ArtworkStatus unknown

Lights of Other Days

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oil paint (paint)4,514 × 77 Cm

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About the artwork
Artist supplied description.

Lights of Other Days, like many of John F. Peto’s still lifes, is replete with nostalgia. Strewn along a shallow shelf above a doorframe is an array of old, well-worn objects: candleholders with wax candles nearly used up, rusty oil lamps, and torn books. These discarded commonplace objects allude to older ways of life and fading memories. Peto specialized in trompe l’oeil (fools the eye) pictures; yet his soft-edged style is suggestive of the artist’s hand rather than the heightened illusionism employed by other trompe l’oeil painters such as William Harnett. Trained in Philadelphia, Peto stopped exhibiting his work at professional venues by 1890, creating compositions instead for local patrons near his New Jersey home.

Artwork metadata
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Mediumoil paint (paint)
Dimensions4,514 × 77 Cm
Tags
still life
CertificateCertificate not provided
Timeline
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Thu
12
Feb
note

Judith A. Barter, "True to the Senses and False in Its Essence: Still–Life and Trompe l'Oeil Painting in Victorian America," Museum Studies 31, 1

Judith A. Barter, "True to the Senses and False in Its Essence: Still–Life and Trompe l'Oeil Painting in Victorian America," Museum Studies 31, 1 (Art Institute of Chicago, 2005) p. 43 (ill.).
Thu
12
Feb
exhibition

Amsterdam, Van Gogh Museum, Light: Art, Technology, and Society in the Industrial Age, 1750–1900, Oct. 20, 2000–Feb. 11, 2001; Pittsburgh, Carnegie Museum of Art, Apr. 7–July 29, 2001.

Amsterdam, Van Gogh Museum, Light: Art, Technology, and Society in the Industrial Age, 1750–1900, Oct. 20, 2000–Feb. 11, 2001; Pittsburgh, Carnegie Museum of Art, Apr. 7–July 29, 2001.
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