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oil paint (paint)150 × 91 Cm
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About the artwork
Artist supplied description.
This painting of a rural winter landscape is resolutely un-picturesque. Its dark color palette is uninterrupted by any majestic natural elements, such as towering trees or a glittering pond. Even early in his career, Camille Pissarro subverted traditional landscape painting by deliberately diverging from the pastoral scenes of his mentor, Camille Corot. In this large, rectangular canvas, Pisarro applied paint heavily, often using a palette knife, in emulation of Gustave Courbet, whose work is on view nearby. Just a few years after he made this work, Pissarro adopted a more immediate approach to landscape painting, working en plein air (outdoors) directly from nature rather than in a studio, a technique closely associated with the Impressionists.
Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 150 × 91 Cm |
| Tags | weather/seasonspathstreesfiguresbuildinghillslandscapes |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
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Émile Zola, Mon Salon
Émile Zola, Mon Salon (Librairie Centrale, 1866), pp. 67–68.
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07
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Salons de W. Bürger, 1861 à 1868, with a preface by Théophile Thoré, vol. 2
Salons de W. Bürger, 1861 à 1868, with a preface by Théophile Thoré, vol. 2 (Librairie de Ve Jules Renouard, 1870), p. 329.
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07
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Explication des ouvrages de peinture, sculpture, architecture, gravure et lithographie, exh. cat.
Explication des ouvrages de peinture, sculpture, architecture, gravure et lithographie, exh. cat. (Charles de Mourgues Frères, 1866), p. 199, cat. 1564.
Sat
07
Feb
note
Jules-Antoine Castagnary, “Salon de 1866,” in Salons
Jules-Antoine Castagnary, “Salon de 1866,” in Salons (1857–1870), vol. 1 (Bibliothèque Charpentier, 1892), p. 235.
Sat
07
Feb
exhibition
Copenhagen, Ordrupgaard Museum, Pissarro: et møde på Skt. Thomas [Pissarro: A Meeting on St. Thomas], March 9-July 2, 2017.
Copenhagen, Ordrupgaard Museum, Pissarro: et møde på Skt. Thomas [Pissarro: A Meeting on St. Thomas], March 9-July 2, 2017.
Sat
07
Feb
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Fonsmark, Anne-Birgitte. Pissarro: et møde på Skt. Thomas, exh. cat.
Fonsmark, Anne-Birgitte. Pissarro: et møde på Skt. Thomas, exh. cat. (Ordrupgaard Museum, 2017), 163, 193, fig. 156 (ill.).
Sat
07
Feb
note
“Cat. 2: The Banks of the Marne in Winter, 1866,” in Pissarro Paintings and Works on Paper at the Art Institute of Chicago, eds. Gloria Groom and Genevieve Westerby
“Cat. 2: The Banks of the Marne in Winter, 1866,” in Pissarro Paintings and Works on Paper at the Art Institute of Chicago, eds. Gloria Groom and Genevieve Westerby (Art Institute of Chicago, 2015), https://publications.artic.edu/pissarro/reader/paintingsandpaper/section/8.
Sat
07
Feb
note
Christoph Heinrich, Nature as Muse: Inventing Impressionist Landscape: From the Collection of Frederic C. Hamilton and the Denver Art Museum
Christoph Heinrich, Nature as Muse: Inventing Impressionist Landscape: From the Collection of Frederic C. Hamilton and the Denver Art Museum (Denver Art Museum, 2013), pp. 64 (ill.); 79, n. 4; 166.
Sat
07
Feb
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Claire Durand-Ruel Snollaerts, Pissarro: Patriarche des impressionnistes
Claire Durand-Ruel Snollaerts, Pissarro: Patriarche des impressionnistes (Découvertes Gallimard/Réunion des Musées Nationaux Arts, 2012), pp. 20, 21 (ill.).
Sat
07
Feb
note
Jane E. Boyd, “The Mapping of Modernity: Impressionist Landscapes, Engineering, and Transportation Imagery in 19th-Century France”
Jane E. Boyd, “The Mapping of Modernity: Impressionist Landscapes, Engineering, and Transportation Imagery in 19th-Century France” (Ph.D diss., University of Delaware, 2009), pp. ix; 23–24; 47; 290, fig. 2.3.
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07
Feb
note
Nathalia Brodskaïa, Impressionism, trans. Rebecca Brimacombe and Richard Swanson
Nathalia Brodskaïa, Impressionism, trans. Rebecca Brimacombe and Richard Swanson (Parkstone, 2007), p. 186.
