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Landscape with Saint John on Patmos

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oil paint (paint)136 × 100 Cm

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About the artwork
Artist supplied description.

Although French by birth and training, Nicolas Poussin spent most of his career in Rome, immersed in the study of ancient art, where he painted classically inspired works for an educated elite. His art has long been considered the embodiment of the ideals of seventeenth-century classicism. In this painting, Saint John, one of the four Evangelists who wrote the Gospels of the New Testament, reclines beside his attribute, the eagle. He is here depicted as a powerful old man, presumably after retiring to the Greek island of Patmos to write his gospel and the book of Revelation at the end of his life. To suggest the vanished glory of the ancient world, Poussin carefully constructed an idealized setting for the saint, complete with an obelisk, a temple, and column fragments. Man-made and natural forms were adjusted according to principles of geometry and logic to convey the measured order of the scene. Even the profile view of Saint John is in harmony with the classical landscape. This painting may have been part of a projected series on the four Evangelists—in addition to this work, Poussin completed a companion, Landscape with Saint Matthew (1640; Gemäldegalerie, Berlin).

Artwork metadata
Structured fields synced from connected systems.
Mediumoil paint (paint)
Dimensions136 × 100 Cm
Tags
landscapessaintsreligionCentury of Progressworld's fairsChicago World's FairstreesoblisksruinsGreeceChristian subjects
CertificateCertificate not provided
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Sat
07
Feb
note

sold by Bryan, probably shortly thereafter, to Sir Simon Clarke, Bt (died 1832), Oakhill, Hertfordshire, for 1,000 gns....

sold by Bryan, probably shortly thereafter, to Sir Simon Clarke, Bt (died 1832), Oakhill, Hertfordshire, for 1,000 gns. [see Buchanan 1824
Sat
07
Feb
exhibition

London, British Institution, Works of Ancient Masters and Deceased British Artists, 1861, no. 22.

London, British Institution, Works of Ancient Masters and Deceased British Artists, 1861, no. 22.
Sat
07
Feb
note

Andrew Geddes, A....

Andrew Geddes, A.R.A. (died 1844), London
Sat
07
Feb
note

Adela Geddes, Memoir of the late Andrew Geddes, Esq., A.R.A., London, 1844, p. 16.

Adela Geddes, Memoir of the late Andrew Geddes, Esq., A.R.A., London, 1844, p. 16.
Sat
07
Feb
note

with George Hibbert, Clarke had provided financial support for Bryan’s purchases at the Robit sale]

with George Hibbert, Clarke had provided financial support for Bryan’s purchases at the Robit sale]
Sat
07
Feb
note

W[illiam] Buchanan, Memoirs of Painting, with a Chronological History of the Importation of Pictures by the Great Masters into England since the French Revolution, vol. 2, London, 1824, pp. 59, no. 91, 67, no. 29.

W[illiam] Buchanan, Memoirs of Painting, with a Chronological History of the Importation of Pictures by the Great Masters into England since the French Revolution, vol. 2, London, 1824, pp. 59, no. 91, 67, no. 29.
Sat
07
Feb
note

Charles Blanc, Histoire des peintres de toutes les écoles, pt. 2 Ecole française, vol. 1, Paris, 1864, Poussin, p. 24.

Charles Blanc, Histoire des peintres de toutes les écoles, pt. 2 Ecole française, vol. 1, Paris, 1864, Poussin, p. 24.
Sat
07
Feb
note

sold Christie’s, London, May 8-9, 1840, no....

sold Christie’s, London, May 8-9, 1840, no. 39, to Geddes for 86 gns. [price and buyer in annotated catalogue at the Frick Art Reference Library]
Sat
07
Feb
note

John Smith, A Catalogue Raisonné of the Works of the Most Eminent Dutch, Flemish, and French Paintings, vol. 8, London, 1837, pp. 161-62, no. 316.

