ArtworkStatus unknown

Virgil Reading the "Aeneid" to Augustus, Octavia, and Livia

0 likesNot savedShare from mobile app
paint142 × 111 Cm

Views

0

Likes

0

Saves

Not saved

Shares

0

About the artwork
Artist supplied description.

In the late 18th century, the French Academy promoted a severely Classical approach to history painting as a means to regenerate art—and in contrast to the perceived decadence of the Rococo style. Jacques-Louis David and his students were leading exponents of this Neoclassical approach, treating antique subjects as moral exemplars for contemporary audiences. Here, David’s student Jean-Baptiste Wicar depicted the response of the Roman emperor Augustus and his family to Virgil’s reading of his epic poem the Aeneid, which tells the story of Aeneas, the Trojan prince who settled in Latium after many adventures and was viewed as an ancestor of Augustus. The emotionally charged gestures of Augustus and his sister Octavia suggest that they identify their own family drama with the heroic events recounted by Virgil.

Artwork metadata
Structured fields synced from connected systems.
Mediumpaint
Dimensions142 × 111 Cm
Tags
readingwomentreesTiletablestatuesscrolls (motifs)Romanred (color)purple (color)poetrymenmanlaurel wreathsinteriorgreen (color)familyfamiliesclassicalchairsbuildingsbuildingarchitecturearchitecturearchitechture
CertificateCertificate not provided
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Sat
14
Feb
note

Maria Teresa Caracciolo, Museo dell’Accademia di Belle Arte di Perugia. Disegni di Jean-Baptiste Wicar 1

Maria Teresa Caracciolo, Museo dell’Accademia di Belle Arte di Perugia. Disegni di Jean-Baptiste Wicar 1 ([Perugia], 2003), pp. 68–71, fig. 22.
Sat
14
Feb
note

Maria Teresa Caracciolo and Pierre Rosenberg, Da Lille a Roma: Jean–Baptiste Wicar e l’Itala: disegni dell’Accademia di Belle Arti di Perugia e del Museo di Lille, exh. cat. Palazzo della Penna, Perugia, 2002, pp. 187–8, under no. 88.

Maria Teresa Caracciolo and Pierre Rosenberg, Da Lille a Roma: Jean–Baptiste Wicar e l’Itala: disegni dell’Accademia di Belle Arti di Perugia e del Museo di Lille, exh. cat. Palazzo della Penna, Perugia, 2002, pp. 187–8, under no. 88.
Wed
14
Feb
note

Possibly in the possession of the artist until his death in 1834 [an early painting depicting Virgil is described in inventory of property drawn up after Wicar’s death, as “il Quadro rappresentante Virgilio dipinto dal defonto nei primi ann...

Possibly in the possession of the artist until his death in 1834 [an early painting depicting Virgil is described in inventory of property drawn up after Wicar’s death, as “il Quadro rappresentante Virgilio dipinto dal defonto nei primi anni della sua Gioventù”, see Wise and Warner 1996, pp. 175-8]
Wed
14
Feb
note

Susan Wise and Malcolm Warner, French and British Paintings From 1600 to 1800 in The Art Institute of Chicago: A Catalogue of the Collection

Susan Wise and Malcolm Warner, French and British Paintings From 1600 to 1800 in The Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1996), pp. 175-180, ill.
Thu
14
Feb
exhibition

The Art Institute of Chicago, Canova and France, 1985, no cat.The Art Institute of Chicago, The Art of the Edge: European Frames 1300–1900, 1986, cat. 26.

The Art Institute of Chicago, Canova and France, 1985, no cat.The Art Institute of Chicago, The Art of the Edge: European Frames 1300–1900,1986, cat. 26.
Tue
14
Feb
note

Hervé Oursel in Le Chevelier Wicar: Peintre, dessinateur, et collectionneur lillois, exh. cat., Musée de Beaux Arts, Lille, 1984, p. 63, under cat. 63.

Hervé Oursel in Le Chevelier Wicar: Peintre, dessinateur, et collectionneur lillois, exh. cat., Musée de Beaux Arts, Lille, 1984, p. 63, under cat. 63.
Sun
14
Feb
exhibition

New York, Wildenstein Gallery, Consulat–Empire–Restauration: Art in Early XIX Century France, 1982, p. 99, as French School.

New York, Wildenstein Gallery, Consulat–Empire–Restauration: Art in Early XIX Century France, 1982, p. 99, as French School.
Sat
14
Feb
note

possibly bequeathed to Wicar’s student, Giuseppe Carattoli (died 1850), Perugia [see Wise and Warner 1996 and Caracciolo and Rosenberg 2002, p....

possibly bequeathed to Wicar’s student, Giuseppe Carattoli (died 1850), Perugia [see Wise and Warner 1996 and Caracciolo and Rosenberg 2002, p. 245]. Possibly Mario Praz [Carlo Sestieri stated in a letter of March 21, 1981, to Susan Wise that he thought he had acquired the painting in an exchange with Mario Praz, Rome, but in another letter dated September 20, 1983 he said that he had purchased the painting in Florence, both in curatorial file
Sat
14
Feb
exhibition

The Art Institute of Chicago, Selected Works of Eighteenth-Century French Art in the Collections of The Art Institute of Chicago, 1976, cat. 25, as anonymous.

The Art Institute of Chicago, Selected Works of Eighteenth-Century French Art in the Collections of The Art Institute of Chicago, 1976, cat. 25, as anonymous.
Fri
14
Feb
exhibition

Kansas City, Missouri, The Nelson-Atkins Museum, The Taste of Napoleon, 1969, cat. 24 (in The Nelson Gallery and Atkins Museum Bulletin, 4, 10 [1969]), as François Xavier Fabre.

Kansas City, Missouri, The Nelson-Atkins Museum, The Taste of Napoleon, 1969, cat. 24 (in The Nelson Gallery and Atkins Museum Bulletin, 4, 10 [1969]), as François Xavier Fabre.
Mon
14
Feb
exhibition

The Denver Art Museum, Great Stories in Art, February 13–March 27, 1966, no cat.Oshkosh, Wisconsin, The Paine Art Center and Arboretum, Empire Profile, 1968, no cat., as François Xavier Fabre.

The Denver Art Museum, Great Stories in Art, February 13–March 27, 1966, no cat.Oshkosh, Wisconsin, The Paine Art Center and Arboretum, Empire Profile, 1968, no cat., as François Xavier Fabre.
Fri
14
Feb
exhibition

The Cleveland Museum of Art, Neo-Classicism: Style and Motif, 1964, cat. 117, as François Xavier Fabre.

The Cleveland Museum of Art, Neo-Classicism: Style and Motif, 1964, cat. 117, as François Xavier Fabre.
Fri
14
Feb
note

it is not mentioned in Mario Praz, The House of Life (Oxford, 1964)]....

it is not mentioned in Mario Praz, The House of Life (Oxford, 1964)]. Marcello and Carlo Sestieri, Rome, by 1963
Thu
14
Feb
note

J[ohn] M[axon], “Some Recent Acquisitions,” The Art Institute Quarterly 57, 4

J[ohn] M[axon], “Some Recent Acquisitions,” The Art Institute Quarterly 57, 4 (1963-64), n. p., ill.
Thu
14
Feb
note

sold to the Art Institute, 1963.

sold to the Art Institute, 1963.
© Artist-Unknown. All rights reserved.