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oil paint (paint)93 × 61 Cm
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About the artwork
Artist supplied description.
In July 1890, Claude Monet began four almost identically scaled canvases showing poppy fields near his home in Giverny. Although he did not consider these to be a series, like the 25 paintings of stacks of wheat that he began shortly after the harvest that same summer, the works certainly show his growing interest in developing several canvases at once. They also demonstrate a far more homogeneous touch than the freely brushed landscapes of his earlier career, with surfaces that have a tapestry-like materiality.
Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 93 × 61 Cm |
| Tags | landscapestreesskyred (color)Poppiesmountainsmountaingreen (color)flowersblue (color)Franceweather/seasons |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Sun
08
Feb
note
Buffalo, N.Y., Society of Artists, Catalogue of the Fifth Annual Exhibition, exh. cat.
Buffalo, N.Y., Society of Artists, Catalogue of the Fifth Annual Exhibition, exh. cat. (Buffalo Society of Artists, 1896), p. 15, cat. 57 (ill.).
Sun
08
Feb
exhibition
Possibly Boston, St. Botolph Club, Exhibition of Paintings by Claude Monet, Feb. 4–16, 1895, cat. 25, as Coquelicots. 1891.
Possibly Boston, St. Botolph Club, Exhibition of Paintings by Claude Monet, Feb. 4–16, 1895, cat. 25, as Coquelicots. 1891.
Sun
08
Feb
note
">https://publications.artic.edu/monet/reader/paintingsanddrawings/section/135470
">https://publications.artic.edu/monet/reader/paintingsanddrawings/section/135470
Sun
08
Feb
note
Possibly St. Botolph Club, Exhibition of Paintings by Claude Monet, exh. cat.
Possibly St. Botolph Club, Exhibition of Paintings by Claude Monet, exh. cat. (St. Botolph Club, 1895), cat. 25.
Sun
08
Feb
exhibition
New York, Fine Arts Society Building, Loan Exhibition, Feb. 1893, cat. 40, as Champ des Coquelicots, Lent by Mr. Durand-Ruel.
New York, Fine Arts Society Building, Loan Exhibition, Feb. 1893, cat. 40, as Champ des Coquelicots, Lent by Mr. Durand-Ruel.
Sun
08
Feb
note
Possibly Carnegie Institute, Pittsburgh, Second Annual Exhibition, exh. cat.
Possibly Carnegie Institute, Pittsburgh, Second Annual Exhibition, exh. cat. (Carnegie Art Galleries, 1898), cat. 156.
Sun
08
Feb
note
American Fine Arts Society, Catalogue: Loan Exhibition, exh. cat.
American Fine Arts Society, Catalogue: Loan Exhibition, exh. cat. (Fine Arts Society Building, 1893), p. 39, cat. 40.
Sun
08
Feb
note
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.
Sun
08
Feb
note
Georges Clemenceau, Le grand Pan
Georges Clemenceau, Le grand Pan (Charpentier, 1896), p. 431.
Sun
08
Feb
exhibition
New York, Durand-Ruel Galleries, Exposition of Forty Paintings by Claude Monet, Jan. 12–27, 1895, cat. 3, as Coquelicots. 1891.
New York, Durand-Ruel Galleries, Exposition of Forty Paintings by Claude Monet, Jan. 12–27, 1895, cat. 3, as Coquelicots. 1891.
Sun
08
Feb
note
Possibly Trans-Mississippi and International Exposition, Official Catalogue of Fine Arts Exhibit, Illustrated, exh. cat.
Possibly Trans-Mississippi and International Exposition, Official Catalogue of Fine Arts Exhibit, Illustrated, exh. cat. (Klopp & Bartlett Co., 1898), p. 88, cat. 378.
Sun
08
Feb
note
Durand-Ruel Galleries, New York, Exposition of Forty Paintings by Claude Monet, exh. cat.
Durand-Ruel Galleries, New York, Exposition of Forty Paintings by Claude Monet, exh. cat. (Durand-Ruel, 1895), cat. 3.
Sun
08
Feb
note
Gloria Groom, et. al. Monet and Chicago, exh. Cat.
Gloria Groom, et. al. Monet and Chicago, exh. Cat. (Chicago: Art Institute, 2020), 20, 31, 92 (detail ill.), 93 cat. 51, 137.
Sun
08
Feb
exhibition
Art Institute of Chicago, Monet and Chicago, September 5, 2020-June 14, 2021, cat. 51.
Art Institute of Chicago, Monet and Chicago, September 5, 2020-June 14, 2021, cat. 51.
Sun
08
Feb
exhibition
Art Institute of Chicago, John Singer Sargent and Chicago's Gilded Age, June 27-Septembet 30, 2018.
Art Institute of Chicago, John Singer Sargent and Chicago's Gilded Age, June 27-Septembet 30, 2018.