John Smith, A Catalogue Raisonné of the Works of the Most Eminent Dutch, Flemish, and French Paintings, vol. 8, London, 1837, pp. 161-62, no. 316.
Sat
07
Feb
exhibition

Paris, Galeries Nationales du Grand Palais, Nature et Idéal: Le Paysage à Rome, 1600-1650, March 8-June 6, 2011, cat. 80, 2011; Madrd, Museo National del Prado, June 27-September 25, 2011.

Paris, Galeries Nationales du Grand Palais, Nature et Idéal: Le Paysage à Rome, 1600-1650, March 8-June 6, 2011, cat. 80, 2011; Madrd, Museo National del Prado, June 27-September 25, 2011.
Sat
07
Feb
exhibition

New York, Metropolitan Museum of Art, Poussin and Nature: Arcadian Visions, 2008, cat. 36.

New York, Metropolitan Museum of Art, Poussin and Nature: Arcadian Visions, 2008, cat. 36.
Sat
07
Feb
note

Todd P. Olson, Poussin and France: Painting, Humanism, and the Politics of Style, New Haven and London, 2002, p. 218, fig. 109.

Todd P. Olson, Poussin and France: Painting, Humanism, and the Politics of Style, New Haven and London, 2002, p. 218, fig. 109.
Sat
07
Feb
note

Helen Smailes, Andrew Geddes 1783-1844: Painter-Printmaker, “A Man of Pure Taste,” exh. cat., Edinburgh, National Gallery of Scotland, 2001, pp. 71, 80-84, 116 n. 124, 121 n. 148, fig. 62.

Helen Smailes, Andrew Geddes 1783-1844: Painter-Printmaker, “A Man of Pure Taste,” exh. cat., Edinburgh, National Gallery of Scotland, 2001, pp. 71, 80-84, 116 n. 124, 121 n. 148, fig. 62.
Sat
07
Feb
note

Henry Keazor, Poussins Parerega: Quellen, Entwicklung und Bedeutung der Kleinkompositionen in den Gemälden Nicolas Poussins, Regensburg, 1998, p. 25.

Henry Keazor, Poussins Parerega: Quellen, Entwicklung und Bedeutung der Kleinkompositionen in den Gemälden Nicolas Poussins, Regensburg, 1998, p. 25.
Sat
07
Feb
note

Sonia Amadio, “Per una prima ricognizione di dipinti di Nicolas Poussin: regesto di documenti di collezioni romane tra Sseicento e primo Settecento” in Nicolas Pussin. I primi anni romani, exh. cat., Rome, Palazzo dell Esposizioni, 1998, p....

Sonia Amadio, “Per una prima ricognizione di dipinti di Nicolas Poussin: regesto di documenti di collezioni romane tra Sseicento e primo Settecento” in Nicolas Pussin. I primi anni romani, exh. cat., Rome, Palazzo dell Esposizioni, 1998, p. 146.
Wed
07
Feb
note

JoLynn Edwards, Alexandre-Joseph Paillet, expert et marchand de tableaux à la fin du XVIIIe siècle, Paris, 1996, pp. 175-77, 304, no. 91, ill.

JoLynn Edwards, Alexandre-Joseph Paillet, expert et marchand de tableaux à la fin du XVIIIe siècle, Paris, 1996, pp. 175-77, 304, no. 91, ill.
Wed
07
Feb
exhibition

Chicago, Museum of Contemporary Art, Negotiating Rapture: The Power of Art to Transform Lives, June 21-October 20, 1996, cat. 68.

Chicago, Museum of Contemporary Art, Negotiating Rapture: The Power of Art to Transform Lives, June 21-October 20, 1996, cat. 68.
Wed
07
Feb
note

Sheila McTighe, Nicolas Poussin’s Landscape Allegories, Cambridge and New York, 1996, p. 14.

Sheila McTighe, Nicolas Poussin’s Landscape Allegories, Cambridge and New York, 1996, p. 14.
Wed
07
Feb
note

Susan Wise in Susan Wise and Malcolm Warner, French and British Paintings from 1600 to 1800 in The Art Institute of Chicago, Chicago, 1996, pp. 117-124, ill.