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07
Feb
exhibition
Baltimore Museum of Art, Pissarro: Creating the Impressionist Landscape, Feb. 11–May 13, 2007, cat. 5 (ill.); Milwaukee Art Museum, June 10–Sept. 9, 2007; Memphis Brooks Museum of Art, Oct. 7, 2007–Jan. 6, 2008.
Baltimore Museum of Art, Pissarro: Creating the Impressionist Landscape, Feb. 11–May 13, 2007, cat. 5 (ill.); Milwaukee Art Museum, June 10–Sept. 9, 2007; Memphis Brooks Museum of Art, Oct. 7, 2007–Jan. 6, 2008.
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07
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Lin Arison and Neil Folberg, Discovering the Connections: Travels with Van Gogh and the Impressionists
Lin Arison and Neil Folberg, Discovering the Connections: Travels with Van Gogh and the Impressionists (Abbeville, 2007), pp. 63, 65 (ill.), 260 (ill.), 279.
Sat
07
Feb
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Mary Sebera, “Technical Notes,” in Katherine Rothkopf, with an essay by Christopher Lloyd and contributions by Gülru Çakmak and Mary Sebera, Pissarro: Creating the Impressionist Landscape, exh. cat.
Mary Sebera, “Technical Notes,” in Katherine Rothkopf, with an essay by Christopher Lloyd and contributions by Gülru Çakmak and Mary Sebera, Pissarro: Creating the Impressionist Landscape, exh. cat. (Baltimore Museum of Art/Philip Wilson, 2006), pp. 194, fig. 4 (cat. 5); 195, fig. 5.
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07
Feb
note
Museum of Modern Art, New York, Los Angeles County Museum of Art, and Musée d’Orsay, Paris, Cézanne et Pissarro, 1865–1885, exh. cat.
Museum of Modern Art, New York, Los Angeles County Museum of Art, and Musée d’Orsay, Paris, Cézanne et Pissarro, 1865–1885, exh. cat. (Musée d’Orsay/ Réunion des Musées Nationaux, 2006), pp. 38; 75; 78, cat. 1 (ill.).
Sat
07
Feb
note
Katherine Rothkopf, “Camille Pissarro: From Barbizon Student to Impressionist Innovator,” in Katherine Rothkopf, with an essay by Christopher Lloyd and contributions by Gülru Çakmak and Mary Sebera, Pissarro: Creating the Impressionist Land...
Katherine Rothkopf, “Camille Pissarro: From Barbizon Student to Impressionist Innovator,” in Katherine Rothkopf, with an essay by Christopher Lloyd and contributions by Gülru Çakmak and Mary Sebera, Pissarro: Creating the Impressionist Landscape, exh. cat. (Baltimore Museum of Art/Philip Wilson, 2006), pp. 45, 48.
Sat
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Feb
note
John House, “Pissarro: Sydney and Melbourne,” Burlington Magazine 148, 1236
John House, “Pissarro: Sydney and Melbourne,” Burlington Magazine 148, 1236 (Mar. 2006), p. 225.
Sat
07
Feb
note
Alain Mothe, “Chronologie croisée,” in Museum of Modern Art, New York, Los Angeles County Museum of Art, and Musée d’Orsay, Paris, Cézanne et Pissarro, 1865–1885, exh. cat.
Alain Mothe, “Chronologie croisée,” in Museum of Modern Art, New York, Los Angeles County Museum of Art, and Musée d’Orsay, Paris, Cézanne et Pissarro, 1865–1885, exh. cat. (Musée d’Orsay/Réunion des Musées Nationaux, 2006), p. 232.
Sat
07
Feb
note
Katherine Rothkopf, with an essay by Christopher Lloyd and contributions by Gülru Çakmak and Mary Sebera, Pissarro: Creating the Impressionist Landscape, exh. cat.
Katherine Rothkopf, with an essay by Christopher Lloyd and contributions by Gülru Çakmak and Mary Sebera, Pissarro: Creating the Impressionist Landscape, exh. cat. (Baltimore Museum of Art/Philip Wilson, 2006), pp. 76; 82–83, cat. 5 (ill.); 184.
