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Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 93 × 119 Cm |
| Tags | religious sceneswomenreligious figuresreligiousreligionprayermeninteriorholy spiritholidaysdovescolumncloudschurchChristianityChristian subjectsbiblicalbibles |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Thu
15
Jan
note
October 24, 2003, and letter of November 23, 2003]....
October 24, 2003, and letter of November 23, 2003]. Julius H. Weitzner, Inc., London, 1972
Thu
15
Jan
note
letter of November 12, 2003, in curatorial file]
letter of November 12, 2003, in curatorial file]
Wed
15
Jan
note
Guy Bauman and Walter A. Liedtke, Flemish Paintings in America: A Survey of Early Netherlandish and Flemish Paintings in the Public Collections of North America, Antwerp, 1992, p. 355, no. 363
Guy Bauman and Walter A. Liedtke, Flemish Paintings in America: A Survey of Early Netherlandish and Flemish Paintings in the Public Collections of North America, Antwerp, 1992, p. 355, no. 363 (ill.).
Thu
15
Jan
note
John David Farmer, “Bernard van Orley of Brussels,” Ph.D. diss., Princeton University, 1981, pp. 179–80, 254, 342.
John David Farmer, “Bernard van Orley of Brussels,” Ph.D. diss., Princeton University, 1981, pp. 179–80, 254, 342.
Tue
15
Jan
note
D[aniel] W[ildenstein], “La Chronique des arts,” Gazette des beaux-arts, 6th ser., 83
D[aniel] W[ildenstein], “La Chronique des arts,” Gazette des beaux-arts, 6th ser., 83 (1974), pp. 114–15, no. 376 (ill.).
Mon
15
Jan
note
John David Farmer, “A Painting of The Pentecost by Bernard van Orley,” AIC Bulletin 67
John David Farmer, “A Painting of The Pentecost by Bernard van Orley,” AIC Bulletin 67 (1973), pp. 16–19 (ill.).
Mon
15
Jan
note
“Recent Acquisitions of American and Canadian Museums,” Art Quarterly 36
“Recent Acquisitions of American and Canadian Museums,” Art Quarterly 36 (1973), pp. 268, 279 (ill.).
Sat
15
Jan
note
sold to the Art Institute, December 1972.
sold to the Art Institute, December 1972.
Fri
15
Jan
note
offered for sale, through John Myers as agent, Sotheby’s London, March 24, 1971, no....
offered for sale, through John Myers as agent, Sotheby’s London, March 24, 1971, no. 59, as Netherlandish School, withdrawn [according to an e-mail from George Gordon, Sotheby’s
Fri
15
Jan
note
Probably Archbishop’s House, Diocese of Westminster, London, until 1971 [according to Julius Weitzner’s invoice, it came from the collection of Cardinal Heenan, Archbishop of Westminster from 1963....
Probably Archbishop’s House, Diocese of Westminster, London, until 1971 [according to Julius Weitzner’s invoice, it came from the collection of Cardinal Heenan, Archbishop of Westminster from 1963. Father Ian Dickie, archivist of the Diocese of Westminster, suggested that the painting was part of a group of objects from “the patrimony of Archbishop’s House” sold to raise funds for charity and that it might have been given to Archbishop’s House at the time of its completion in 1903
© Artist-Unknown. All rights reserved.