Susan Wise in Susan Wise and Malcolm Warner, French and British Paintings from 1600 to 1800 in The Art Institute of Chicago, Chicago, 1996, pp. 117-124, ill.
Tue
07
Feb
note

Louis Marin, Sublime Poussin, Paris, 1995, pp. 158-59.

Louis Marin, Sublime Poussin, Paris, 1995, pp. 158-59.
Mon
07
Feb
note

Marc Fumaroli, L’Ecole du silence: Le Sentiment des images au XVIIe siècle, Paris, 1994, pp. 122, 420-21, fig. 224.

Marc Fumaroli, L’Ecole du silence: Le Sentiment des images au XVIIe siècle, Paris, 1994, pp. 122, 420-21, fig. 224.
Mon
07
Feb
note

Clovis Whitfield, “À propos des paysages de Poussin” in Nicolas Poussin

Clovis Whitfield, “À propos des paysages de Poussin” in Nicolas Poussin (1594-1665). Actes du colloque organisé au musée du Louvre par le Service culturel du 19 au 21 octobre 1994, ed. Alain Mérot, Paris, 1996, p. 252.
Mon
07
Feb
note

Jacques Thuillier, Poussin, Paris, 1994, pp. 96, 119, 127

Jacques Thuillier, Poussin, Paris, 1994, pp. 96, 119, 127 (ill.), p. 257, no. 148.
Mon
07
Feb
note

Elizabeth Cropper, “Ritorno al crocevia” in Poussin et Rome. Actes du colloque de’Académie de France à Rome 16-18 novembre 1994, ed. Olivier Bonfait et al., Paris, 1996, pp. 259-9, 267 n. 10.

Elizabeth Cropper, “Ritorno al crocevia” in Poussin et Rome. Actes du colloque de’Académie de France à Rome 16-18 novembre 1994, ed. Olivier Bonfait et al., Paris, 1996, pp. 259-9, 267 n. 10.
Mon
07
Feb
exhibition

Paris, Galeries Nationales du Grand Palais, Nicolas Poussin, 1594-1665, September 27, 1994-January 2, 1995, no. 94; London, Royal Academy of Arts, January 20-April 16, 1995.

Paris, Galeries Nationales du Grand Palais, Nicolas Poussin, 1594-1665, September 27, 1994-January 2, 1995, no. 94; London, Royal Academy of Arts, January 20-April 16, 1995.
Mon
07
Feb
note

Konrad Oberhuber, “Les dessins due paysage du jeune Poussin” in Nicolas Poussin

Konrad Oberhuber, “Les dessins due paysage du jeune Poussin” in Nicolas Poussin (1594-1665). Actes du colloque organisé au musée du Louvre par le Service culturel ddu 19 au 21 octobre 1994, ed. Alain Mérot, Paris, 1996, p. 104.
Sun
07
Feb
note

Malcom Bull, “Poussin’s Snakes,” in Cézanne and Poussin: A Symposium, ed. by Richard Kendall, Sheffield, England, 1993, p. 40.

Malcom Bull, “Poussin’s Snakes,” in Cézanne and Poussin: A Symposium, ed. by Richard Kendall, Sheffield, England, 1993, p. 40.
Sun
07
Feb
note

Larry Silver, Art in History, New York, London, and Paris, 1993, pp. 250-51, fig. 6.27.

Larry Silver, Art in History, New York, London, and Paris, 1993, pp. 250-51, fig. 6.27.
Sun
07
Feb
note

Christopher Braider, Refiguring the Real: Picture and Modernity in Word and Image, 1400-1700, Princeton, 1993, pp. 239-40, fig. 73.