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07
Feb
note
Christopher Lloyd, “Camille Pissarro and the Essence of Place,” in Katherine Rothkopf, with an essay by Christopher Lloyd and contributions by Gülru Çakmak and Mary Sebera, Pissarro: Creating the Impressionist Landscape, exh. cat.
Christopher Lloyd, “Camille Pissarro and the Essence of Place,” in Katherine Rothkopf, with an essay by Christopher Lloyd and contributions by Gülru Çakmak and Mary Sebera, Pissarro: Creating the Impressionist Landscape, exh. cat. (Baltimore Museum of Art/Philip Wilson, 2006), p. 26.
Sat
07
Feb
note
Joachim Pissarro, Cézanne/Pissarro, Johns/Rauschenberg: Comparative Studies on Intersubjectivity in Modern Art
Joachim Pissarro, Cézanne/Pissarro, Johns/Rauschenberg: Comparative Studies on Intersubjectivity in Modern Art (Cambridge University Press, 2006), pp. 205–06, fig. 38.
Sat
07
Feb
note
Terance Maloon, “Pissarro and the Picturesque,” in Terence Maloon, ed., Camille Pissarro, exh. cat.
Terance Maloon, “Pissarro and the Picturesque,” in Terence Maloon, ed., Camille Pissarro, exh. cat. (Art Gallery of New South Wales, 2005), p. 20.
Sat
07
Feb
note
Karen Wilkin, “Cézanne and Pissarro: A Crucial Friendship,” The New Criterion 24, 1
Karen Wilkin, “Cézanne and Pissarro: A Crucial Friendship,” The New Criterion 24, 1 (Sept. 2005), p. 64.
Sat
07
Feb
note
Alain Mothe, “Comparative Chronology,” in Joachim Pissarro, Pioneering Modern Painting: Cézanne and Pissarro, 1865–1885, exh. cat.
Alain Mothe, “Comparative Chronology,” in Joachim Pissarro, Pioneering Modern Painting: Cézanne and Pissarro, 1865–1885, exh. cat. (Museum of Modern Art, New York, 2005), p. 232.
Sat
07
Feb
exhibition
New York, Museum of Modern Art, Pioneering Modern Painting: Cézanne and Pissarro, 1865–1885, June 26–Sept. 12, 2005, cat. 1 (ill.); Los Angeles County Museum of Art, Oct. 20, 2005–Jan. 16, 2006; Paris, Musée d’Orsay...
New York, Museum of Modern Art, Pioneering Modern Painting: Cézanne and Pissarro, 1865–1885, June 26–Sept. 12, 2005, cat. 1 (ill.); Los Angeles County Museum of Art, Oct. 20, 2005–Jan. 16, 2006; Paris, Musée d’Orsay, as Cézanne et Pissarro, 1865–1885, Feb. 27–May 28, 2006 (New York only).
Sat
07
Feb
note
Joachim Pissarro and Claire Durand-Ruel Snollaerts, with the collaboration of Alexia de Buffévent and Annie Champié, Pissarro: Catalogue critique des peintures/Critical Catalogue of Paintings, vol. 2, trans. Mark Hutchinson and Michael Tayl...
Joachim Pissarro and Claire Durand-Ruel Snollaerts, with the collaboration of Alexia de Buffévent and Annie Champié, Pissarro: Catalogue critique des peintures/Critical Catalogue of Paintings, vol. 2, trans. Mark Hutchinson and Michael Taylor (Skira/Wildenstein Institute, 2005), pp. 95–96, cat. 107 (ill.).
Sat
07
Feb
note
Terence Maloon and Claire Durand-Ruel Snollaerts, “Pissarro and his Critics,” in Terence Maloon, ed., Camille Pissarro, exh. cat.
Terence Maloon and Claire Durand-Ruel Snollaerts, “Pissarro and his Critics,” in Terence Maloon, ed., Camille Pissarro, exh. cat. (Art Gallery of New South Wales, 2005), p. 228.
Sat
07
Feb
note
Joachim Pissarro, Pioneering Modern Painting: Cézanne and Pissarro, 1865–1885, exh. cat.
Joachim Pissarro, Pioneering Modern Painting: Cézanne and Pissarro, 1865–1885, exh. cat. (Museum of Modern Art, New York, 2005), pp. 38; 75; 78, cat. 1 (ill.).
Sat
07
Feb
note
Alexia de Buffévent, “A Painter and His Age: Biography and Critical Reception,” in Joachim Pissarro and Claire Durand-Ruel Snollaerts, with the collaboration of Alexia de Buffévent and Annie Champié, Pissarro: Critical Catalogue of Painting...
