ArtworkStatus unknown
Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: Pentecost
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oil paint (paint)51 × 117 Cm
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About the artwork
Artist supplied description.
This panel was once part of the altarpiece decorating the high altar of the Carthusian monastery at Thuison, outside of Abbeville in northern France. Four saints standing in niches were painted on the exterior of the altarpiece’s wings. When the wings were open, the interior of the altarpiece told the story of Christ’s Passion and Resurrection through painted narratives on the inside of the wings and painted and gilded carvings in the central shrine whose central subject was undoubtedly the Crucifixion. The carvings have not survived. The fronts and backs of the wings were sawn apart in the mid 19th century; all the wing panels except one narrative (The Entry into Jerusalem, Hermitage, Saint Petersburg) are in the Art Institute.
A rich border region north of Paris, Picardy was a possession of the Burgundian Netherlands in the mid-15th century, becoming part of France in 1477. Its painters were strongly influenced by artists from the neighboring provinces of the Low Countries, among them Rogier van der Weyden and Simon Marmion.
Artwork metadata
Structured fields synced from connected systems.
| Medium | oil paint (paint) |
| Dimensions | 51 × 117 Cm |
| Tags | Christian subjectsarchitecturearchitecturearchitechturebiblicalreligious figuresreligious scenesreligiousreligionChristianityVirgin MarymenbirddovessaintsCentury of Progressworld's fairsChicago World's Fairs |
| Certificate | Certificate not provided |
Timeline
Chain of custody, exhibitions, and verification milestones synced from the provenance service.
Sat
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Ernest Prarond, La Topographie historique et archéologique d’Abbeville, Paris and Abbeville, 1871–84, vol. 1, [p. 356].
Ernest Prarond, La Topographie historique et archéologique d’Abbeville, Paris and Abbeville, 1871–84, vol. 1, [p. 356].
Sat
14
Feb
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sold before the church was demolished in 1796, probably in 1790–91 [It is not known when the retable structure was sold or dismembered....
sold before the church was demolished in 1796, probably in 1790–91 [It is not known when the retable structure was sold or dismembered. The charterhouse was demolished in 1796 after its suppression in1790
Sat
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Feb
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Émile Delignières, Notice sur plusieurs anciennes peintures inconnues de l’école flamande, Paris, 1898, pp. 5–43.
Émile Delignières, Notice sur plusieurs anciennes peintures inconnues de l’école flamande, Paris, 1898, pp. 5–43.
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passed at his death to an unknown inhabitant of Abbeville [Delignières 1898, p....
passed at his death to an unknown inhabitant of Abbeville [Delignières 1898, p. 31]
Sat
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Feb
note
Sophie Guillot de Suduiraut, "Les caractères brabançons de l'art des retables abbevillois au début du XVIe siècle. Quelques observations" in La Sculpture Picarde à Abbeville vers 1500 autour du retable de Thuison, exhib. cat., Musée Bouche...
Sophie Guillot de Suduiraut, "Les caractères brabançons de l'art des retables abbevillois au début du XVIe siècle. Quelques observations" in La Sculpture Picarde à Abbeville vers 1500 autour du retable de Thuison, exhib. cat., Musée Boucher-de-Perthes, Abbeville, 2001pp. 33, 35, 37, 43.
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Eugène Kraemer, Paris
Eugène Kraemer, Paris
Sat
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L’Abbé J. Corblet, Hagiographie du diocèse d’Amiens, Amiens, vol. 3, 1873, p. 74; vol. 4, 1874, p. 321. L’Abbé F. A. Lefebvre,
L’Abbé J. Corblet, Hagiographie du diocèse d’Amiens, Amiens, vol. 3, 1873, p. 74; vol. 4, 1874, p. 321. L’Abbé F. A. Lefebvre,
Sat
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note
Prarond 1871–84, vol....
Prarond 1871–84, vol. 2, pp. 527, 536–37, 547, 551–52]
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Émile Delignières, Souvenirs de l’exposition des primitifs français à
Émile Delignières, Souvenirs de l’exposition des primitifs français à
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convent of the Ursulines, Abbeville, 1873 [according to Corblet 1873, 1874....
convent of the Ursulines, Abbeville, 1873 [according to Corblet 1873, 1874.]
