Virgin and Child

Leslie R. Schwartz, “A Pounced Underdrawing in a Painting Attributed to Adriaen Isenbrant in the Art Institute of Chicago,” paper delivered at the

Ninfa Valvo, “A Madonna and Child by Adriaen Isenbrant,” Pacific Art

Susan Frances Jones in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, Chicago, 2008, pp. 237-242, ill.

The Art Institute of Chicago, New Light on Old Masters: Research on Northern European and Spanish Paintings before 1600 in the Art Institute, 26 June—14 September 2008, no cat.

Review 1 (1941), pp. 6–13, fig. 2.

Art Institute of Chicago, A Century of Progress, 1934, no. 120.

Max J. Friedländer, Die altniederländische Malerei, vol. 11, Leiden, 1933, p. 136, no. 182a; rev. English ed., Early Netherlandish Painting Brussels and Leiden, 1974, p. 88, no. 182a, pl. 135.

Daniel Catton Rich, “Die Ausstellung ‘Fünf Jahrhunderte der Frühmalerei in Chicago,’” Pantheon 6 (1933), p. 376.

Art Institute of Chicago, A Century of Progress, 1933, no. 41.

bequeathed to the Art Institute, 1933.

New York, Kleinberger, Loan Exhibition of Flemish Primitives, 1929, no. 66.

Rose Mary Fischkin, “Martin A. Ryerson Collection of Paintings and Sculpture, XIII to XVII Century, Loaned to The Art Institute of Chicago,” unpub. MS, 1926, Ryerson Library, The Art Institute of Chicago, p. 90, no. 2090.

The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection, 1925, p. 161, no. 2090.

The Art Institute of Chicago, Handbook of Sculpture, Architecture, and Paintings, May 1922, p. 74.

The Art Institute of Chicago, Handbook of Sculpture, Architecture, Paintings, and Drawings, vol. 2, August 1920, p. 64.

The Art Institute of Chicago, General Catalogue of Paintings, Sculpture, and Other Objects in the Museum, 1914 , p. 207, no. 2084.

The Art Institute of Chicago, General Catalogue of Paintings, Sculpture, and Other Objects in the Museum, 1913, p. 196, no. 2084.

sold to Martin A. Ryerson (d. 1932), Chicago, 1912 [receipt dated Apr. 26, 1912, Art Institute Archives]

on loan to the Art Institute from 1912

Steinmeyer & Fils, Paris, by 1911 [letter from Max J. Friedländer to Steinmeyer, July 20, 1911, in curatorial file]. V. G. Fischer Art Co., New York, and Washington, D.C., 1912

Jean C. Wilson, Painting in Bruges at the Close of the Middle Ages, University Park, Pa., 1998, pp. 115–17, 118, fig. 52.

Midwest Art History Society Conference, Northwestern University, Evanston, Ill., 1986.

Jean C. Wilson, “Adriaen Isenbrant Reconsidered: The Making and Marketing of Art in Sixteenth-Century Bruges,” Ph.D. diss., Johns Hopkins University, 1983 (Ann Arbor, Mich., University Microfilms, 1983), pp. 67–70, 197.

John Maxon, The Art Institute of Chicago, London, 1970, pp. 252 (ill.), 283.