Alexia de Buffévent, “A Painter and His Age: Biography and Critical Reception,” in Joachim Pissarro and Claire Durand-Ruel Snollaerts, with the collaboration of Alexia de Buffévent and Annie Champié, Pissarro: Critical Catalogue of Paintings, vol. 1, trans. Mark Hutchinson and Michael Taylor (Skira/Wildenstein Institute, 2005), p. 121.
Sat
07
Feb
note
Joachim Pissarro and Claire Durand-Ruel Snollaerts, with the collaboration of Alexia de Buffévent and Annie Champié, Pissarro: Critical Catalogue of Paintings, vol. 1, trans. Mark Hutchinson and Michael Taylor
Joachim Pissarro and Claire Durand-Ruel Snollaerts, with the collaboration of Alexia de Buffévent and Annie Champié, Pissarro: Critical Catalogue of Paintings, vol. 1, trans. Mark Hutchinson and Michael Taylor (Skira/Wildenstein Institute, 2005), pp. 361, 375, 377, 384, 396, 404, 406, 408, 417, 425.
Sat
07
Feb
note
Terence Maloon, ed., Camille Pissarro, exh. cat.
Terence Maloon, ed., Camille Pissarro, exh. cat. (Art Gallery of New South Wales, 2005), pp. 75; 81–83, cat. 7 (ill.); 248.
Sat
07
Feb
exhibition
Art Gallery of New South Wales, Camille Pissarro, Nov 19, 2005–Feb. 19, 2006, cat. 7 (ill.); Melbourne, National Gallery of Victoria, Mar. 4–May 28, 2006.
Art Gallery of New South Wales, Camille Pissarro, Nov 19, 2005–Feb. 19, 2006, cat. 7 (ill.); Melbourne, National Gallery of Victoria, Mar. 4–May 28, 2006.
Sat
07
Feb
note
Joachim Pissarro, “Camille Pissarro’s Vision of History and Art,” in Joachim Pissarro and Claire Durand-Ruel Snollaerts, with the collaboration of Alexia de Buffévent and Annie Champié, Pissarro: Critical Catalogue of Paintings, vol. 1, tra...
Joachim Pissarro, “Camille Pissarro’s Vision of History and Art,” in Joachim Pissarro and Claire Durand-Ruel Snollaerts, with the collaboration of Alexia de Buffévent and Annie Champié, Pissarro: Critical Catalogue of Paintings, vol. 1, trans. Mark Hutchinson and Michael Taylor (Skira/Wildenstein Institute, 2005), p. 74.
Sat
07
Feb
note
Michael Clarke, “Courbet e la neve,” in Gli impressionisti e la neve: La Francia e l’Europa, ed. Marco Goldin, exh. cat.
Michael Clarke, “Courbet e la neve,” in Gli impressionisti e la neve: La Francia e l’Europa, ed. Marco Goldin, exh. cat. (Linea d’ombra, 2004), p. 249 (ill.).
Sat
07
Feb
note
Stephen R. Eisenman, “Paesaggi di fatto e di sogno: Pissarro e la Senna,” in Monet la Senna le ninfee: Il grande fiume e il nuovo secolo, ed. Marco Goldin, exh. cat.
Stephen R. Eisenman, “Paesaggi di fatto e di sogno: Pissarro e la Senna,” in Monet la Senna le ninfee: Il grande fiume e il nuovo secolo, ed. Marco Goldin, exh. cat. (Linea d’ombra, 2004), p. 53 (ill.).
Sat
07
Feb
note
Richard R. Brettell, From Monet to Van Gogh: A History of Impressionism, vol. 1
Richard R. Brettell, From Monet to Van Gogh: A History of Impressionism, vol. 1 (Teaching Co., 2002), pp. 63, 173.
Sat
07
Feb
note
Sylvie Patin, L’impressionisme
Sylvie Patin, L’impressionisme (Bibliothèque des Arts, 2002), pp. 44, 280.
Sat
07
Feb
note
Marie-José Pellé, “Vert Pissarro . . .”: Impressions de Normandie et d’ailleurs
Marie-José Pellé, “Vert Pissarro . . .”: Impressions de Normandie et d’ailleurs (Bertout, 2000), p. 35.