Christopher Braider, Refiguring the Real: Picture and Modernity in Word and Image, 1400-1700, Princeton, 1993, pp. 239-40, fig. 73.
Fri
07
Feb
note

Robert J. Loescher, “Landscape Painting,” in Academic American Encyclopedia, Danbury, Conn., 1992, p. 190

Robert J. Loescher, “Landscape Painting,” in Academic American Encyclopedia, Danbury, Conn., 1992, p. 190 (ill.).
Fri
07
Feb
note

Angelika Grepmair-Müller, Landschaftskompositionen Von Nicolas Poussin, Frankfurt, Bern, New York, and Paris, 1992, pp. 55, 58-61, 65.

Angelika Grepmair-Müller, Landschaftskompositionen Von Nicolas Poussin, Frankfurt, Bern, New York, and Paris, 1992, pp. 55, 58-61, 65.
Thu
07
Feb
note

Christopher Wright, The World’s Master Paintings from the Early Renaissance to the Present Day: A Comprehensive Listing of Works by 1,300 Painters and a Complete Guide to Their Locations Worldwide, New York, 1991, vol. 1, p. 248, vol. 2, ...

Christopher Wright, The World’s Master Paintings from the Early Renaissance to the Present Day: A Comprehensive Listing of Works by 1,300 Painters and a Complete Guide to Their Locations Worldwide, New York, 1991, vol. 1, p. 248, vol. 2, pp. 62, 495.
Wed
07
Feb
note

Alain Mérot, Nicolas Poussin, Paris, 1990, pp. 112-13, 115

Alain Mérot, Nicolas Poussin, Paris, 1990, pp. 112-13, 115 (ill.), 291, no. 213 (ill.), 305; English ed., tr. by Fabia Claris and Bridget Mason, New York, 1990, pp. 112-13, 115 ill., 291, no. 213 ill., 306.
Wed
07
Feb
note

Richard Verdi, Cézanne and Poussin: The Classical Vision of Landscape, exh. cat., Edinburgh, National Gallery of Scotland, 1990, pp. 26, 39, 42, 50, 73, under no. 5, p. 113, under no. 25, fig. 9.

Richard Verdi, Cézanne and Poussin: The Classical Vision of Landscape, exh. cat., Edinburgh, National Gallery of Scotland, 1990, pp. 26, 39, 42, 50, 73, under no. 5, p. 113, under no. 25, fig. 9.
Wed
07
Feb
note

Oskar Bätschmann, Nicolas Poussin: Dialectics of Painting, London, 1990, pp. 124, 147 n. 13.

Oskar Bätschmann, Nicolas Poussin: Dialectics of Painting, London, 1990, pp. 124, 147 n. 13.
Wed
07
Feb
note

Margaretha Rossholm Lagerlöf, Ideal Landscape: Annibale Carracci, Nicolas Poussin, and Claude Lorrain, New Haven and London, 1990, pp. 54-55, 64-65, 114, 138, 140, 236 n. 26, fig. 30.

Margaretha Rossholm Lagerlöf, Ideal Landscape: Annibale Carracci, Nicolas Poussin, and Claude Lorrain, New Haven and London, 1990, pp. 54-55, 64-65, 114, 138, 140, 236 n. 26, fig. 30.
Wed
07
Feb
note

Michael Kitson in Claude to Corot: The Development of Landscape Painting in France, exh. cat., New York, Colnaghi, 1990, p. 22.

Michael Kitson in Claude to Corot: The Development of Landscape Painting in France, exh. cat., New York, Colnaghi, 1990, p. 22.
Wed
07
Feb
note

Nadejda Petroussevitch and Yuri Zolotov in Nicolas Poussin, Leningrad and Paris, 1990, pp. 18-19, p. 127, under no. 18

Nadejda Petroussevitch and Yuri Zolotov in Nicolas Poussin, Leningrad and Paris, 1990, pp. 18-19, p. 127, under no. 18 (ill.).
Sun
07
Feb
note

Burton B. Fredericksen, ed., The Index of Paintings Sold in the British Isles during the Nineteenth Century, vol. 1, 1801-1805, Santa Barbara, Calif., and Oxford, 1988, pp. 568, 979.