Sun
08
Feb
note
“Cat. 26: Poppy Field
“Cat. 26: Poppy Field (Giverny), 1890/91,” in Monet Paintings and Drawings at the Art Institute of Chicago, ed. Gloria Groom and Jill Shaw (Art Institute of Chicago, 2014),
Sun
08
Feb
exhibition
Fort Worth, Tex., Kimbell Art Museum, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29–Nov. 2, 2008, cat. 74 (ill.).
Fort Worth, Tex., Kimbell Art Museum, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29–Nov. 2, 2008, cat. 74 (ill.).
Sun
08
Feb
note
Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Impressionists: Master Paintings from the Art Institute of Chicago, exh. cat.
Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Impressionists: Master Paintings from the Art Institute of Chicago, exh. cat. (Art Institute of Chicago/Kimbell Art Museum, 2008), pp. 22; 154 (detail); 155, cat. 74 (ill.). Simultaneously published as Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Age of Impressionism at the Art Institute of Chicago (Art Institute of Chicago/Yale University Press, 2008), pp. 22; 154 (detail); 155, cat. 74 (ill.).
Sun
08
Feb
exhibition
Musée d’Art Américain Giverny/Terra Foundation for American Art, Impressionist Giverny: A Colony of Artists, 1885–1915, Apr. 1–July 1, 2007, no. cat. no. (ill.); San Diego Museum of Art, July 22–Oct. 1, 2007 (Giverny only).
Musée d’Art Américain Giverny/Terra Foundation for American Art, Impressionist Giverny: A Colony of Artists, 1885–1915, Apr. 1–July 1, 2007, no. cat. no. (ill.); San Diego Museum of Art, July 22–Oct. 1, 2007 (Giverny only).
Sun
08
Feb
note
Christian von Holst, “Travel Impressions,” in Christian von Holst and Christofer Conrad, with contributions by Roman Zieglgänsberger and Katja Matauschek, Claude Monet: Fields in Spring, exh. cat.
Christian von Holst, “Travel Impressions,” in Christian von Holst and Christofer Conrad, with contributions by Roman Zieglgänsberger and Katja Matauschek, Claude Monet: Fields in Spring, exh. cat. (Staatsgalerie Stuttgart/Hatje Cantz, 2006), pp. 38; 41, fig. 18.
Sun
08
Feb
exhibition
Staatsgalerie Stuttgart, Claude Monet: Effet de soleil—Felder im Frühling, May 20–Sept. 24, 2006, cat. 30 (ill.).
Staatsgalerie Stuttgart, Claude Monet: Effet de soleil—Felder im Frühling, May 20–Sept. 24, 2006, cat. 30 (ill.).
Sun
08
Feb
note
Christian von Holst and Christofer Conrad, with contributions by Roman Zieglgänsberger and Katja Matauschek, Claude Monet: Fields in Spring, exh. cat.
Christian von Holst and Christofer Conrad, with contributions by Roman Zieglgänsberger and Katja Matauschek, Claude Monet: Fields in Spring, exh. cat. (Staatsgalerie Stuttgart/Hatje Cantz, 2006), pp. 116–17 (detail); 157, cat. 30; 163.
Sun
08
Feb
note
Christofer Conrad, “From Impression to Organization of the Picture,” in Christian von Holst and Christofer Conrad, with contributions by Roman Zieglgänsberger and Katja Matauschek, Claude Monet: Fields in Spring, exh. cat.
Christofer Conrad, “From Impression to Organization of the Picture,” in Christian von Holst and Christofer Conrad, with contributions by Roman Zieglgänsberger and Katja Matauschek, Claude Monet: Fields in Spring, exh. cat. (Staatsgalerie Stuttgart/Hatje Cantz, 2006), pp. 96–97, fig. 70; 100.
Sun
08
Feb
note
Susan G. Larkin, American Impressionism: The Beauty of Work, with entries by Susan G. Larkin and Arlene Katz Nichols, exh. cat.
Susan G. Larkin, American Impressionism: The Beauty of Work, with entries by Susan G. Larkin and Arlene Katz Nichols, exh. cat. (Bruce Museum of Arts and Science, 2005), p. 46, fig. 37.
Sun
08
Feb
note
Art Institute of Chicago, Impressionism and Post-Impressionism in the Art Institute of Chicago, selected by James N. Wood
Art Institute of Chicago, Impressionism and Post-Impressionism in the Art Institute of Chicago, selected by James N. Wood (Art Institute of Chicago/Hudson Hills, 2000), p. 131 (ill.).
Mon
08
Feb
note
Simonella Condemi and Andrew Forge, Claude Monet: La poesia della luce; Sette capolavori dell’Art Institute di Chicago a Palazzo Pitti, exh. cat.