Sat
07
Feb
note
Art Institute of Chicago, Impressionism and Post-Impressionism in the Art Institute of Chicago, selected by James N. Wood
Art Institute of Chicago, Impressionism and Post-Impressionism in the Art Institute of Chicago, selected by James N. Wood (Art Institute of Chicago/Hudson Hills, 2000), p. 26 (ill.).
Sat
07
Feb
note
Rachael Ziady DeLue, “Pissarro, Landscape, Vision, and Tradition,” Art Bulletin 80, 4
Rachael Ziady DeLue, “Pissarro, Landscape, Vision, and Tradition,” Art Bulletin 80, 4 (Dec. 1998), pp. 720; 721, fig. 2; 733, n. 24.
Sat
07
Feb
note
Katherine Rothkopf, “Camille Pissarro: A Dedicated Painter of Winter,” in Charles S. Moffett, Eliza E. Rathbone, Katherine Rothkopf, and Joel Isaacson, Impressionists in Winter: Effets de Neige, exh. cat.
Katherine Rothkopf, “Camille Pissarro: A Dedicated Painter of Winter,” in Charles S. Moffett, Eliza E. Rathbone, Katherine Rothkopf, and Joel Isaacson, Impressionists in Winter: Effets de Neige, exh. cat. (Phillips Collection/Philip Wilson, 1998), p. 40, fig. 1.
Fri
07
Feb
note
Dominique Fernandez, Le musée d’Emile Zola: Haines et passions, works and quotes selected by Ferrante Ferranti
Dominique Fernandez, Le musée d’Emile Zola: Haines et passions, works and quotes selected by Ferrante Ferranti (Stock, 1997), pp. 82–83 (ill.), 239.
Wed
07
Feb
note
Jane Mayo Roos, Early Impressionism and the French State
Jane Mayo Roos, Early Impressionism and the French State (1866–1874) (Cambridge University Press, 1996), pp. 56; 57, fig. 45.
Tue
07
Feb
note
Paul de Roux, Pissarro: Villes et campagnes
Paul de Roux, Pissarro: Villes et campagnes (Herscher, 1995), pp. 14–15 (ill.).
Mon
07
Feb
note
Henri Loyrette and Gary Tinterow, Impressionnisme: Les origines, 1859–1869, exh. cat.
Henri Loyrette and Gary Tinterow, Impressionnisme: Les origines, 1859–1869, exh. cat. (Réunion des Musées Nationaux, 1994), pp. 316; 441; 442–43, fig. 117 (cat. 156).
Mon
07
Feb
note
Gary Tinterow, “The Realist Landscape,” in Gary Tinterow and Henri Loyrette, Origins of Impressionism, exh. cat.
Gary Tinterow, “The Realist Landscape,” in Gary Tinterow and Henri Loyrette, Origins of Impressionism, exh. cat. (Metropolitan Museum of Art, New York/Abrams, 1994), pp. 86; 88, fig. 117 (cat. 156); 89.
Mon
07
Feb
exhibition
Paris, Galeries Nationales du Grand Palais, Impressionnisme: Les origines, 1859–1869, April 19–August 8, 1994, cat. 156; New York, Metropolitan Museum of Art, Origins of Impressionism, September 27, 1994–January 8, 1995.
Paris, Galeries Nationales du Grand Palais, Impressionnisme: Les origines, 1859–1869, April 19–August 8, 1994, cat. 156; New York, Metropolitan Museum of Art, Origins of Impressionism, September 27, 1994–January 8, 1995.
Mon
07
Feb
note
Gary Tinterow and Henri Loyrette, Origins of Impressionism, exh. cat.
Gary Tinterow and Henri Loyrette, Origins of Impressionism, exh. cat. (Metropolitan Museum of Art, New York/Abrams, 1994), pp. 315; 443; 444-45, fig. 117 (cat. 156).
Mon
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note
Stefano Roffo, Camille Pissarro
Stefano Roffo, Camille Pissarro (PML, 1994), p. 10.
Mon
07
Feb
note
Garly Tinterow, “Le paysage réaliste,” in Henri Loyrette and Gary Tinterow, Impressionnisme: Les origines, 1859–1869, exh. cat.
Garly Tinterow, “Le paysage réaliste,” in Henri Loyrette and Gary Tinterow, Impressionnisme: Les origines, 1859–1869, exh. cat. (Réunion des Musées Nationaux, 1994), pp. 88, fig. 117 (cat. 156); 89.
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