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Jean-François Boitel, Histoire d’Abbeville: Supplément à l’histoire ecclésiastique d’Abbeville du Père Ignace, Bibliothèque Municipale, Abbeville, MS 447, n.d. [late 18th century], vol. 1, fols. 242/8–242/16.
Jean-François Boitel, Histoire d’Abbeville: Supplément à l’histoire ecclésiastique d’Abbeville du Père Ignace, Bibliothèque Municipale, Abbeville, MS 447, n.d. [late 18th century], vol. 1, fols. 242/8–242/16.
Sat
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Church of the Carthusian monastery of Saint-Honoré, Thuison-les -Abbeville
Church of the Carthusian monastery of Saint-Honoré, Thuison-les -Abbeville
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La Chartreuse de Saint-Honoré à Thuison, près d’Abbeville, Abbeville, 1885, pp. 166–67.
La Chartreuse de Saint-Honoré à Thuison, près d’Abbeville, Abbeville, 1885, pp. 166–67.
Sat
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purchased directly or at second hand by the Abbé Louis-Victor Cauchy (d....
purchased directly or at second hand by the Abbé Louis-Victor Cauchy (d. 1828), then curate of Saint-Sepulchre, Abbeville [Delignières 1898, p. 31]
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86–92, figs. 18, 21–25.
86–92, figs. 18, 21–25.
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acquired by Émile Delignières, Abbeville, probably by 1898 Delignières 1898]
acquired by Émile Delignières, Abbeville, probably by 1898 Delignières 1898]
Sat
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Feb
note
Martha Wolff et al., Kings, Queens, and Courtiers: Art in Early Renaissance France
Martha Wolff et al., Kings, Queens, and Courtiers: Art in Early Renaissance France (New Haven and London, 2011). pp. 157-158, ill.
Sat
14
Feb
exhibition
Art Institute of Chicago, Kings, Queens, and Courtiers: Art in Early Renaissance France, 2011, no. 82.
Art Institute of Chicago, Kings, Queens, and Courtiers: Art in Early Renaissance France, 2011, no. 82.
Sat
14
Feb
exhibition
Paris, Galeries nationales, Grand Palais, France 1500: entre Moyen Age et Renaissance, 2010–11, no. 174.
Paris, Galeries nationales, Grand Palais, France 1500: entre Moyen Age et Renaissance, 2010–11, no. 174.
Sat
14
Feb
note
Susan Frances Jones in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago
Susan Frances Jones in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago (Chicago, 2008), pp. 30-42, ill.
Sat
14
Feb
note
Pascale Charron, Le Maître du Champion des Dames, Paris, 2004, pp. 336–44, 346, 348, figs. 168–69
Pascale Charron, Le Maître du Champion des Dames, Paris, 2004, pp. 336–44, 346, 348, figs. 168–69 (1933.1055–56).
Sat
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Feb
note
Pantxika Béguerie-de Paepe, “Résurrection et Assomption de la Vierge,” Revue du Louvre 52
Pantxika Béguerie-de Paepe, “Résurrection et Assomption de la Vierge,” Revue du Louvre 52 (2002), p. 82.
Sat
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Feb
note
Pantxika Béguerie-de Paepe, La Sculpture Picarde à Abbeville vers 1500 autour du retable de Thuison, exhib. cat., Musée Boucher-de-Perthes, Abbeville, 2001, pp. 48, 56, 66, 100–02, 147–50.
Pantxika Béguerie-de Paepe, La Sculpture Picarde à Abbeville vers 1500 autour du retable de Thuison, exhib. cat., Musée Boucher-de-Perthes, Abbeville, 2001, pp. 48, 56, 66, 100–02, 147–50.
Sat
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Feb
note
Marc Gil, “Peinture et enluminure à Arras au XVe siècle,” Fragments d’une splendeur: Arras à la fin du moyen âge, Tourcoing, 2000, p. 47.
Marc Gil, “Peinture et enluminure à Arras au XVe siècle,” Fragments d’une splendeur: Arras à la fin du moyen âge, Tourcoing, 2000, p. 47.
Sat
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Feb
note
Greta Ring, A Century of French Painting, 1400–1500, London, 1949, p. 219, no. 169, pls. 105–06
Greta Ring, A Century of French Painting, 1400–1500, London, 1949, p. 219, no. 169, pls. 105–06 (1933.1054, 1933.1059).