Simonella Condemi and Andrew Forge, Claude Monet: La poesia della luce; Sette capolavori dell’Art Institute di Chicago a Palazzo Pitti, exh. cat. (Giunti Gruppo, 1999), pp. 32, 33 (ill.).
Mon
08
Feb
exhibition
Florence, Sala Bianca di Palazzo Pitti, Claude Monet: La poesia della luce; Sette capolavori dell’Art Institute di Chicago a Palazzo Pitti, June 2–Aug. 29, 1999, no cat. no. (ill.).
Florence, Sala Bianca di Palazzo Pitti, Claude Monet: La poesia della luce; Sette capolavori dell’Art Institute di Chicago a Palazzo Pitti, June 2–Aug. 29, 1999, no cat. no. (ill.).
Sun
08
Feb
exhibition
Omaha, Neb., Joslyn Art Museum, On View to the World: Paintings at the Trans-Mississippi Exposition, 1898, May 30–Aug. 16, 1998, no cat.
Omaha, Neb., Joslyn Art Museum, On View to the World: Paintings at the Trans-Mississippi Exposition, 1898, May 30–Aug. 16, 1998, no cat.
Sun
08
Feb
note
Christopher Burbach, “Joslyn Show: Art of 1898 Expo,” Morning World-Herald, June 2, 1998, pp. 35, 37.
Christopher Burbach, “Joslyn Show: Art of 1898 Expo,” Morning World-Herald, June 2, 1998, pp. 35, 37.
Sat
08
Feb
note
Heide Michels, Monet’s House: An Impressionist Interior, trans. Helen Ivor
Heide Michels, Monet’s House: An Impressionist Interior, trans. Helen Ivor (Clarkson Potter, 1997), pp. 80–81 (ill.).
Thu
08
Feb
note
Daniel Wildenstein, Monet: Catalogue raisonné/Werkverzeichnis, vol. 3, Nos. 969–1595
Daniel Wildenstein, Monet: Catalogue raisonné/Werkverzeichnis, vol. 3, Nos. 969–1595 (Taschen/Wildenstein Institute, 1996), pp. 477, cat. 1253 (ill.); 478.
Thu
08
Feb
note
Daniel Wildenstein, Monet, or The Triumph of Impressionism, cat. rais., vol. 1
Daniel Wildenstein, Monet, or The Triumph of Impressionism, cat. rais., vol. 1 (Taschen/Wildenstein Institute, 1996), pp. 262 (ill.), 273.
Wed
08
Feb
exhibition
Art Institute of Chicago, Claude Monet, 1840–1926, July 22–Nov. 26, 1995, cat. 95 (ill.).
Art Institute of Chicago, Claude Monet, 1840–1926, July 22–Nov. 26, 1995, cat. 95 (ill.).
Wed
08
Feb
note
Andrew Forge, Monet, Artists in Focus
Andrew Forge, Monet, Artists in Focus (Art Institute of Chicago, 1995), pp. 43–44; 85, pl. 14; 108.
Fri
08
Feb
note
Daniel Wildenstein, Claude Monet: Biographie et catalogue raisonné, vol. 5, Supplément aux peintures: Dessins; Pastels; Index
Daniel Wildenstein, Claude Monet: Biographie et catalogue raisonné, vol. 5, Supplément aux peintures: Dessins; Pastels; Index (Wildenstein Institute, 1991), p. 200, letter 2837.
Fri
08
Feb
note
Sylvie Patin, Monet: “Un oeil . . . mais, bon Dieu, quel oeil!”
Sylvie Patin, Monet: “Un oeil . . . mais, bon Dieu, quel oeil!” (Gallimard/Réunion des Musées Nationaux, 1991), pp. 102 (ill.), 103 (detail), 172. Translated by Anthony Roberts as Monet: The Ultimate Impressionist (Abrams, 1993), pp. 102 (ill.), 103 (detail), 171.
Thu
08
Feb
note
Anna Barskaïa and Evguenia Gueorguievskaïa, Claude Monet: Tableaux des musées d’URSS, introduction by Nina Kalitina, trans. Dominique Maliarevitch-Millot and Olga Mandryka
Anna Barskaïa and Evguenia Gueorguievskaïa, Claude Monet: Tableaux des musées d’URSS, introduction by Nina Kalitina, trans. Dominique Maliarevitch-Millot and Olga Mandryka (Cercle d’Art, 1990), p. 112.
Thu
08
Feb
exhibition
Boston, Museum of Fine Arts, Monet in the ’90s: The Series Paintings, February 7–April 29, 1990, cat. 12 (ill.); Art Institute of Chicago, May 19–August 12, 1990; London, Royal Academy of Arts, September 7–December 9, 1990.