Burton B. Fredericksen, ed., The Index of Paintings Sold in the British Isles during the Nineteenth Century, vol. 1, 1801-1805, Santa Barbara, Calif., and Oxford, 1988, pp. 568, 979.
Sun
07
Feb
note

Nicolas Poussin, Claude Lorrain: Zu den Bildern im Städel, exh. cat. Frankfurt, Stätdische Galerie im Städelschen Kunstinstitut, 1988, p. 14.

Nicolas Poussin, Claude Lorrain: Zu den Bildern im Städel, exh. cat. Frankfurt, Stätdische Galerie im Städelschen Kunstinstitut, 1988, p. 14.
Sun
07
Feb
note

Sergio Guarino in La pittura in Italia: Il seicento, vol. 2, Milan, 1988, p. 850.

Sergio Guarino in La pittura in Italia: Il seicento, vol. 2, Milan, 1988, p. 850.
Sun
07
Feb
note

Jacques Thuillier, Nicolas Poussin, Paris, 1988, pp. 153, 254.

Jacques Thuillier, Nicolas Poussin, Paris, 1988, pp. 153, 254.
Sun
07
Feb
note

Art Institute of Chicago Master Paintings, Chicago 1988, p. 33, ill.

Art Institute of Chicago Master Paintings, Chicago 1988, p. 33, ill.
Sun
07
Feb
note

Jean Jacques Lévêque, La vie et l'oeuvre de Nicolas Poussin, Paris, 1988, p. 193.

Jean Jacques Lévêque, La vie et l'oeuvre de Nicolas Poussin, Paris, 1988, p. 193.
Sun
07
Feb
note

Yuri Zolotov, Poussin

Yuri Zolotov, Poussin (in Russian), Moscow, 1988, pp. 130-31, 253, pl. 233.
Sat
07
Feb
note

Marc Sandoz, “Essai sur le paysage de montagne dans la peinture française du XVIIe siècle,” Cahiers du paysage de montagne et de quelques sujets relatifs à la montagne 1

Marc Sandoz, “Essai sur le paysage de montagne dans la peinture française du XVIIe siècle,” Cahiers du paysage de montagne et de quelques sujets relatifs à la montagne 1 (1987), p. 46, fig. 60.
Sat
07
Feb
note

Jean Clair, “L’Obélisque,” in Il se rendit en Italie”: Etudes offertes à André Chastel, Rome and Paris, 1987, pp. 692, 697, ill.

Jean Clair, “L’Obélisque,” in Il se rendit en Italie”: Etudes offertes à André Chastel, Rome and Paris, 1987, pp. 692, 697, ill.
Thu
07
Feb
note

Christopher Wright, The French Painters of the Seventeenth Century, London,1985, pp. 71, 249.

Christopher Wright, The French Painters of the Seventeenth Century, London,1985, pp. 71, 249.
Thu
07
Feb
note

Gemäldegalerie, Berlin, Meisterwerke Gemäldegalerie Berlin, Berlin, 1985, p. 362; English ed., Masterworks of the Gemäldegalerie, Berlin, New York, 1986, p. 362.

Gemäldegalerie, Berlin, Meisterwerke Gemäldegalerie Berlin, Berlin, 1985, p. 362; English ed., Masterworks of the Gemäldegalerie, Berlin, New York, 1986, p. 362.
Thu
07
Feb
note

Christopher Wright, Poussin Paintings: A Catalogue Raisonné, New York, 1985, pp. 99, 101-02, 182, under no. 92, p. 206, under no.145, p. 207, under no. 148, p. 208, under no. 150, no. 151, pp. 252, 270, 273-74, 277, fig. 79.

Christopher Wright, Poussin Paintings: A Catalogue Raisonné, New York, 1985, pp. 99, 101-02, 182, under no. 92, p. 206, under no.145, p. 207, under no. 148, p. 208, under no. 150, no. 151, pp. 252, 270, 273-74, 277, fig. 79.
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