ArtworkStatus unknown

The Adoration of the Christ Child

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tempera47 × 52 Cm

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Artwork metadata
Structured fields synced from connected systems.
Mediumtempera
Dimensions47 × 52 Cm
Tags
religious scenesbiblicalChristianityChristian subjectsreligiousreligious figuresreligionyellow (color)red (color)blue (color)natureshepherdslandscapeanimalssheepangelsJesusVirgin MaryVirgin and child/Madonna and childholy family
CertificateCertificate not provided
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Mon
02
Feb
note

Maurizia Tazartes, Fucina lucchese: Maestri, botteghe, mercanti in una città del Quattrocento

Maurizia Tazartes, Fucina lucchese: Maestri, botteghe, mercanti in una città del Quattrocento (Pisa, 2007), p. 66, fig. 56.
Mon
02
Feb
exhibition

Lucca, Museo Nazionale di Villa Guinigi, "Matteo Civitali e il suo Tempo, " April 3–July 11, 2004, no. 4.25.

Lucca, Museo Nazionale di Villa Guinigi, "Matteo Civitali e il suo Tempo," April 3–July 11, 2004, no. 4.25.
Mon
02
Feb
note

Everett Fahy, Dipinti, disegni, miniature, stampe, L’Archivio Storico Fotografico di Stefano Bardini

Everett Fahy, Dipinti, disegni, miniature, stampe, L’Archivio Storico Fotografico di Stefano Bardini (Florence, 2000), pp. 48–49, 249, no. 419, ill.
Mon
02
Feb
note

bequeathed to the Art Institute, 1954.

bequeathed to the Art Institute, 1954.
Mon
02
Feb
note

Alfred Scharf, Filippino Lippi

Alfred Scharf, Filippino Lippi (Vienna, 1935), p. 114, no. 93, fig. 210.
Mon
02
Feb
note

Old Masters in the Collection of Max Epstein

Old Masters in the Collection of Max Epstein (Chicago, 1928), ill. n. pag.
Mon
02
Feb
note

on loan to the Art Institute, 1926

on loan to the Art Institute, 1926
Mon
02
Feb
note

sold Christie’s, London, July 7, 1922, no....

sold Christie’s, London, July 7, 1922, no. 93, as Filippo Lippi, The Madonna Adoring the Infant Saviour, to Visman for ₤39 18s [price and buyer according to Art Prices Current, 1921–1922, p. 435]. Max Epstein (died 1954), Chicago, by 1926 [according to registrar’s records]
Mon
02
Feb
note

Art Prices Current: 1921–1922

Art Prices Current: 1921–1922 (London, 1922), p. 435.
Mon
02
Feb
note

sold to Charles Fairfax Murray, London [according to Carter 1904]....

sold to Charles Fairfax Murray, London [according to Carter 1904]. Ralph Brocklebank, Haughton Hall, Tarporley, Cheshire, 1897–1922 [according to Carter 1904, Brocklebank purchased the painting in 1897]
Mon
02
Feb
note

R. Radcliffe Carter, Pictures and Engravings at Haughton Hall, Tarporley, in the Possession of Ralph Brocklebank

R. Radcliffe Carter, Pictures and Engravings at Haughton Hall, Tarporley, in the Possession of Ralph Brocklebank (London, 1904), pp. viii, 12, no. 9, ill.
Mon
02
Feb
note

Counts Sardini, Lucca [according to Carter 1904]

Counts Sardini, Lucca [according to Carter 1904]
Tue
02
Feb
note

Christopher Lloyd, Italian Paintings before 1600 in the Art Institute of Chicago: A Catalogue of the Collection

Christopher Lloyd, Italian Paintings before 1600 in the Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1993), pp. 95–98, ill.
Sat
02
Feb
note

Massimo Ferretti, “Vincenzo Frediani,” in Colección Cambó, exh. cat.

Massimo Ferretti, “Vincenzo Frediani,” in Colección Cambó, exh. cat. (Barcelona, Fundación Caja de Barcelona, 1991), pp. 266, ill., 268–69.
Sun
02
Feb
note

C. Baracchini and M. T. Filieri, “Pittori a Lucca tra ´400 e ´500,” Annali della Scuola Normale Superiore di Pisa: Classe di lettere e filosofia, ser. 3, 16

C. Baracchini and M. T. Filieri, “Pittori a Lucca tra ´400 e ´500,” Annali della Scuola Normale Superiore di Pisa: Classe di lettere e filosofia, ser. 3, 16 (1986), pp. 752, 755, pl. XXXIV, 1.
Sat
02
Feb
note

Mauro Natale, “Note sulla pittura lucchese alle fine del Quattrocento,” The J. Paul Getty Museum Journal 8

Mauro Natale, “Note sulla pittura lucchese alle fine del Quattrocento,” The J. Paul Getty Museum Journal 8 (1980), p. 55, fig. 37.
Mon
02
Feb
note

Everett Fahy, Some Followers of Domenico Ghirlandajo

Everett Fahy, Some Followers of Domenico Ghirlandajo (New York and London, 1976), p. 177.
Sun
02
Feb
note

Massimo Ferretti, “Percorso lucchese,” Annali della Scuola Normale Superiore di Pisa: Classe di lettere e filosofia, ser. 3, 5

Massimo Ferretti, “Percorso lucchese,” Annali della Scuola Normale Superiore di Pisa: Classe di lettere e filosofia, ser. 3, 5 (1975), pp. 1041 n. 15, 1042 n. 17.
Wed
02
Feb
note

Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections

Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections (Cambridge, Massachusetts, 1972), pp. 131, 352, 571.
Thu
02
Feb
note

Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection

Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago, 1961), p. 261.
© Artist-Unknown. All rights reserved.