Boston, Museum of Fine Arts, Monet in the ’90s: The Series Paintings, February 7–April 29, 1990, cat. 12 (ill.); Art Institute of Chicago, May 19–August 12, 1990; London, Royal Academy of Arts, September 7–December 9, 1990.
Wed
08
Feb
note
Paul Hayes Tucker, Monet in the ’90s: The Series Paintings, exh. cat.
Paul Hayes Tucker, Monet in the ’90s: The Series Paintings, exh. cat. (Museum of Fine Arts, Boston/Yale University Press, 1989), pp. 71; 76, pl. 19; 273, n. 12; 295, cat. 12.
Sun
08
Feb
note
Richard R. Brettell, French Impressionists
Richard R. Brettell, French Impressionists (Art Institute of Chicago/Abrams, 1987), pp. 82 (ill.), 83, 118.
Sat
08
Feb
note
John House, Monet: Nature into Art
John House, Monet: Nature into Art (Yale University Press, 1986), pp. 197–98; 199, fig. 251.
Fri
08
Feb
exhibition
Auckland City Art Gallery, Claude Monet: Painter of Light, Apr. 29–June 9, 1985, cat. 20 (ill.); Sydney, Art Gallery of New South Wales, June 21–Aug. 4, 1985; Melbourne, National Gallery of Victoria, Aug. 14–Sept. 29, 1985.
Auckland City Art Gallery, Claude Monet: Painter of Light, Apr. 29–June 9, 1985, cat. 20 (ill.); Sydney, Art Gallery of New South Wales, June 21–Aug. 4, 1985; Melbourne, National Gallery of Victoria, Aug. 14–Sept. 29, 1985.
Fri
08
Feb
note
Auckland City Art Gallery, Claude Monet: Painter of Light, exh. cat.
Auckland City Art Gallery, Claude Monet: Painter of Light, exh. cat. (Auckland City Art Gallery/NZI, 1985), pp. 80–81, cat. 30 (ill.).
Fri
08
Feb
note
Richard Brettell, “La champagne française,” in Réunion des Musées Nationaux, L’impressionnisme et le paysage français, exh. cat.
Richard Brettell, “La champagne française,” in Réunion des Musées Nationaux, L’impressionnisme et le paysage français, exh. cat. (Réunion des Musées Nationaux, 1985), pp. 276; 278; 279, no. 102 (ill.).
Fri
08
Feb
note
Charles F. Stuckey, ed., Monet: A Retrospective
Charles F. Stuckey, ed., Monet: A Retrospective (Hugh Lauter Levin, 1985), pp. 176; 192, pl. 80.
Wed
08
Feb
note
Andrea P. A. Belloli, ed., A Day in the Country: Impressionism and the French Landscape, exh. cat.
Andrea P. A. Belloli, ed., A Day in the Country: Impressionism and the French Landscape, exh. cat. (Los Angeles County Museum of Art, 1984), p. 365.
Wed
08
Feb
note
Richard Brettell, “The Fields of France,” in A Day in the Country: Impressionism and the French Landscape, ed. Andrea P. A. Belloli, exh. cat.
Richard Brettell, “The Fields of France,” in A Day in the Country: Impressionism and the French Landscape, ed. Andrea P. A. Belloli, exh. cat. (Los Angeles County Museum of Art, 1984), pp. 256; 260; 261, no. 103 (ill.).
Wed
08
Feb
exhibition
Los Angeles County Museum of Art, A Day in the Country: Impressionism and the French Landscape, June 28–Sept. 16, 1984, cat. 103 (ill.); Art Institute of Chicago, Oct. 23, 1984–Jan. 6, 1985; Paris...
Los Angeles County Museum of Art, A Day in the Country: Impressionism and the French Landscape, June 28–Sept. 16, 1984, cat. 103 (ill.); Art Institute of Chicago, Oct. 23, 1984–Jan. 6, 1985; Paris, Galeries Nationales d’Exposition du Grand Palais, as L’impressionnisme et le paysage français, Feb. 4–Apr. 22, 1985, cat. 102 (ill.).
Fri
08
Feb
exhibition
Albi, Musée Toulouse-Lautrec, Trésors impressionnistes du Musée de Chicago, June 27–Aug. 31, 1980, cat. 13 (ill.).
Albi, Musée Toulouse-Lautrec, Trésors impressionnistes du Musée de Chicago, June 27–Aug. 31, 1980, cat. 13 (ill.).
Fri
08
Feb
note
Musée Toulouse-Lautrec and Art Institute of Chicago, Trésors impressionnistes du Musée de Chicago, exh. cat.
Musée Toulouse-Lautrec and Art Institute of Chicago, Trésors impressionnistes du Musée de Chicago, exh. cat. (Musée Toulouse-Lautrec, 1980), pp. 33, cat. 12 (ill.); 67.
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