Portrait Presumed to Be of Antonio Zantani

Bernard Berenson, Italian Pictures of the Renaissance: Venetian School (London, 1957), vol. 1, p. 171.

P. Wescher, “I ritratti del Doge Girolamo Priuli del Tintoretto,” Arte veneta 9 (1957), p. 207.

H. Comstock, “Tintoretto’s Portrait of a Venetian Senator,” Connoisseur 121 (1948), p. 46 (ill.).

K. Kuh, “The Worcester Gift,” Art Institute of Chicago Bulletin 41 (1947), p. 63.

given to the Art Institute, 1947.

Daniel Catton Rich, Catalogue of the Charles H. and Mary F. S. Worchester Collection of Paintings, Sculpture, and Drawings (Chicago, 1938), pp. 14–15, no. 10, pl. IX.

Rushton Hall, Kettering (Northamptonshire) [ according to letter of 9 February, 1937 from Asscher and Welker to D. C. Rich in curatorial file

sold to Charles H. Worcester, Chicago, 1935

they give Breitmeyer's address as 11 Connaught Place]. Asscher and Welker, London, by 1935

Rushton Hall changed hands several times during the nineteenth century (see Country Life, vol. 26, 1909, pp. 454–61, 490–501, and vol. 115, 1954, pp. 599–600). The most likely owners of the present picture were Henry Pfungst and J. J. van Alen]. L. Breitmeyer, London [according to the letter from Asscher and Welker cited above

Christopher Lloyd, Italian Paintings before 1600 in The Art Institute of Chicago (Chicago, 1993), pp. 269–271, ill.

P. Rossi, Jacopo Tintoretto, vol. 1, I ritratti, Venice, 1974, pp. 140–41.

Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections (Cambridge, Mass., 1972), pp. 199, 518, 520, 571.

C. Bernari and P. De Vecchi, L’opera completa del Tintoretto, Milan, 1970, p. 134, fig. F14.

The Art Institute of Chicago, Paintings in The Art Instiute of Chicago: A Catalogue of the Picture Collection, 1961, pp. 450–51.