Sat
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note
Joan Evans, Art in Medieval France, 987–1498, London and New York, 1948, pp. 155–56, figs. 141–42
Joan Evans, Art in Medieval France, 987–1498, London and New York, 1948, pp. 155–56, figs. 141–42 (1933.1054, 1933.1060).
Sat
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Feb
note
The Face of Christ: A Portfolio of His Image through the Ages,” Fortune 33, 1
The Face of Christ: A Portfolio of His Image through the Ages,” Fortune 33, 1 (1946), p. 137 (ill. 1933.1056–57).
Sat
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Feb
note
Charles Sterling [Charles Jacques, pseud.], La Peinture française: Les Peintres du moyen âge, Paris, 1941, p. 62, no. 112.
Charles Sterling [Charles Jacques, pseud.], La Peinture française: Les Peintres du moyen âge, Paris, 1941, p. 62, no. 112.
Sat
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Feb
note
Charles Sterling, La Peinture française: Les Primitifs, Paris, 1938, pp. 136–37, figs.
Charles Sterling, La Peinture française: Les Primitifs, Paris, 1938, pp. 136–37, figs.
Sat
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Feb
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Jacques Dupont, Les Primitifs français, Paris, 1937, p. 37
Jacques Dupont, Les Primitifs français, Paris, 1937, p. 37 (ill. 1933.1054, 1933.1060).
Sat
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Feb
note
G. J. Hoogewerff, De Noord-nederlandsche schilderkunst, vol. 2, The Hague, 1937, pp. 32–49, pls. 11, 13–14, 16, 17
G. J. Hoogewerff, De Noord-nederlandsche schilderkunst, vol. 2, The Hague, 1937, pp. 32–49, pls. 11, 13–14, 16, 17 (1933.1054–58).
Sat
14
Feb
exhibition
Toledo (Ohio) Museum of Art, French and Flemish Primitive Exhibition, 1935, nos. 37–38 (1933.1058, 1933.1054).
Toledo (Ohio) Museum of Art, French and Flemish Primitive Exhibition, 1935, nos. 37–38 (1933.1058, 1933.1054).
Sun
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Feb
note
Jeremy Dupertuis Bangs, “The Masters of Alkmaar and Hand X: The Haarlem Painters of the Van Waterlant Family,” Wallraf-Richartz-Jahrbuch 60
Jeremy Dupertuis Bangs, “The Masters of Alkmaar and Hand X: The Haarlem Painters of the Van Waterlant Family,” Wallraf-Richartz-Jahrbuch 60 (1999), pp.
Sun
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note
Dominique Thiébaut, “La Peinture de chevalet au XVe siècle,” in Art et société en France, ed. Christine Prigent, Paris, 1999, p. 335.
Dominique Thiébaut, “La Peinture de chevalet au XVe siècle,” in Art et société en France, ed. Christine Prigent, Paris, 1999, p. 335.
Sun
14
Feb
note
Pantxika Béguerie-de Paepe, “Le Retable de la Vie de la Vierge: Une Oeuvre provenant de la Chartreuse Saint-Honoré de Thuison d’Abbeville,” Célébration du 200e anniversaire de la Société d’émulation d’Abbeville, Abbeville, 1999, pp. 67–68.
Pantxika Béguerie-de Paepe, “Le Retable de la Vie de la Vierge: Une Oeuvre provenant de la Chartreuse Saint-Honoré de Thuison d’Abbeville,” Célébration du 200e anniversaire de la Société d’émulation d’Abbeville, Abbeville, 1999, pp. 67–68.
Sun
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Feb
note
Marc Gil, “Du Maître de Mansel au Maître de Rambures: Le Milieu des peintres et des enlumineurs de Picardie, ca. 1440–1480,” Ph.D. diss., vol. 2, Université de Paris IV—Sorbonne, 1999, pp. 493–98, fig. 500.
Marc Gil, “Du Maître de Mansel au Maître de Rambures: Le Milieu des peintres et des enlumineurs de Picardie, ca. 1440–1480,” Ph.D. diss., vol. 2, Université de Paris IV—Sorbonne, 1999, pp. 493–98, fig. 500.
Sat
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Feb
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Lorne Campbell, The Fifteenth Century Netherlandish Schools, National Gallery Catalogues, London, 1998, p. 315 and n. 23.
Lorne Campbell, The Fifteenth Century Netherlandish Schools, National Gallery Catalogues, London, 1998, p. 315 and n. 23.
