Seated Nude

Paris, École Nationale des Beaux-Arts, Exposition des oeuvres de Édouard Manet, Jan. 1884, cat. 177, as Cadre.

École nationale des beaux-arts, Exposition des oeuvres de Édouard Manet, with a preface by Émile Zola, exh. cat. (A. Quantin, 1884), cat. 177, as Cadre.

Paris, Musée d'Orsay, "Manet Degas", March 27 - July 23, 2023, traveled to New York, Metropolitan Museum of Art, September 18, 2023 - January 7, 2024, p. 106 (ill.), 295, cat. 31, cat. by Stephan Wolohojian and Ashley Dunn, et. al.

“Manet, Cat. 1, Seated Nude,” in Manet Paintings and Works on Paper at the Art Institute of Chicago (Art Institute of Chicago, 2017), https://publications.artic.edu/manet/reader/manetart/section/140020.

Vienna, Albertina, Impressionism: Pastels, Watercolors, Drawings, Feb. 9–May 13, 2012, pp. 172–74, pl. 86.

Juliet Wilson-Bareau, “Goya und Manet: Zwei Meister hafte Malerradierer Zwei Seelenverwandte Geister,” in Die Historische Sammlung Otto Gerstenberg, ed. Juliette Scharf and Janna Strzoda (Hatje Cantz, 2012), vol. 1, p. 156.

Christopher Lloyd, Impressionism: Pastels, Watercolors, Drawings, exh. cat (Milwaukee Art Museum, 2011), pp. 172–74, pl. 86.

Anne Roquebert, “A Widening Circle: Vollard and His Clients,” in Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde, ed. Rebecca A. Rabinow, exh. cat. (Metropolitan Museum of Art, 2006), pp. 219, 228, note 8.

Wayne Andersen, Manet: The Picnic & the Prostitute (Fabriart, 2005), pp. 28–29, fig. 21.

Juliet Wilson-Bareau and Malcolm Park, Division and Revision: Manet’s Reichshoffen Revealed (Paul Holberton, 2005), cat. 37, pp. 54, fig. 41, 56, 85.

Maria Teresa Benedetti, Manet, exh. cat. (Skira, 2005), p. 130.

Manet en el Prado, exh. cat. (Museo Nacional del Prado, 2003), p. 149, fig. 61.

Peter Meller, “Manet in Italy: Some Newly Identified Sources for His Early Sketchbooks,” Burlington Magazine 144, 1187 (Feb. 2002), pp. 97, fig. 91, pp. 107–8.

Art Institute of Chicago, Great Drawings from The Art Institute of Chicago: The Harold Joachim Years, 1958–1983, July 24–Sept. 30, 1985, cat. 66 (ill.), pp. 146–47.

Martha Tedeschi, Great Drawings from the Art Institute of Chicago: The Harold Joachim Years, 1958–1983, exh. cat. (The Art Institute of Chicago, 1985), cat. 66 (ill.), pp. 146–47.

Douglas Cooper, The Courtauld Collection (University of London, 1954), p. 143, under no. 140.

Bernhard Degenhart, Europäische Handzeichnungen aus Fünf Jahrhunderten (Atlantis, 1943), p. 193, no. 164 (ill.).

Gotthard Jedlicka, Édouard Manet (Eugen Rentsch, 1941), pp. 241–42, ill. opp. 251.

given to Ambroise Vollard (1867–1939), Paris, for re-sale, 1891/92

Palais National des Arts, Chefs d’oeuvre de l’art Français, with an introduction by Henri Focillon (Paris, 1937), cat. 686, pp. 314–15.

Paris, Palais National des Arts, Chefs d’oeuvre de l’art Français, 1937, cat. 686, pp. 314–15.

Ambroise Vollard, Recollections of a Picture Dealer, trans. Violet M. MacDonald (Constable, 1936), pp. 39–40.

Robert Rey, Choix de soixante-quatre dessins de Edouard Manet (Braun & Cie., 1932), fig. 10.

Juliet Wilson-Bareau, ed., Manet by Himself: Correspondence and Conversation: Paintings, Pastels, Prints and Drawings (Macdonald, 1991), pp. 81, no. 43 (ill.), 307.

Horst Keller, Edouard Manet (Bruckmann, 1989), pp. 31, figs. 23, 33, 172.

London, Courtauld Institute Galleries, The Hidden Face of Manet: An Investigation of the Artist’s Working Processes, Apr. 23–June 15, 1986, cat. 11, pp. 32–34, 91, color fig. 1, fig. 36.

