ArtworkStatus unknown

Capture of the Tripoli by the Enterprise

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oil paint (paint)65 × 45 Cm

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About the artwork
Artist supplied description.

At the turn of the 19th century, conflict arose between the United States of America and the North African Barbary State of Tripoli. President Thomas Jefferson refused to continue to pay tribute or ransom to Tripoli to prevent the pirating of American merchant ships sailing in the Mediterranean Sea. Jefferson dispatched the American ship Enterprise to the Tripolitan waters as a sign of resistance just as Tripoli increased its tribute demands and declared war against the United States. Thomas Birch, an early specialist in maritime painting, captured the battle between the Enterprise and a Tripolitan cruiser in the Mediterranean’s dark, violent waters. The break in the clouds sheds light on this conflict and illuminates Birch’s fine details and precise rendering of these ships.

Artwork metadata
Structured fields synced from connected systems.
Mediumoil paint (paint)
Dimensions65 × 45 Cm
Tags
landscapes
CertificateCertificate not provided
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Sun
18
Jan
note

Major William Boerum Wetmore, New York

Major William Boerum Wetmore, New York
Sun
18
Jan
note

Hiram Burlingham, New York

Hiram Burlingham, New York
Sun
18
Jan
note

French and Company, New York

French and Company, New York
Sun
18
Jan
note

Doris Jean Creer, <em>Thomas Birch: A Study of the Condition of Painting and the Artist's Position in Federal America</em>

Doris Jean Creer, Thomas Birch: A Study of the Condition of Painting and the Artist's Position in Federal America (MA thesis, University of Delaware, 1958), 57.
Sun
18
Jan
note

sold at Anderson Galleries, New York, January 11, 1934

sold at Anderson Galleries, New York, January 11, 1934
Sun
18
Jan
exhibition

Pennsylvania Academy of the Fine Arts, <em>A Gallery of National Portraiture and Historic Scenes</em>, June 13–Oct. 10, 1926, cat. 26.

Pennsylvania Academy of the Fine Arts, A Gallery of National Portraiture and Historic Scenes, June 13–Oct. 10, 1926, cat. 26.
Fri
18
Jan
note

private collection, Connecticut, to Richard York Gallery, New York, by 1991

private collection, Connecticut, to Richard York Gallery, New York, by 1991
Fri
18
Jan
note

sold to the Art Institute of Chicago, 1991.

sold to the Art Institute of Chicago, 1991.
Thu
18
Jan
note

"The AD Collection," <em>Architectural Digest</em>

"The AD Collection," Architectural Digest (December, 1990) 216 (ill.).
© Artist-Unknown. All rights reserved.