Sun
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Feb
note
The Art Institute of Chicago, Master Paintings in The Art Institute of Chicago, 1988 , pp. 16–17
The Art Institute of Chicago, Master Paintings in The Art Institute of Chicago, 1988 , pp. 16–17 (ill.1933.1054, 1933.1056).
Fri
14
Feb
note
Philippe Bonnet-Laborderie, “Les Peintures sur bois de l’église St-Étienne: Des primitifs beauvaisiens méconnus,” Bulletin de la Groupe d’étude des monuments et oeuvres d’art du Beauvaisis 26
Philippe Bonnet-Laborderie, “Les Peintures sur bois de l’église St-Étienne: Des primitifs beauvaisiens méconnus,” Bulletin de la Groupe d’étude des monuments et oeuvres d’art du Beauvaisis 26 (1986), pp. 34–39, figs. 24–26 (1933.1056–58).
Thu
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Feb
note
Albert Châtelet, “Art français et art flamand: Les Échanges dans le domaine pictural,” in La France de la fin du XVe siècle: Renouveau et apogée, ed. Bernard Chevalier and Philippe Contamine, Paris, 1985, p. 227.
Albert Châtelet, “Art français et art flamand: Les Échanges dans le domaine pictural,” in La France de la fin du XVe siècle: Renouveau et apogée, ed. Bernard Chevalier and Philippe Contamine, Paris, 1985, p. 227.
Thu
14
Feb
note
Nicole Reynaud, “Un Tableau du XVe siècle provenant d’Abbeville: La Translation de la châsse de saint Foillan,” Bulletin de la Société de l’histoire de l’art français, année 1980
Nicole Reynaud, “Un Tableau du XVe siècle provenant d’Abbeville: La Translation de la châsse de saint Foillan,” Bulletin de la Société de l’histoire de l’art français, année 1980 (1982), pp. 25–26.
Wed
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note
Christa Grössinger, “The Raising of Lazarus: a French Primitive in Sherborne
Christa Grössinger, “The Raising of Lazarus: a French Primitive in Sherborne (Dorset),” Journal of the British Archaeological Association 132 (1979), pp. 9–10, pl. 24A–B (1933.1056– 57).
Wed
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Feb
note
Nicole Reynaud, “Un Christ jardinier de l’école de Picardie,” Revue du Louvre 29
Nicole Reynaud, “Un Christ jardinier de l’école de Picardie,” Revue du Louvre 29 (1979), pp. 360–61, fig. 4 (1933.1057).
Wed
14
Feb
note
Charles Sterling, “La Peinture sur panneau picarde et son rayonnement dans le nord de la France au XVe siècle,” Bulletin de la Société de l’histoire de l’art français, année 1979
Charles Sterling, “La Peinture sur panneau picarde et son rayonnement dans le nord de la France au XVe siècle,” Bulletin de la Société de l’histoire de l’art français, année 1979 (1981), pp. 17–24, figs. 11b–13d.
Tue
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Feb
note
The Art Institute of Chicago, 100 Masterpieces, 1978, no. 7
The Art Institute of Chicago, 100 Masterpieces, 1978, no. 7 (1933.1057).
Sat
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Feb
note
John Maxon, The Art Institute of Chicago, London, 1970, pp. 32–33
John Maxon, The Art Institute of Chicago, London, 1970, pp. 32–33 (ill. 1933.1060), 283.
Sat
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Feb
note
Charles Sterling, “Paoul Grymbault: Éminent Peintre français du XVe siècle,” Revue de l’art, no. 8
Charles Sterling, “Paoul Grymbault: Éminent Peintre français du XVe siècle,” Revue de l’art, no. 8 (1970), pp. 31–32, figs. 23–24, 27 (1933.1055, 1933.1057–58).
Mon
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Frederick A. Sweet, “Great Chicago Collectors,” Apollo 84
Frederick A. Sweet, “Great Chicago Collectors,” Apollo 84 (1966), p. 198, fig. 21 (1933.1056).
Wed
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note
Philip C. Fenton, “Hugh of Lincoln: The Hammer of Kings,” History Today 12
Philip C. Fenton, “Hugh of Lincoln: The Hammer of Kings,” History Today 12 (1962), p. 768 (ill. 1933.1060).
Tue
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Feb
note
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, pp. 138
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, pp. 138 (ill. 1933.1057–58), 297–98.
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