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paper (fiber product)22 × 19 Cm
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About the artwork
Artist supplied description.
By preparing his paper with a dark-brown wash to which a white oil-based pigment was added, Gerrit van Battem achieved the strong and meaningful effect of light-dark contrast. In this Adoration scene Battem emphasized the wonder of the shepherds who come to greet the Christ child. Despite the scene’s nocturnal setting, so dark that the cow’s head in the background is barely visible, the divinity of the Christ child shines with an abundant brightness that causes the shepherds to raise their hands in amazement.
Artwork metadata
Structured fields synced from connected systems.
| Medium | paper (fiber product) |
| Dimensions | 22 × 19 Cm |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
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24
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note
by descent to E....
by descent to E. C. Baron van Pallandt, Haarlem
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Possibly Louis Fabritius Dubourg (1693–1775), Amsterdam
Possibly Louis Fabritius Dubourg (1693–1775), Amsterdam
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24
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Van den Brande (possibly Johan Pieter van den Brande (1707–1758)), Middelburg
Van den Brande (possibly Johan Pieter van den Brande (1707–1758)), Middelburg
Sat
24
Jan
exhibition
The Art Institute of Chicago, "Rubens, Rembrandt, and Drawing in the Golden Age", September 28, 2019 - January 5, 2020, pp. 33 (ill.), 43, 288, 328, cat. 6, cat. by Victoria Sancho Lobis, et. al.
The Art Institute of Chicago, "Rubens, Rembrandt, and Drawing in the Golden Age", September 28, 2019 - January 5, 2020, pp. 33 (ill.), 43, 288, 328, cat. 6, cat. by Victoria Sancho Lobis, et. al.
Sat
24
Jan
exhibition
Art Institute of Chicago, The Thrill of the Chase: Drawings for the Harry B. and Bessie K. Braude Memorial Collection, Mar. 15–June 15, 2014, no cat.
Art Institute of Chicago, The Thrill of the Chase: Drawings for the Harry B. and Bessie K. Braude Memorial Collection, Mar. 15–June 15, 2014, no cat.
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24
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given to the Art Institute of Chicago, 2013.
given to the Art Institute of Chicago, 2013.
Sat
24
Jan
exhibition
Art Institute of Chicago, Drawings in Dialogue: Old Master Through Modern, The Harry B. and Bessie K. Braude Memorial Collection, June 3–July 30, 2006, p. 49, cat. 22(ill.).
Art Institute of Chicago, Drawings in Dialogue: Old Master Through Modern, The Harry B. and Bessie K. Braude Memorial Collection, June 3–July 30, 2006, p. 49, cat. 22(ill.).
Sat
24
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sold, Sotheby’s, Amsterdam, May 19, 2004, lot 111, to Dorothy Braude Edinburg, Brookline, Mass.
sold, Sotheby’s, Amsterdam, May 19, 2004, lot 111, to Dorothy Braude Edinburg, Brookline, Mass.
Mon
24
Jan
exhibition
Amsterdam, Rembrandthuis, Kleur en Raffinement: Tekeningen uit de Unicorno collectie, Mar. 19–May 29, 1994, p. 62–63, cat. 19 (ill.); also Dordrechts Museum, Oct. 22, 1994–Jan. 15, 1995.
Amsterdam, Rembrandthuis, Kleur en Raffinement: Tekeningen uit de Unicorno collectie, Mar. 19–May 29, 1994, p. 62–63, cat. 19 (ill.); also Dordrechts Museum, Oct. 22, 1994–Jan. 15, 1995.
Mon
24
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Keith Andrews, “‘Ein Rotterdamer Maler und Radierer geringer Ordnung’: On Some Gouaches by Gerrit van Battem,” in Essays in Northern European Art Presented to Egbert Haverkamp-Begemann on His Sixtieth Birthday
Keith Andrews, “‘Ein Rotterdamer Maler und Radierer geringer Ordnung’: On Some Gouaches by Gerrit van Battem,” in Essays in Northern European Art Presented to Egbert Haverkamp-Begemann on His Sixtieth Birthday (Davaco, 1983), p. 25.
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24
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H. Verbeek, “Gerrit Battem: Constrijck Schilder, 1636–1684”
H. Verbeek, “Gerrit Battem: Constrijck Schilder, 1636–1684” (Ph.D. dissertation, University of Leiden, 1983), p. 23, cat. Hb 3.
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sold, Mak van Waay, Amsterdam, Sept....
sold, Mak van Waay, Amsterdam, Sept. 26, 1972, lot 275, to Mr. Saam Nijstad (1922–2011) and Mrs. Lily Nijstad-Einhorn, The Netherlands
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24
Jan
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sold, Amsterdam, Jan....
sold, Amsterdam, Jan. 15, 1776, lot 82
© Artist-Unknown. All rights reserved.
