ArtworkStatus unknown

Christ on the Cross with Mary Magdalene

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oil paint (paint)55 × 74 Cm

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About the artwork
Artist supplied description.

This small painting showing the grief-stricken Saint Mary Magdalene alone at the foot of the cross was probably intended as a private devotional work. The same expressive figure of Magdalene appears in more complex treatments of the Crucifixion and the Lamentation by followers of Simon Vouet. Having worked in Rome before returning to Paris as first painter to Louis XIII in 1627, Vouet was a gifted teacher, attracting many students and collaborators to his Paris workshop. Vouet's followers Charles Poërson, Michel Dorigny, and François Perrier have all suggested as the author of this painting. Though the artist remains unidentified, his debt to Vouet's weighty figure types, active draper, and rich colors is clear.

Artwork metadata
Structured fields synced from connected systems.
Mediumoil paint (paint)
Dimensions55 × 74 Cm
Tags
crucifixionsJesusMary MagdalenewomanmanMourningbiblicalcontainerstreesrocksnatureskylandscapeChristian subjectsChristianityreligionreligiousreligious figuresreligious scenestownsarchitechturearchitecturearchitecturebushes
CertificateCertificate not provided
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Thu
06
Feb
note

J.-F. Méjanes in Musée du Louvre, Département des arts graphiques, Inventaire général des dessins, École française, vol. 13, De Pagnest à Puvis de Chavannes, ed. Catherine Legrand

J.-F. Méjanes in Musée du Louvre, Département des arts graphiques, Inventaire général des dessins, École française, vol. 13, De Pagnest à Puvis de Chavannes, ed. Catherine Legrand (Paris, 1997), p. 405, under no. 1638.
Thu
06
Feb
note

Barbara Brejon de Lavergnée, Nicole de Reyniès, and Nicolas Sainte Fare Garnot, Charles Poerson 1609-1667, exh. cat., Musées de Metz, 1997, pp. 215-8, no. 138, ill.

Barbara Brejon de Lavergnée, Nicole de Reyniès, and Nicolas Sainte Fare Garnot, Charles Poerson 1609-1667, exh. cat., Musées de Metz, 1997, pp. 215-8, no. 138, ill.
Tue
06
Feb
note

Susan Wise and Malcolm Warner, French and British Paintings from 1600 to 1800 in The Art Institute of Chicago: A Catalogue of the Collection

Susan Wise and Malcolm Warner, French and British Paintings from 1600 to 1800 in The Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1996), pp. 114–116, ill.
Sat
06
Feb
note

Pierre Rosenberg, La Peinture française du XVIIe siècle dans les collections américaines, exh. cat., Paris, Galeries Nationales du Grand Palais, 1982, p. 375, no. 6

Pierre Rosenberg, La Peinture française du XVIIe siècle dans les collections américaines, exh. cat., Paris, Galeries Nationales du Grand Palais, 1982, p. 375, no. 6 (ill.).
Sat
06
Feb
note

Rosenberg, “France in the Golden Age: A Postscript,” Metropolitan Museum Journal 17

Rosenberg, “France in the Golden Age: A Postscript,” Metropolitan Museum Journal 17 (1982), p. 46.
Fri
06
Feb
note

Private Collection, Zurich, to 1974 [according to letter of March 19, 1981 from Grizelda Grimond, Colnaghi to Susan Wise in curatorial file]

Private Collection, Zurich, to 1974 [according to letter of March 19, 1981 from Grizelda Grimond, Colnaghi to Susan Wise in curatorial file]
Mon
06
Feb
note

The Art Institute of Chicago Annual Report 1978-79

The Art Institute of Chicago Annual Report 1978-79 (Chicago, 1979), p. 35.
Mon
06
Feb
note

sold by Colnaghi to the Art Institute as by Michel Dorigny, 1978.

sold by Colnaghi to the Art Institute as by Michel Dorigny, 1978.
Wed
06
Feb
note

bought by Colnaghi, London, 1974 [according to letter cited above]

bought by Colnaghi, London, 1974 [according to letter cited above]
© Artist-Unknown. All rights reserved.