings before 1600 in the Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1993), pp. 274–278, ill.
Mon
21
Jan
note
Walter Angelelli and Andrea G. de Marchi, Pittura dal Duecento al primo Cinquecento nelle fotografie di Girolamo Bombelli
Walter Angelelli and Andrea G. de Marchi, Pittura dal Duecento al primo Cinquecento nelle fotografie di Girolamo Bombelli (Milan, 1991), p. 207, no. 408, fig. 408b.
Mon
21
Jan
note
Sotheby’s, New York, Important Old Master Paintings, sale cat.
Sotheby’s, New York, Important Old Master Paintings, sale cat. (Sotheby’s, January 17, 1985), under lot 32.
Sat
21
Jan
note
transferred to the Art Institute, 1984.
transferred to the Art Institute, 1984.
Mon
21
Jan
note
Anna Tambini, “Ricerche in Romagna: il Maestro di San Pier Damiano,” Paragone 31, 367
Anna Tambini, “Ricerche in Romagna: il Maestro di San Pier Damiano,” Paragone 31, 367 (September 1980), p. 53.
Wed
21
Jan
note
offered for sale along with 1984....
offered for sale along with 1984.24a–b, d–g, Sotheby’s, New York, December 2, 1976, no. 180, withdrawn
Fri
21
Jan
note
Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections
Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections (Cambridge, Massachusetts, 1972), pp. 246, 307, 436, 572.
Thu
21
Jan
note
George Kaftal, Saints in Italian Art: Iconography of the Saints in Central and South Italian Schools of Painting
George Kaftal, Saints in Italian Art: Iconography of the Saints in Central and South Italian Schools of Painting (Florence, 1965), no. 265a.
Thu
21
Jan
note
Kaftal 1965 states that it was on the Milan market in 1930, but an annotated photograph in the Fototeca I Tatti, under Antonio da Fabriano states the polyptych was with the Florentine dealer Luigi Albrighi in 1930 [see Kaftal 1965 and the a...
Kaftal 1965 states that it was on the Milan market in 1930, but an annotated photograph in the Fototeca I Tatti, under Antonio da Fabriano states the polyptych was with the Florentine dealer Luigi Albrighi in 1930 [see Kaftal 1965 and the annotated photograph, Villa I Tatti, Fiesole, copy in curatorial file]
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