Juliet Wilson-Bareau, “The Hidden Face of Manet: An Investigation of the Artist’s Working Processes,”Burlington Magazine 128, 997 (Apr. 1986), p. 33, no. 11, fig. 36.

Françoise Cachin, Charles S. Moffett, Juliet Wilson-Bareau, and Michel S. Melot, Manet 1832–1883, exh. cat. (Metropolitan Museum of Art, 1983), cat. 24 (ill.), pp. 91–92, 186.

Paris, Galeries nationales du Grand Palais, Manet, 1832–1883, Apr. 22–Aug. 1, 1983, cat. 24 (ill.), pp. 91–92, 186; New York, Metropolitan Museum of Art, Sept. 10–Nov. 27, 1983.

Jane Boruff Resso, “Edouard Manet’s Later Nudes,” MA thesis, Case Western Reserve University, 1981, pp. ix, no. 24; 257, no. 34.

Beatrice Farwell, Manet and the Nude: A Study in Iconography in the Second Empire (Garland Publishing, 1981), pp. x, 157, 410, fig 116.

Harold Joachim and Sandra Haller Olsen, French Drawings and Sketchbooks of the Nineteenth Century, vol. 2 (University of Chicago Press, 1979), pp. 66–67, no. 43.

Städtische Galerie im Städelschen Kunstinstitut, Französische Zeichnungen aus dem Art Institute of Chicago (Art Institute of Chicago/Städtische Galerie im Städelschen Kunstinstitut, 1977), cat. 53 (ill.), pp. 112–14.

Frankfurt am Main, Germany, Städtische Galerie im Städelschen Kunstinstitut, Französische Zeichnungen aus dem Art Institute of Chicago, Feb. 10–Apr. 10, 1977, cat. 53 (ill.), pp. 112–14.

Harold Joachim and Suzanne Folds McCullagh, Dessins français de l’Art Institute de Chicago de Watteau à Picasso (The Art Institute of Chicago, 1977), cat. 54 (ill.), n. pag.

Paris, Musée du Louvre, Dessins français de l’Art Institute de Chicago de Watteau à Picasso, Oct. 15, 1976–Jan. 17, 1977, cat. 54 (ill.), n. pag.

Denis Rouart and Daniel Wildenstein, Édouard Manet: Catalogue Raisonné, vol. 2, Pastels, aquarelles et dessins (Bibliothèque des Arts, 1975), pp. 138–39, no. 363 (ill.).

Colin Eisler, The Seeing Hand: A Treasury of Great Master Drawings (Harper and Row, 1975), n. pag., no. F. 12 (ill.).

Art Institute of Chicago, The Helen Regenstein Collection of European Drawings, summer 1974, cat. 73 (ill.), pp. 148–49.

Harold Joachim, The Helen Regenstein Collection of European Drawings, with a preface by Leigh B. Block and John Maxon, exh. cat. (Art Institute of Chicago, 1974), cat. 73 (ill.), pp. 148–49.

Maurice Sérullaz and Arlette Sérullaz, I disegni dei Maestri: l’Ottocento Francese (Fratelli Fabbri Editori, 1970), p. 91, fig. 29.

Alain de Leiris, The Drawings of Édouard Manet (University of California Press, 1969), pp. 19, 31, 59–61, 64, no. 186, fig. 44.

Jean Selz, XIXth Century Drawings and Water-colors, trans. Rosalie Siegel (Crown, 1968), p. 136 (ill.).

Anne Coffin Hanson, Édouard Manet: 1832–1883, exh. cat. Philadelphia Museum of Art/The Art Institute of Chicago, 1967) cat. 196, n. pag.

Martha Schmierer and Richard Verdi, “Thoughts Arising from the Philadelphia-Chicago Manet Exhibition,” Art Quarterly 30, 3–4 (1967), pp. 244, 249, fig. 1.

“Accessions of American and Canadian Museums,” Art Quarterly 30, 3–4 (Winter 1967), pp. 268, 280 (ill.).

Art Institute of Chicago, Édouard Manet, 1832–1883, Jan. 13–Feb. 19, 1967, addenda, cat. 196, n. pag.

Jacques Mathey, Identification d’oeuvres ayant fait partie de la succession de Madame Veuve Édouard Manet (Tournon, 1964), n. pag., under no. 12.

Robert Rey, Manet (Flammarion, 1962), p. 86 (ill.).